Critical Miscellanies (Vol. 2 of 3) Essay 4


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Critical Miscellanies (Vol. 2 of 3) Essay 4: Joseph de Maistre by John Morley Owing to causes which lie tolerably near the surface, the remarkable Catholic reaction which took place in France at the beginning of the present century, has never received in England the attention that it deserves; not only for its striking interest as an episode in the history of European thought, but also for its peculiarly forcible and complete presentation of those ideas with which what is called the modern spirit is supposed to be engaged in deadly war. For one thing, the Protestantism of England strips a genuinely Catholic movement of speculation of that pressing and practical importance which belongs to it in countries where nearly all spiritual sentiment, that has received any impression of religion at all, unavoidably runs in Catholic forms. With us the theological reaction against the ideas of the eighteenth was not and could not be other than Protestant. The defence and reinstatement of Christianity in each case was conducted, as might have been expected, with reference to the dominant creed and system of the country. If Coleridge had been a Catholic, his works thus newly coloured by an alien creed would have been read by a small sect only, instead of exercising as they did a wide influence over the whole nation, reaching people through those usual conduits of press and pulpit, by which the products of philosophic thought are conveyed to unphilosophic minds. As naturally in France, hostility to all those influences which were believed to have brought about the Revolution, to sensationalism in metaphysics, to atheism in what should have been theology, to the notion of sovereignty of peoples in politics, inevitably sought a rallying-point in a renewed allegiance to that prodigious spiritual system which had fostered the germs of order and social feeling in Europe, and whose name remains even now in the days of its ruin, as the most permanent symbol and exemplar of stable organisation. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.







Critical Miscellanies (Vol. 3 of 3) Essay 6


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Critical Miscellanies, Vol. I Essay 3


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Critical Miscellanies (Vol. 3 of 3) Essay 10


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Critical Essays


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