Cowboys and Cadillacs


Book Description

Texans have two pasts: the one they lived and the one Hollywood created. Cowboys and Cadillacs is a lively exploration of the Texas myth in film.




Cowboys & Cadillacs


Book Description




Cowboys and Cadillacs


Book Description

Meet the Cadillac Cowboys: Caleb T. James, Sam Rivers, Sage Smith and Jake Riley and Randy Hawk. These boys are rough and tough, dedicated rodeo buddies who travel the Montana Rodeo Circuit together, sharing glory and defeat at the hands of their opponents - the horses.It's a dangerous business and not always lucrative. The cowboys pay for the privilege of competing and many times limp away with fewer bucks in their pockets than they had before they settled into their bronc saddles.Tempers occasionally get the best of them, especially when Coors barley pop is introduced, but these boys stick together, keeping an eye on one another.Consequently, when Caleb T. James, the youngest and most volatile of the group, finds himself in a life-threatening situation against the Mexican drug cartel, the Cadillac Cowboys throw caution to the wind and jump smack dab into the middle of the fracas - even though the FBI has warned them to stay out of it.When circumstances escalate, they are joined by other cowboys who have a stake in the drug fight.Little do these bronc riders know they are about to experience the "rides" of their lives - a possible fight to the death for some.




Cowboys and Cadillacs


Book Description

Cowboys & Cadillacs is a Family Saga about three generations of the Van Degna clan. The main character and narrator of the book details his life from a Military stint during the Vietnam era through his career success as a multi-unit restaurateur. This journey takes our hero from his roots in Chicago to a Cowboy culture in Arizona and the life of privilege in California. The story provides drama, romance, mutual infidelity, shark tank ingenuity, travel, and a good measure of humor. His wife, their affairs, divorce, a second monogamous union that lasts over 40 years plus three children bring challenge, jealousy, love, wealth as well as brushes with local and federal law enforcement.




The Cadillac Cowboys


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West Texas


Book Description

The Big Bend, the Big Country, the Big Empty. The High Plains, the Permian and the Panhandle. Cowboys, Cowtown and the curl of a killer tornado. A place where “you can stretch your eyeballs.” Where the Hale-Bopp comet, “hardly visible above some smoggy, light-polluted cities, looked like it could drop into the Pecos River at any moment.” West Texas, home to the state’s biggest legends, is chronicled by two authors who have spent most of their careers crisscrossing it. Mike Cochran and John Lumpkin, Associated Press journalists, bring their experiences to the pages of this handsome volume, accompanied by fifty photographs of the West Texas landscape, its people and its history. Converse with West Texas characters like Stanley Marsh 3, conman Billy Sol Estes, and Big Spring’s merry messiah, Marj Carpenter. Meet Gordon Wood, Friday night football’s winningest coach, and Groner Pitts, Brownwood’s liveliest undertaker. Remember ranching icon Watt Matthews, the founders of Santa Rita No. 1, and Lubbock’s C. W. Stubblefield, magnet to blues and country music stars. Honor Hallie Stillwell, Frenchy McCormick, and even modern art’s Georgia O’Keeffe, who put their stamp on Texas’s most fascinating region. A West Texan once said, “They show no pictures of my province or even neighboring provinces. They leave a big hole in Texas.” No more is that the case, thanks to Mike Cochran and John Lumpkin.




Twentieth-century Texas


Book Description

A collection of fifteen essays which cover Indians, Mexican Americans, African Americans, women, religion, war on the homefront, music, literature, film, art, sports, philanthropy, education, the environment, and science and technology in twentieth-century Texas.




Alien Sex


Book Description

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.




The Texas Left


Book Description

The Texas Left. Some would say the phrase is an oxymoron. For most of the twentieth century, the popular perception of Texas politics has been that of dominant conservatism, punctuated by images of cowboys, oil barons, and party bosses intent on preserving a decidedly capitalist status quo. In fact, poor farmers and laborers who were disenfranchised, segregated, and, depending on their ethnicity and gender, confronted with varying levels of hostility and discrimination, have long composed the "other" political heritage of Texas. In The Texas Left, fourteen scholars examine this heritage. Though largely ignored by historians of previous decades who focused instead on telling the stories of the Alamo, the Civil War, the cattle drives, and the oilfield wildcatters, this parallel narrative of those who sought to resist repression reveals themes important to the unfolding history of Texas and the Southwest. Volume editors David O'Donald Cullen and Kyle G. Wilkison have assembled a collection of pioneering studies that provide the broad outlines for future research on liberal and radical social and political causes in the state and region. Among the topics explored in this book are early efforts of women, blacks, Tejanos, labor organizers, and political activists to claim rights of citizenship, livelihood, and recognition, from the Reconstruction era until recent times.




Hollywood's West


Book Description

“An excellent study that should interest film buffs, academics, and non-academics alike” (Journal of the West). Hollywood’s West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO’s 1931 classic Cimarron to Turner Network Television’s recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood’s West makes a significant contribution to the understanding of how Westerns have shaped our nation’s opinions and beliefs—often using the frontier as metaphor for contemporary issues.