The Making of the Raj


Book Description

This book opens up a frequently neglected aspect of the rise of British power in India: namely, the impact of that process upon the lives the Indian people themselves for three centuries. Most traditional Raj histories deal with the actions, motives, and thoughts of the British who occupied, governed, and administered the subcontinent. The Making of the Raj: India under the East India Company flips the focus and tells not of the rulers but concentrates on the Indian workers-the farmers, the millhands, the servants, and the gardeners. The book uncovers the untold and priceless tales of the individuals who were subjected to the rule of the British during the Raj, describing the impacts upon the lives of Indians themselves. The book traces the history of British interactions with India from their beginnings in the early 1600s, through to the establishment of Raj in the wake of the Indian Mutiny of 1857. The first part provides a narrative of the transformation of the East Indian company from trading enterprise to governing authority. The second portion of the text considers the effects of these developments thematically, examining issues such as the organization of agriculture, the development of the caste system, and the myriad changes in cultural and religious life.




Food Culture in Colonial Asia


Book Description

Presenting a social history of colonial food practices in India, Malaysia and Singapore, this book discusses the contribution that Asian domestic servants made towards the development of this cuisine between 1858 and 1963. Domestic cookbooks, household management manuals, memoirs, diaries and travelogues are used to investigate the culinary practices in the colonial household, as well as in clubs, hill stations, hotels and restaurants. Challenging accepted ideas about colonial cuisine, the book argues that a distinctive cuisine emerged as a result of negotiation and collaboration between the expatriate British and local people, and included dishes such as curries, mulligatawny, kedgeree, country captain and pish pash. The cuisine evolved over time, with the indigenous servants preparing both local and European foods. The book highlights both the role and representation of domestic servants in the colonies. It is an important contribution for students and scholars of food history and colonial history, as well as Asian Studies.




Creating the Arabian Gulf


Book Description

Even whether to call the Gulf 'Arabian' or 'Persian' is an unending argument. Regardless of its name, the Gulf is one of the most politically important regions of the world. Despite its constant presence in the headlines, the fact that it was part of the British Indian empire for many years has gone unappreciated. The long period of British control and the connections with India are, in fact, necessary in understanding the contemporary Middle East. With more than ten years of experience as a government advisor in Saudi Arabia and Qatar, Paul Rich draws on previously closed archives to document the actual heritage of the area and dispel the myths. Rich shows that the influences of Britain and India are far deeper than commonly acknowledged, and that the sheikhs are actually the creation of the British Raj. He explains that they owe their thrones to a small group of British political agents_the 'Heaven Born'_who created the satraps and then proceeded to rule from behind the scenes by a clever use of stagecraft and ritual that was heavily flavored by their experiences at English public schools and in Masonic lodges. In its attempt to make sense of the complexity of Arab sheikhdoms in the Gulf, Creating the Arabian Gulf is an ideal book for students and scholars interested in Middle East studies and international relations.




Reimagining Tibet


Book Description

This book examines how territorial, civilisational and cultural location determines one’s gaze and attitude while representing a contested space like Tibet. It analyses representations of Tibet in three novels: James Hilton’s Lost Horizon (1933), Jamyang Norbu’s The Mandala of Sherlock Holmes (1999) and Kaushik Barua’s Windhorse (2013). It shows how these novels project different types of gaze — insider, outsider and insider-outsider — and explores them within the context of some contemporary Tibetan activist writers. The book also looks at Tibetan exilic writings and virtual activities of the Tibetan activists whose programmes and rhetoric counter the age-old image of the Tibetans as passive and non-violent people. It shows how activists utilise social networking as an effective platform to counter imperialist occupation of Tibet by China. It includes interviews of eight Anglophone Tibetan writers – Tenzin Tsundue, Thubten Samphel, Tsering Namgyal Khortsa, Tsering Wangmo Dhompa, Jamyang Norbu, Tenzin Dickie, Bhuchung D. Sonam, and an Indian writer who has written on Tibet, Kaushik Barua. Interdisciplinary, accessible and engaging, this book presents one of the first studies on how Tibet has been represented in English fiction. It will be of interest to scholars and researchers of literature, media and cultural studies, politics, history and China studies.




Classics Illustrated


Book Description

A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort Kunstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.




Bibliography of Imperial, Colonial, and Commonwealth History Since 1600


Book Description

Britain's overseas history has never been well supplied with comprehensive bibliographical aids, and, despite extensive public interest in the subject, the position has steadily worsened. Following the recent Oxford History of the British Empire, this volume is therefore designed to provide a general source of reference and bibliographical guidance, at once wide-ranging, up-to-date, and accessible.










Colonial Self-Fashioning in British India, c. 1785-1845


Book Description

A stereotypical view of the nineteenth-century British in India, which might be characterised as one of deliberate isolation and segregation from their surroundings, has recently been complemented by one evoking a high degree of integration and closer co-existence in the eighteenth century. Focusing on a period which straddles this apparent shift, this book explores a variety of ways in which British residents in India represented their lives through visual material, and reveals a more nuanced position. Consideration of these images, which have often been overlooked in the scholarly literature, opens up questions of identity facing the British population in India at this time and facing colonial societies more generally, and issues about the role of visual culture in negotiating them. It also underlines the fragile and contested nature of identity: the colonists’ self-fashioning encompassed not only expressions of difference from their Indian setting, but also what distinguished them from their compatriots back in Britain, as well as engaging with metropolitan attitudes towards, and prejudices about, them.