Invention and Tradition


Book Description

This book celebrates and explores the sculpture and masks of the many diverse ethnic groups living in Southeastern Nigeria. The peoples of this region--the populous Igbo and a dozen nearby but smaller groups--are famous for their artistic creativity. This illuminating book focuses on the area's sculptural arts--mostly figures and masks--examining these mostly unpublished works through the dual lenses of invention and tradition, and with many early and recent contextual photographs. More than 150 examples, dating from the past two centuries, reveal both surprising similarities and differences in artwork by Igbo, Isoko, Urhobo, Ijo, Ogoni, Ibibio, Oron, Eket, Ejagham/Efut, Bokyi, Tiv, Idoma, and Igala peoples. Qualities such as the nature of realism, idealism, and abstraction, the nuances of surface and detail, and the inventiveness of facial and other features, as well as complex uses and meanings, are all addressed in this exciting fresh overview that adds considerably to our understanding of African art. AUTHOR: Herbert M Cole, Professor Emeritus at the University of California, Santa Barbara, is the recipient of a lifetime achievement Leadership Award from the Arts Council of the African Studies Association. He is a consultant to collectors and major museums such as the Metropolitan in New York City, the deYoung in San Francisco, and the UCLA Fowler. ILLUSTRATIONS: 130 color illustrations










Nigerian Art


Book Description













Masterpieces of Nigerian Art


Book Description

The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist viewpoint that once dominated the Western perception of African art and recalls the efforts of certain more open-minded individuals from Nigeria's colonial past who, in their efforts to collect, preserve, and present important sculptures and other artworks, were instrumental in founding the country's first museums. Their successor, today's National Commission for Museums and Monuments, has collected many additional works from their original settings, placing them in the limelight of the world through publications and museum exhibitions, to which the author has contributed much throughout his career. Eyo therefore discusses Nigerian art in the broader context of the world's art history, arguing that the art of Nigeria is fundamentally a testament to universal human creativity. From Shrines to Showcases: Masterpieces of Nigerian Art includes examples selected from all major regions of the country, spanning the distant past to the modern age, which are to be considered amongst the greatest artistic achievements of humanity.




NEW TRADITIONS FROM NIGERIA


Book Description

In response to political and social upheaval, University of Nigeria artists have turned to the obscure Igbo culture. Drawing on extensive interviews with the artists, and analyzing their art and writings, anthropologist Simon Ottenberg shows how the artists have used the symbols of a little-studied tradition to celebrate their culture and create visual commentaries on their country. 78 color, 115 b&w illustrations.