Critical Discourse in Odia


Book Description

This volume forms part of the Critical Discourses in South Asia series, which deals with schools, movements and discursive practices in major South Asian languages. It offers crucial insights into the making of Odia literature and its critical tradition across a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, and re-interpretations of primary concepts and categories in Odia. It presents twenty-five key texts in literary and cultural studies from late-nineteenth century to early-twenty-first century, translated by experts for the first time into English. These seminal essays explore complex interconnections between socio-historical events in the colonial and post-Independence period in Odisha and the language movement. They discuss themes such as the evolving idea of literature and criteria of critical evaluation; revision and expansion of the literary canon; the transition from orality to print; emergence of new reading practices resulting in shifts in aesthetic sensibility; dialectics of tradition and modernity; and the formation, consolidation and political consequences of a language-based identity. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Odia literature in South Asia. It will be essential for scholars and researchers of Odia language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies and South Asian studies. It will also interest the Odia-speaking diaspora and those working on the intellectual history of Odisha and Eastern India and conservation of language and culture.




The Big Book of Odia Literature


Book Description

With a literary history spanning centuries, the languages of Odisha have found myriad expression in prose, poetry, mythology, history, and politics. The Big Book of Odia Literature goes where very few have dared—into a history of language, literature and song that can be traced back all the way to the tenth century. In this careful curation, The Big Book curates essays, stories, poems, and plays that have defined the culture of a state and a people. A first of its kind, the volume is for lovers of linguistic history and literary traditions.




Critical Discourse in Bangla


Book Description

This volume forms a part of the Critical Discourses in South Asia series which deals with schools, movements, and discursive practices in major South Asian languages. It offers crucial insights into the making of Bengali or Bangla literature and its critical tradition across a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, and reinterpretations of primary concepts and categories in Bangla. It presents 32 key texts in literary and cultural studies from Bengal from the middle of the 19th to that of the 20th century, with most of them translated for the first time into English. These seminal essays are linked with socio-historical events and phenomena in the colonial and post-independence period in Bengal, including the background to the Language Movement in Bangladesh. They discuss themes such as integrative aesthetic visions, poetic and literary forms, modernism, imagination, power structures and social struggles, ideological values, cultural renovations, and humanism. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Bangla literature in South Asia. It will be essential for scholars and researchers of Bengali/Bangla language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies, and South Asian studies. It will also interest the Bengali-speaking diaspora and those working on the intellectual history of Bengal and conservation of languages and culture




Critical Discourse in Telugu


Book Description

This volume forms a part of the Critical Discourses in South Asia series which deals with schools, movements and discursive practices in major South Asian languages. It offers crucial insights into the making of Telugu literature and its critical tradition across over a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, re-interpretations of primary concepts, categories and interactions in Telugu. It presents 32 key texts in literary and cultural studies representing thoughts, debates, signposts and interfaces on important trends in critical discourse in the Telugu region from the middle of the 19th to the end of the 20th century, with nearly all translated by experts for the first time into English. The volume covers a wide array of themes, ranging from a text by Kandukuri Veeresalingam on women’s education to Challapalli Swaroopa Rani on new readings of the oral literature of the marginalised communities. These radical essays explore the interconnectedness of the socio-cultural and historical developments in the colonial and post-independence period in the Telugu region. They discuss themes such as integrative aesthetic visions; poetic and literary forms; modernism; imagination; power structures and social struggles; ideological values; cultural renovations; and collaborations and subversions. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Telugu literature in South Asia. It will be essential for scholars and researchers of Telugu language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies and South Asian studies. It will also interest the Telugu-speaking diaspora and those working on the intellectual history of Telugu and conservation of languages and culture.




Critical Discourse in Gujarati


Book Description

This volume forms part of the Critical Discourses in South Asia series, which deals with schools, movements, and discursive practices in major South Asian languages. It offers crucial insights into the making of Gujarati literature and its critical tradition across a century / several centuries. The book presents one of a kind historiography of Gujarati literature and of its critical discourse. It brings together English translations of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions, and re-interpretations of primary concepts and categories in Gujarati. It initiates an exploration into Gujarati critical discourse from the heather to neglected pre-colonial centuries and presents key texts in literary and cultural studies, some of which are being made available for the first time into English. These seminal essays explore complex interconnections understand the dynamics of critical discursive situations in Gujarati literature and to carefully construct a mobile post of observation that matches those dynamics. They offer a radical departure from the widespread historiographical practice in Indian writings of disregarding pre-colonial literary critical discourse. The book also offers a new and indigenous periodization of Gujarati literature and its critical discourse, derived from a fresh perception of Gujarati and Indian literary culture. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Gujrati literature in South Asia. It will be essential for scholars and researchers of Gujarati language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies, and South Asian studies. It will also interest the Gujarati-speaking diaspora and those working on the intellectual history of Gujarat and Western India and conservation of the language and their culture.




An Encyclopaedia in Spatio-Temporal Dimensions


Book Description

The encyclopaedia highlights the South Asian country of India with its varied ramifications. As a rich country with all its diversity, it has played a significant role in world affairs for more than two thousand years. India is the most populous country in the world, and its economy is growing rapidly. It is marching ahead in science and technology. In the hundredth anniversary of its independence in 2047, it aspires to become a developed nation. One should be aware of this country in this globalized world. It is not only fascinating but also knowledge-enhancing. The encyclopaedia holds importance due to several reasons: information on a vast range of subjects, scientific methodology, accuracy, and reliability. It could be used as a starting point for further research. The book will be useful for general readers, serious researchers, graduate students, and academics.




Modernity, Print and Sahitya


Book Description

The advent of print heralded a significant chapter in the history of colonial modernity in South Asia. This book narrates the story of the emergence of a new literary culture, Utkal sahitya or Odia literature, in the context of similar but conflicting linguistic-territorial cultures of Eastern India. The book is the first cross-cultural study of the emergence of a new literary culture in Eastern India with diverse, yet cognate languages in the years between 1866 and 1919. By researching a large corpus of archival material, it traces the emergence of a new literary culture that marked significant departures from traditional practices and understanding of the “literary,” and that was subsequently called, adhunik sahitya and argues that this was facilitated mainly by the formation of a public sphere in tandem with the rapid growth of educated print-public. While the phenomenon was by no means unique to Odia, the study identifies several local factors that were distinctive about its literary sphere by looking at its imbrication with sister linguistic cultures. It traces how, under political compulsions, a new intellectual class of Odias used agents of modernity such as print, education, new sciences, travel and communication etc. to forge a new aesthetic without completely breaking with the past. It examines the role that the Odia periodical press played, and traces the course it took from the time of its emergence from local political compulsions to the defining and broadening of the scope and limits of the question of the literary. It investigates the shifting and mutating dispositions of the newly emerged Odia print culture and public sphere while highlighting major concerns such as linguistic identity, historiography, literary histories, and canon formation as well as pioneering and consolidating new aesthetic forms. This book will be an important addition to the growing body of scholarship on literary cultures of multilingual India. Rich in archival work, this book will be of interest to students and researchers of literary history, cultural history, cultural studies, literature, literary history, literary and critical theory, and languages of Asia.




Critical Discourse in Odia


Book Description

Part of the Critical Discourses in South Asia series, this volume brings together English translation of major writings dealing with literary criticism and theory, aesthetic and performative traditions, re-interpretations of primary concepts, categories and movements in Odia literature.




Performing Shakespeare in India


Book Description

This book is envisaged as an intervention in the ongoing explorations in social and cultural history, into questions of what constitutes Indianness for the colonial and the postcolonial subject and the role that Shakespeare plays in this identity formation. Performing Shakespeare in India presents studies of Indian Shakespeare adaptations on stage, on screen, on OTT platforms, in translation, in visual culture and in digital humanities and examines the ways in which these construct Indianness. Shakespeare in India has had multiple local interpretations in different media and equally wide-ranging responses, be it the celebration of Shakespeare as a bishwokobi (world poet) in 19th-century Bengal, be it in the elusive adaptation of Shakespeare in Meitei and Tangkhul tribal art forms in Manipur, or be it in the clamour of a boisterous Bollywood musical. In the response of diasporic theatre professionals, or in Telugu and Kannada translations, whether resisted or accepted with open arms, Shakespeare in India has had multiple local interpretations in different media. All the essays are connected by the common thread of extraordinary negotiations of postcolonial identity formation in language, in politics, in social and cultural practices, or in art forms.




Appreciating Melodrama


Book Description

Appreciating Melodrama: Theory and Practice in Indian Cinema and Television seeks to identify and appreciate the continual influence of the ancient Sanskrit drama treatise, the Natyashastra, and its theory of aesthetics, the rasa theory, on the unique narrative attributes of Indian cinema. This volume of work critically engages with a representative sample of landmark films from 100 years of Indian film history across genres, categories, regions and languages. This is the first time a case study-based rigorous academic review of popular Indian cinema is done using the Indian aesthetic appreciation theory of rasa (affect/emotion). It proposes a theoretical model for film appreciation, especially for content made in the melodramatic genre, and challenges existing First World/Euro-American film criticism canons and notions that privilege cinematic 'realism' over other narrative forms, which will generate passionate debates for and against its propositions in future studies and research on films. This is a valuable academic reference book for students of film and theatre, world cinema and Indian cinema studies, South Asian studies and culture, Indology and the 'Sociology of Cinema' studies. It is a must-have reference text in the curriculum of both practical-oriented acting schools, as well as courses and modules focusing on a theoretical study of cinema, such as film criticism and appreciation, and the history of movies and performance studies.