Cowboys and Cadillacs


Book Description

Texans have two pasts: the one they lived and the one Hollywood created. Cowboys and Cadillacs is a lively exploration of the Texas myth in film.




Communists, Cowboys, and Queers


Book Description




That Wild Cowboy


Book Description

It was just a kiss… Producer Victoria Calhoun couldn't care less that famous cowboy Clint Griffin doesn't even remember it. The kiss meant that much to her, too. And all that baggage doesn't mean she has to like working with him—if you can call it work, watching him parade around on her reality TV show. She won't fall for his charms again, even if Clint is trying to convince her he's much more than his swagger. Even if the way he looks at her makes her want to believe him. She'll do her job and get out with her heart intact. Her heart, though, seems to have its own ideas….




Alien Sex


Book Description

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.




Cool Men and the Second Sex


Book Description

Academic superstars Andrew Ross, Edward Said, and Henry Louis Gates Jr. Bad boy filmmakers Quentin Tarantino, Spike Lee, and Brian de Palma. What do these influential contemporary figures have in common? In Cool Men and the Second Sex, Susan Fraiman identifies them all with "cool masculinity" and boldly unpacks the gender politics of their work. According to Fraiman, "cool men" rebel against a mainstream defined as maternal. Bad boys resist the authority of women and banish mothers to the realm of the uncool. As a result, despite their hipness—or because of it—these men too often feel free to ignore the insights of feminist thinkers. Through subtle close readings, Fraiman shows that even Gates, champion of black women's writing, and even queer theorists bent on undoing gender binaries, at times end up devaluing women in favor of men and masculinity. A wide-ranging and fair-minded analysis, Cool Men acknowledges the invaluable contributions of its subjects while also deciphering the gender codes and baring the contradictions implicit in their work. Affirming the legacy of second-wave feminist scholars and drawing as well on the intersectional work of third-wavers, Cool Men helps to reinvent feminist critique for the twenty-first century.




Scots in the USA


Book Description

The map of the United States is peppered with Scottish place-names and America's telephone directories are filled with surnames illustrating Scottish ancestry. Increasingly, Americans of Scottish extraction are visiting Scotland in search of their family history. All over Scotland and the United States there are clues to the Scottish-American relationship, the legacy of centuries of trade and communication as well as that of departure and heritage. The experiences of Scottish settlers in the United States varied enormously, as did their attitudes to the lifestyles that they left behind and those that they began anew once they arrived in North America. Scots in the USA discusses why they left Scotland, where they went once they reached the United States, and what they did when they got there.... a valuable readable and illuminating addition to a burgeoning literature... should be required reading on the flight to New York by all those on the Tartan Week trail. - Alan Taylor, Sunday Herald




Decolonizing Cultures in the Pacific


Book Description

In Decolonizing Cultures in the Pacific, Susan Y. Najita proposes that the traumatic history of contact and colonization has become a crucial means by which indigenous peoples of Oceania are reclaiming their cultures, languages, ways of knowing, and political independence. In particular, she examines how contemporary writers from Hawai‘i, Samoa, and Aotearoa/New Zealand remember, re-tell, and deploy this violent history in their work. As Pacific peoples negotiate their paths towards sovereignty and chart their postcolonial futures, these writers play an invaluable role in invoking and commenting upon the various uses of the histories of colonial resistance, allowing themselves and their readers to imagine new futures by exorcising the past. Decolonizing Cultures in the Pacific is a valuable addition to the fields of Pacific and Postcolonial Studies and also contributes to struggles for cultural decolonization in Oceania: contemporary writers’ critical engagement with colonialism and indigenous culture, Najita argues, provides a powerful tool for navigating a decolonized future.




The Action and Adventure Cinema


Book Description

This exciting collection addresses action and adventure from the silent to the contemporary period exploring diverse questions of aesthetics, industry and ideology. Action has established itself as one of the leading commercial genres of the New Hollywood cinema, generating extensive debate in the process. Contributors consider how action might best be defined, how it has developed historically, and how it works formally. The critical reception and standing of action and adventure cinema is considered in relation to questions of national culture, violence and the 'art' of cinema. Themes explored include genre and definitions; early action, sensation and melodrama; authorship and action; national and transnational action-adventure traditions; action aesthetics; spectacle and narrative; stars and bodies; class; gender; race and ethnicity. Attempting to evaluate the significance of this type of filmmaking for both popular cinema and film studies, the book underlines the central place of action and adventure within film history.




Pulp Vietnam


Book Description

Explores how Cold War men's magazines idealized warrior-heroes and sexual-conquerors and normalized conceptions of martial masculinity.




Masculinity in Contemporary Science Fiction Cinema


Book Description

If science fiction stages the battle between humans and non-humans, whether alien or machine, who is elected to fight for us? In the classics of science fiction cinema, humanity is nearly always represented by a male, and until recently, a white male. Spanning landmark American films from Blade Runner to Avatar, this major new study offers the first ever analysis of masculinity in science fiction cinema. It uncovers the evolution of masculine heroes from the 1980s until the present day, and the roles played by their feminine counterparts. Considering gender alongside racial and class politics, Masculinity in Contemporary Science Fiction Cinema also situates filmic examples within the broader culture. It is indispensable for understanding science fiction and its role in contemporary cultural politics.