Thoughts & Tales From A Country Boy


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A collection of short stories of a country boy growing up on a rural farm in Louisiana with a few personal thoughts along the way.




The Way It Was Back Then


Book Description

Here is a heartwarming collection of a country boys stories of life lived way back before technology so dramatically changed our world. You will be taken back to a time when you had to work really hard just to live, especially when you were living on a farm. Without high-tech tools or gadgets, and without todays modern conveniences, life was more free and loving. In those days, hard work meant something that people today will never understand. The Way It Was Back Then showcases that beautiful past and the real value of hard work that the modern world has long forgotten.




Christian Release


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In the Big Thicket


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Country Boys and Redneck Women


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Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.




Whose Country Music?


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Questions and challenges the systems of gatekeeping that have restricted participation in twenty-first century country music culture.




The Atlantic Monthly


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Rumpelstiltskin’s Secret


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Everyone knows Rumpelstiltskin’s story—or thinks they do. But this innocent-seeming tale hides generations of women’s shrewd accounts of their relationships with men. And the verdict is not flattering. The fairytale may count among the world’s oldest dirty jokes. The theme of the tale, an observation repeated and varied throughout, mocks male inadequacy in many forms, beginning with sexual failure. The punchline misplaced, over time its wickedly funny insights about adult life passed for childish nonsense. The story hides, in plain sight, criticism of workplace sexual harassment—centuries before society took notice of the indignity. Rumpelstiltskin tells a feminist tale with lessons for men and women, about what women said to each other when they thought their private conversation and complaints passed unnoticed. In the story’s different versions, the Brothers Grimm, who recorded the tale, missed women’s wry observations.







Ben Robertson


Book Description

In Ben Robertson: South Carolina Journalist and Author, Jodie Peeler tells the story of a man consumed with a need to see the world but whose heart never really left home. Drawing heavily on Robertson's writings and personal papers, Peeler describes his active career as a journalist, which took him to Hawaii, Australia, Europe, Java, New York, and Washington, D.C. The early years of Robertson's career were spent as a reporter for the New York Herald-Tribune. After several years as a freelance writer, he became a World War II correspondent covering England for the New York newspaper PM. While Robertson's wartime dispatches drew attention and praise, they represented but one aspect of the man's wide-ranging works and career, for the Ben Robertson who witnessed destruction and heroism in the fires of London was also a proud son of South Carolina. In addition to his work as a journalist. Robertson wrote three books. Travelers' Rest, a fictionalized account of his ancestors' settling in South Carolina, ruffled southern feathers. In I Saw England he presents a firsthand account of the Battle of Britain and advocates for the United States to intervene in World War II. His heartfelt memoir, Red Hills and Cotton, which recalls his boyhood days in Pickens County and calls for the South to look to the future, became a southern classic. In 1943, while en route to his new job as London bureau chief for the New York Herald-Tribune, Robertson lost his life in a plane crash. Throughout his decidedly brief but adventurous life, Robertson never stopped being what one friend described as "a sentimental South Carolinian who carried his dreams on the tip of his tongue." And over time he evolved into a progressive voice calling on the South to reevaluate its attitudes on race and economics. This is the story of that proud South Carolinian, from the dreams that propelled him around the world to the sentiment that always called him home.