Creating Art Or Vexing Nature?


Book Description

This dissertation comprises a series of five separate papers, arranged as chapters, linked thematically and also in their conclusions. The thematic connection between the chapters is that, in each, I investigate some aspect, either historical or contemporary, of how moral limits have been, or might be, applied to the human manipulation of nature through technology. More specifically, I explore how the concept of naturalness has been, and still is, employed in ethical arguments that seek to place limits upon or defend the use of various technologies. In each chapter, I argue that arguments which appeal to nature or naturalness as a normative concept make proper sense only when understood from the perspective of virtue ethics. The conclusions of each chapter are connected, and connected to the conclusions of the dissertation as a whole: firstly, that what I call 'arguments from nature', as they are used in debates about the moral limitations on the use of technology, are defensible only from within a virtue ethics framework; secondly, that such arguments have an important, although limited, role in such debates; and, finally, that virtue ethics more broadly can inform debates about the ethics of technology and the environment. In the first two chapters, by comparing contemporary debates over the ethics of technological manipulation of nature with historical debates over the proper relationship between art and nature, I demonstrate that virtue ethics have played, and still do play, a significant role in our ethical understanding of our relationship with the non-human world. I argue that the ethical issues that arise from our relationship with the non-human world, in response to advances in technology and to problems with the environment, indicate the need for an understanding of ethics that goes further than the mere consideration of rights and utility. In chapters three and four, I argue that virtue ethical theory provides the most promising understanding of the argument from nature as it is applied in attempts to place limits on the human manipulation of nature. In the final chapter, I explore what a modern environmental or technological virtue or vice might be. I explain and defend the environmental and technological virtue of 'living in place' and, in doing so, bring together and validate the claims made in previous chapters that the appeal to human nature does have a role as a normative guide for our ethical evaluations of how we should live and, more generally, that virtue ethical theory can be of guiding and foundational significance in an overarching ethics of the environment and technology.




Autonomous Nature


Book Description

Autonomous Nature investigates the history of nature as an active, often unruly force in tension with nature as a rational, logical order from ancient times to the Scientific Revolution of the seventeenth century. Along with subsequent advances in mechanics, hydrodynamics, thermodynamics, and electromagnetism, nature came to be perceived as an orderly, rational, physical world that could be engineered, controlled, and managed. Autonomous Nature focuses on the history of unpredictability, why it was a problem for the ancient world through the Scientific Revolution, and why it is a problem for today. The work is set in the context of vignettes about unpredictable events such as the eruption of Mt. Vesuvius, the Bubonic Plague, the Lisbon Earthquake, and efforts to understand and predict the weather and natural disasters. This book is an ideal text for courses on the environment, environmental history, history of science, or the philosophy of science.




Drawing Closer to Nature


Book Description

Making art, says Peter London, is a perfect vehicle for recovering our lost sense of unity with Nature. When we draw closer to Nature through art, we simultaneously draw closer to our Selves, and thereby enjoy a richer, more authentic creativity and a deeper, fuller life. Through exercises, theoretical reflections, poetic meditations, and stories, London presents an innovative approach to creativity that engages body, mind, and spirit. A series of guided "Encounters"—some to be done outdoors, some indoors in the presence of some natural objects, and some entirely in the imagination—invites the reader to investigate Nature's secrets and then to celebrate through making a work of art. Topics and exercises include: the essentials of creative practice, such as time, space, media, and intention; cultivating a simple, firsthand way of seeing Nature in all its subtlety, mystery, and intimacy; creating a personal sanctuary in which to communicate directly with Nature; conducting a sacred conversation with archetypal forms of Nature encountered in the imagination; seeking forgiveness from Nature, with the intention of healing our broken primal relationship with the natural world and rediscovering our rightful place in it.




Nature's Part in Art


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Into the Woods


Book Description




Nature Art Workshop


Book Description

A visual resource for artists and crafters who want to combine their talents with their love of the natural world. Each page of Nature Art Workshop engages, inspires, and encourages artists to see the world around them in a new light while they learn to create their own nature-inspired art. Four talented visual nature artists guide you through finding and prepping traditional media and natural elements to use in creating unique nature-inspired projects, following simple step-by-step instructions. Projects include a pressed-flower ceramic dish, fresh floral crown, and flower-adorned candles, in addition to painted feathers, stones, shells, leaves, and more. Valuable art tips and techniques offer guidance during the artistic process. A fun, refreshing approach to mixed-media art, Nature Art Workshop proves that you can turn anything into a stunning work of art with the right materials and a bit of imagination.




Painting Nature with Clare


Book Description

Make nature inspired masterpieces with this friendly all-in-one guide to gouache. From ferns and flowers to seascapes and songbirds, create charming paintings alongside popular designer and illustrator Clare Therese Gray. This book is packed with stunning illustrations accompanied by detailed instructions so that readers can enjoy each step of the way in creating their own painted masterpieces. You will learn to capture the world around you with Clare’s signature, whimsical style, ideal for gifts, invitations, greeting cards and more. Paint woodland mushrooms, beautiful botanicals or calming pastel landscapes; each project is broken into simple steps so you can enjoy the process and let go of perfection. Similar to watercolor yet easier to control, gouache is a fun and approachable medium for artists of any skill level. You’ll find 25 unique tutorials for creating enchanting relaxing artwork. Pieces are organized from beginner—like a jam jar of wildflowers—to advanced—like a twilight owl scene—so you can grow in confidence and expertise as you paint through each chapter. The book includes a thorough introductory section covering everything you need to get started: choosing and mixing colors, handling paint, selecting brushes and mastering basic techniques. Let your creativity soar from riverbed to treetop and beyond with this gorgeous guide to gouache.




Art Forms in Nature


Book Description

Multitude of strangely beautiful natural forms: Radiolaria, Foraminifera, Ciliata, diatoms, calcareous sponges, Siphonophora, star corals, starfishes, Protozoa, flagellates, brown seaweed, jellyfishes, sea-lilies, moss animals, sea-urchins, glass sponges, leptomedusae, horny corals, trunkfishes, true sea slugs, anthomedusae horseshoe crabs, sea-cucumbers, octopuses, bats, orchids, sea wasps, seahorse, a dragonfish, a frogfish, much more. All images black-and-white.




Creating Art from Nature


Book Description

Teaches nature printing or leaf printing techniques where plants are used to deposit an image of themselves on various surfaces using a variety of inks and paints. Simple techniques with readily available materials to advanced techniques. Highlights: Easy prints using stamp pads; Easy to advanced greeting cards; When to use brush, brayer or dauber; Creative background techniques; Flower pounding; Print with metallic powders; Printing on tiles, glass and clay; Tips on composition and backgrounds. Illustrated with over 200 full color pictures. For more information see website www.natureprintingbook.com.




Illustrating Nature


Book Description

A pair of professional artists offers valuable suggestions for realistic portrayals of flowers, animals, and other natural subjects. Detailed, step-by-step demonstrations use watercolors, oils, pencil, and other media. Over 400 illustrations.