Courtly Indian Women in Late Imperial India


Book Description

Examines the political worldview of courtly and royal women in India during the late colonial and post-Independence period. This book offers a history of the zenana, which served as the 'women's courts' or 'female quarters of the palace', where women lived behind pardah in seclusion.




Courtly Indian Women in Late Imperial India


Book Description

Examines the political worldview of courtly and royal women in India during the late colonial and post-Independence period. This book offers a history of the zenana, which served as the 'women's courts' or 'female quarters of the palace', where women lived behind pardah in seclusion.




Empire of Influence


Book Description

Indirect rule is widely considered as a defining feature of the nineteenth and twentieth century British Empire but its divisive earlier history remains largely unexplored. Empire of Influence traces the contentious process whereby the East India Company established a system of indirect rule in India in the first decades of the nineteenth century. In a series of thematic chapters covering intelligence gathering, violence, gift giving and the co-optation of the scribal and courtly elite, Callie Wilkinson foregrounds the disagreement surrounding the tactics of the political representatives of the Company and recaptures the experimental nature of early attempts to secure Company control. She demonstrates how these endeavours were reshaped, exploited and resisted by Indians as well as disputed within the Company itself. This important new account exposes the contested origins of these ambiguous relationships of 'protection' and coercion, while identifying the factors that enabled them to take hold and endure.




Women, Wealth and the State in Early Colonial India


Book Description

Few polities were more instrumental to the rise of the East India Company and the advent of British colonial rule in South Asia than the Mughal successor state of Awadh (c. 1722–1856). And few individuals influenced the making of the Awadh regime and its pivotal relationship with the Company more than the chief consorts (begams) of its ruling dynasty. Drawing on previously unexamined Persian sources, this book centres the begams of Awadh within a revised history of state-formation and conceptual change in pre- and early colonial India. In so doing, it posits the begams as essential, if contested, builders of both the Awadh regime and the Company state, and as ambivalent partners in forging evolving political economies and emerging conceptual languages of statehood and sovereignty in early colonial India.




Royal Patronage, Power and Aesthetics in Princely India


Book Description

Investigating the aesthetics of the zenana – the female quarters of the Indic home or palace – this study discusses the history of architecture, fashion, jewellery and cuisine in princely Indian states during the late nineteenth and twentieth centuries.




Routledge Handbook of the History of Colonialism in South Asia


Book Description

The Routledge Handbook of the History of Colonialism in South Asia provides a comprehensive overview of the historiographical specialisation and sophistication of the history of colonialism in South Asia. It explores the classic works of earlier generations of historians and offers an introduction to the rapid and multifaceted development of historical research on colonial South Asia since the 1990s. Covering economic history, political history, and social history and offering insights from other disciplines and ‘turns’ within the mainstream of history, the handbook is structured in six parts: Overarching Themes and Debates The World of Economy and Labour Creating and Keeping Order: Science, Race, Religion, Law, and Education Environment and Space Culture, Media, and the Everyday Colonial South Asia in the World The editors have assembled a group of leading international scholars of South Asian history and related disciplines to introduce a broad readership into the respective subfields and research topics. Designed to serve as a comprehensive and nuanced yet readable introduction to the vast field of the history of colonialism in the Indian subcontinent, the handbook will be of interest to researchers and students in the fields of South Asian history, imperial and colonial history, and global and world history.




An Endangered History


Book Description

An Endangered History examines the transcultural, colonial history of the Chittagong Hill Tracts, c. 1798–1947. This little-studied borderland region lies on the crossroads of Bangladesh, India, and Burma and is inhabited by several indigenous peoples. They observe a diversity of religions, including Buddhism, Hinduism, animism, and Christianity; speak Tibeto-Burmese dialects intermixed with Persian and Bengali idioms; and practise jhum or slash-and-burn agriculture. This book investigates how British administrators from the eighteenth to mid-twentieth centuries used European systems of knowledge, such as botany, natural history, gender, enumerative statistics, and anthropology, to construct these indigenous communities and their landscapes. In the process, they connected the region to a dynamic, global map, and classified its peoples through the reifying language of religion, linguistics, race, and nation.




The Voice of the Indian Mona Lisa


Book Description

The 'Indian Mona Lisa' is an eighteenth-century portrait of the goddess Radha from the Kishangarh school of Rajput Painting. It was purportedly modelled after a young enslaved woman and court-performer, Banī-ṭhanī, who became a concubine of the patron of the painting, crown-prince Savant Singh. Tracing her career, Heidi Pauwels recovers her role as a composer of devotional songs in multiple registers of Classical Hindi and shows how she was a conduit for trend-setting styles from Delhi, including the new vogue of Urdu. Through a combination of literary, historical, and art-historical analysis, she brings to life the vibrant cultural production center of Kishangarh in the eighteenth century by reconstructing how Banī-ṭhanī came to be acclaimed as the devotional poetess Rasikbihārī and as 'India's Mona Lisa'. This major new study conveys important new insights in the history of Hindi literature and devotion, the family, palace women and the social mobility of the enslaved.




Empress


Book Description

An entirely original account of Victoria's relationship with the Raj, which shows how India was central to the Victorian monarchy from as early as 1837 In this engaging and controversial book, Miles Taylor shows how both Victoria and Albert were spellbound by India, and argues that the Queen was humanely, intelligently, and passionately involved with the country throughout her reign and not just in the last decades. Taylor also reveals the way in which Victoria's influence as empress contributed significantly to India's modernization, both political and economic. This is, in a number of respects, a fresh account of imperial rule in India, suggesting that it was one of Victoria's successes.




Embodied Dependencies and Freedoms


Book Description

Have you ever thought about dependencies in Asian art and architecture? Most people would probably assume that the arts are free and that creativity and ingenuity function outside of such reliances. However, the 13 chapters provided by specialists in the fields of Asian art and architecture in this volume show, that those active in the visual arts and the built environment operate in an area of strict relations of often extreme dependences. Material artefacts and edifices are dependent on the climate in which they have been created, on the availability of resources for their production, on social and religious traditions, which may be oral or written down and on donors, patrons and the art market. Furthermore, gender and labour dependencies play a role in the creation of the arts as well. Despite these strong and in most instances asymmetrical dependencies, artists have at all times found freedoms in expressing their own imagination, vision and originality. This shows that dependencies and freedoms are not necessarily strictly separated binary opposites but that, at least in the area of the history of art and architecture in Asia, the two are interconnected in what are often complex and multifaceted layers.