Counterfactualism in the Fine Arts


Book Description

Counterfactual thinking has become an established method to evaluate decisions in a range of disciplines, including history, psychology and literature. Elke Reinhuber argues it also has valuable applications in the fine arts and popular media. A fascination with the path not taken is a logical consequence of a world saturated with choices. Art which provokes and explores these tendencies can help to recognise and contextualise the impulse to avoid or endlessly revisit individual or collective decisions. Reinhuber describes the term in broad strokes through the disciplines to show how counterfactualism finds shape in contemporary art forms, especially in photography, film, and immersive and interactive media art (such as 360° content, virtual reality and augmented reality). She analyses the different stages of counterfactuals with examples where artists experience counterfactual thoughts in the process of art production, explore these thoughts in their artwork, and where the artwork itself evokes counterfactual thoughts in the audience. A fascinating exploration for scholars and students of art, media and the humanities, and anybody else with an interest in choices, the art of decisionmaking and counterfactualism.




Causation and Counterfactuals


Book Description

One philosophical approach to causation sees counterfactual dependence as the key to the explanation of causal facts: for example, events c (the cause) and e (the effect) both occur, but had c not occurred, e would not have occurred either. The counterfactual analysis of causation became a focus of philosophical debate after the 1973 publication of the late David Lewis's groundbreaking paper, "Causation," which argues against the previously accepted "regularity" analysis and in favor of what he called the "promising alternative" of the counterfactual analysis. Thirty years after Lewis's paper, this book brings together some of the most important recent work connecting—or, in some cases, disputing the connection between—counterfactuals and causation, including the complete version of Lewis's Whitehead lectures, "Causation as Influence," a major reworking of his original paper. Also included is a more recent essay by Lewis, "Void and Object," on causation by omission. Several of the essays first appeared in a special issue of the Journal of Philosophy, but most, including the unabridged version of "Causation as Influence," are published for the first time or in updated forms. Other topics considered include the "trumping" of one event over another in determining causation; de facto dependence; challenges to the transitivity of causation; the possibility that entities other than events are the fundamental causal relata; the distinction between dependence and production in accounts of causation; the distinction between causation and causal explanation; the context-dependence of causation; probabilistic analyses of causation; and a singularist theory of causation.




Counterfactuals


Book Description

Counterfactuals is David Lewis' forceful presentation of and sustained argument for a particular view about propositions which express contrary to fact conditionals, including his famous defense of realism about possible worlds.




Understanding Counterfactuals, Understanding Causation


Book Description

Twelve essays explore what bearing empirical findings might have on philosophical concerns about counterfactuals and causation, and how, in turn, work in philosophy might help clarify issues in empirical work on the relationships between causal and counterfactual thought.




Mental Causation


Book Description

Presents a comprehensive account of how the mind causes things to happen in the physical world. This book is also available as Open Access.




Counterfactual Thought Experiments in World Politics


Book Description

Political scientists often ask themselves what might have been if history had unfolded differently: if Stalin had been ousted as General Party Secretary or if the United States had not dropped the bomb on Japan. Although scholars sometimes scoff at applying hypothetical reasoning to world politics, the contributors to this volume--including James Fearon, Richard Lebow, Margaret Levi, Bruce Russett, and Barry Weingast--find such counterfactual conjectures not only useful, but necessary for drawing causal inferences from historical data. Given the importance of counterfactuals, it is perhaps surprising that we lack standards for evaluating them. To fill this gap, Philip Tetlock and Aaron Belkin propose a set of criteria for distinguishing plausible from implausible counterfactual conjectures across a wide range of applications. The contributors to this volume make use of these and other criteria to evaluate counterfactuals that emerge in diverse methodological contexts including comparative case studies, game theory, and statistical analysis. Taken together, these essays go a long way toward establishing a more nuanced and rigorous framework for assessing counterfactual arguments about world politics in particular and about the social sciences more broadly.




Counterfactuals


Book Description

What are counterfactuals and what is their point? In many cases, none at all. It may be true that if kangaroos didn't have tails, they would fall over, but they do have tails and if they didn't they wouldn't be kangaroos (or would they?). This is the sort of thing that can give counterfactuals a bad name, as inhabitants of a La La Land of the mind. On the other hand, counterfactuals do useful service across a broad range of disciplines in both the sciences and the humanities, including philosophy, history, cosmology, biology, cognitive psychology, jurisprudence, economics, art history, literary theory. They are also richly, albeit sometimes treacherously, present in the everyday human realm of how our lives are both imagined and lived: in the 'crossroads' scenario of decision-making, the place of regret in retrospective assessments of paths taken and not taken, and, at the outer limit, as the wish not to have been born. Christopher Prendergast take us on a dizzying exploratory journey through some of these intellectual and human landscapes, mobilizing a wide range of reference from antiquity to the present, and sustained by the belief that, whether as help or hindrance, and with many variations across cultures, counterfactual thinking and imagining are fundamental to what it is to be human.




The Ancient World in Alternative History and Counterfactual Fictions


Book Description

Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.




Counterfactual Romanticism


Book Description

Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date – and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.




Possible Worlds Theory and Counterfactual Historical Fiction


Book Description

This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.