The American Printer


Book Description







The Longest Minute


Book Description

Matthew J. Davenport’s The Longest Minute is the spellbinding true story of the 1906 earthquake and fire in San Francisco, and how a great earthquake sparked a devastating and preventable firestorm. At 5:12 a.m. on April 18, 1906, a 7.9 magnitude earthquake struck San Francisco, catching most of the city asleep. For approximately one minute, shockwaves buckled streets, shattered water mains, collapsed buildings, crushed hundreds of residents to death and trapped many alive. Fires ignited and blazed through dry wooden ruins and grew into a firestorm. For the next three days, flames devoured collapsed ruins, killed trapped survivors, and nearly destroyed what was then the largest city in the American West. Meticulously researched and gracefully written, The Longest Minute is both a harrowing chronicle of devastation and the portrait of a city’s resilience in the burning aftermath of greed and folly. Drawing on the letters and diaries and unpublished memoirs of survivors and previously unearthed archival records, Matthew Davenport combines history and science to tell the dramatic true story of one of the greatest disasters in American history.




Classic Steelhead Flies


Book Description

The definitive resource for tiers and anglers interested in the rich tradition of steelhead flies. Learn the histories of these classic flies, as well as how to tie them. • Covers steelhead flies from their origins in the 1890s up through the mid-1970s • Includes flies that remain popular today, as well as forgotten classics that were once popular or that exhibit stylistic merit • Contains 350 beautiful full color photos




Women and the Everyday City


Book Description

In Women and the Everyday City, Jessica Ellen Sewell explores the lives of women in turn-of-the-century San Francisco. A period of transformation of both gender roles and American cities, she shows how changes in the city affected women's ability to negotiate shifting gender norms as well as how women's increasing use of the city played a critical role in the campaign for women's suffrage. Focusing on women's everyday use of streetcars, shops, restaurants, and theaters, Sewell reveals the impact of women on these public places-what women did there, which women went there, and how these places were changed in response to women's presence. Using the diaries of three women in San Francisco-Annie Haskell, Ella Lees Leigh, and Mary Eugenia Pierce, who wrote extensively on their everyday experiences-Sewell studies their accounts of day trips to the city and combines them with memoirs, newspapers, maps, photographs, and her own observations of the buildings that exist today to build a sense of life in San Francisco at this pivotal point in history. Working at the nexus of urban history, architectural history, and cultural geography, Women and the Everyday City offers a revealing portrait of both a major American city during its early years and the women who shaped it-and the country-for generations to come.




Chinatown Film Culture


Book Description

Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.