Criminals and Folk Heroes


Book Description

During the Great Depression, writers of True Crime could take the decade off: life was imitating art so dramatically they had nothing to add. In these pages historian Robert Underhill presents the most notorious criminals of 1930-1934: Wilbur Underhill, Alvin Karpis, the Barker Clan, Pretty Boy Floyd, Baby Face Nelson, the Barrows (Buck, Blanche, Clyde, and Bonnie), and John Dillinger along with supporting material on their henchmen and the rise of the FBI. Often armed better than the police, criminals of the 1930s committed deeds ranging from stealing chickens to kidnappings, bank robberies, and killing innocent victims. Yet such crimes were often taken in stride by avid readers. Cooperation among local, state and federal lawmen was rare as each sought to protect his own turf. Criminals and lawmen made mistakes battling one another, but in most cases the law triumphed and the wanted fugitive died under a hail of bullets. His death would start myths and raise his reputation to national status. The author of 'Against the Grain: Six Men Who Shaped America' and 'The Rise and Fall of Franklin D. Roosevelt' shows us another aspect of the Roosevelt era and portrays a series of figures who contributed to pop culture as well helping to shape the security forces in America. Robbing the banks and driving fast cars, they did what many Americans dreamed of, and gave a depressed populace some excitement to distract from everyday worries. With the Great Depression, some citizens came to regard bank robbers as modern Robin Hoods seeking to avenge depositors whose life earnings had been wiped out by a bank's failure or malfeasance by its owners. No small wonder that criminals were given colorful sobriquets and fact and fiction became intertwined. Underhill shows how such heists, and kidnappings especially, helped create the modern FBI, overcoming the complaints of those who alleged that a federal force was the first step toward an American Gestapo. The belief that federal government had nothing to do with fighting crime was rooted in the U.S. Constitution and its provisions for states' rights. Local police were expected to provide security and to apprehend criminals without Washington getting involved. In the big cities, Prohibition era mobsters still ruled, but in the Midwest especially, smaller bands, "gangsters," began to make headlines. They tended to be blue-collar criminals whose favorite targets were filling stations, grocery stores, and small town banks. Prior to 1930, corruption was rife and cooperation among local, state, and federal police was little to none; criminals often got away. Only in 1935 was the FBI formally anointed and its agents were permitted to carry guns. Now, there was a federal agency that could supply sheriffs all over the country with information on suspected criminals. By 1935, the hardest times of the Depression were beginning to ease and the thrill of watching these cops-and-robber stories play out was combined with a renewed interest in the lives of the rich and famous, previously scorned for their role in ripping off the average man. All in all, the early 1930s were a uniquely dramatic time for crime and crimestoppers in America.




Criminals and Folk Heroes


Book Description




Outlaw Heroes in Myth and History


Book Description

This book is an overview and analysis of the global tradition of the outlaw hero. The mythology and history of the outlaw hero is traced from the Roman Empire to the present, showing how both real and mythic figures have influenced social, political, economic and cultural outcomes in many times and places. The book also looks at the contemporary continuations of the outlaw hero mythology, not only in popular culture and everyday life, but also in the current outbreak of global terrorism. The book also presents a more general argument related to the importance of understanding folk and popular mythologies in historical contexts. Outlaw heroes have a strong purchase in high and popular culture, appearing in film, books, plays, music, drama, art, even ballet. To simply ignore and discard such powerful expressions without understanding their origins, persistence and especially their ongoing cultural consequences, is to refuse the opportunity to comprehend some profoundly important aspects of human behaviour. These issues are pursued through discussion of the processes through which real and mythical outlaw heroes are romanticised, sentimentalised, sanitised, commodified and mythologised. The result is a new position in the continuing controversy over the existence the 'social bandit' that highlights the central role of mythology in the creation and perpetuation of outlaw heroes.




Hell's Angels


Book Description

Not since Hunter Thompson's seminal Hells Angels: A Strange & Terrible Saga of the Outlaw Motorcycle Gangs in 1967 has there been such a thorough account of the Angels. This book documents the gang's bumpy ride from its origins as a Stateside club for WWII fighter pilots to its freewheeling terror tactics of the early sixties, to its absurd flirtation with the hippie scene, to its current status as one of the most powerful underground organisations in North America, rivalling even the Mafia.




Federal criminal law revision


Book Description




Dangerous Offenders


Book Description

This highly controversial new book considers how the dangerous offender has become such a figure of collective anxiety for the citizens of rationalised Western societies. The authors consider: * ideas of danger and social threat in historical perspective * legal responses to violent criminals * attempts to predict dangerous behaviour * why particular groups, such as women, remain at risk from violent crime. This inspired collection invites us to rethink the received wisdom on dangerous offenders, and will be of interest to students and scholars in the fields of criminology and the sociology of Risk.




Outlaw Heroes as Liminal Figures of Film and Television


Book Description

Unlike such romanticized renegades as Robin Hood and Jesse James, there is another kind of outlaw hero, one who lives between the law and his own personal code. In times of crisis, when the law proves inadequate, the liminal outlaw negotiates between the social imperatives of the community and his innate sense of right and wrong. While society requires his services, he necessarily remains apart from it in self-preservation. The modern outlaw hero of film and television is rooted in the knight errant, whose violent exploits are tempered by his solitude and devotion to a higher ideal. In Hollywood classics such as Casablanca (1942) and Shane (1953), and in early series like The Lone Ranger (1949-1957) and Have Gun--Will Travel (1957-1963), the outlaw hero reconciles for audiences the conflicting impulses of individual freedom versus serving a larger cause. Urban westerns like the Dirty Harry and Death Wish franchises, as well as iconic action figures like Rambo and Batman, testify to his enduring popularity. This book examines the liminal hero's origins in medieval romance, his survival in the mythology of the Hollywood western and his incarnations in the urban western and modern action film.




Off the Map


Book Description

A motion picture chronicling the last adventures of bank robber John Dillinger (Johnny Depp), Public Enemies was met with much bafflement upon its 2009 release. Director Michael Mann's terse storytelling and unorthodox use of high-definition digital cameras challenged viewers' familiarity with Hollywood's historical gangland elegance while highlighting Public Enemies' own place in a medium--and culture--undergoing sweeping technological change. In Off the Map, Niles Schwartz immerses us in Mann's representation of Dillinger, a subject increasingly aware of his own role as a romanticized frontier folk hero, in flight from an enveloping bureaucratic system. The cultural issues of Dillinger's 1930s anticipate the 21st century watershed moment for the moving image, as our relationship with the pictures surrounding us increasingly affects our own sense of identity, historical truth, and means of relating to each other. Mann's follow-up, the hacker thriller Blackhat (2015), reflects a world where Public Enemies' abstract surveillance state has since colonized the firmament of our everyday lives. Yet in this virtual labyrinth of surplus images, cinema may inwardly illuminate a transformative path for us. Off the Map places Mann's late works in deep focus, exploring our present relationship to cinema on a backdrop that swings from the blockbuster spectacle of Avatar to the curious intimacy of Moonrise Kingdom, ultimately suggesting the mysterious space between the viewer and the screen may yet become a sanctuary of deep spiritual reflection.




The Novels of Daniel Defoe, Part II vol 6


Book Description

Brings together three parts of "Robinson Crusoe" and examines their relationship. This work contains editorial material that includes a substantial introduction to each novel, explanatory endnotes, textual notes, and a consolidated index.




Folk Heroes and Heroines around the World


Book Description

This comprehensive collection of folk hero tales builds on the success of the first edition by providing readers with expanded contextual information on story characters from the Americas to Zanzibar. Despite the tremendous differences between cultures and ethnicities across the world, all of them have folk heroes and heroines—real and imagined—that have been represented in tales, legends, songs, and verse. These stories persist through time and space, over generations, even through migrations to new countries and languages. This encyclopedia is a one-stop source for broad coverage of the world's folk hero tales. Geared toward high school and early college readers, the book opens with an overview of folk heroes and heroines that provides invaluable context and then presents a chronology. The book is divided into two main sections: the first provides entries on the major types and themes; the second addresses specific folk tale characters organized by continent with folk hero entries organized alphabetically. Each entry provides cross references as well as a list of further readings. Continent sections include a bibliography for additional research. The book concludes with an alphabetical list of heroes and an index of hero types.