Cuba


Book Description

This report by the committee majority staff is part of our ongoing examination into the efficacy of Radio and TV Marti. Radio Marti was created in 1983 to support the Cuban people in their quest for "accurate, unbiased, and consistently reliable" news and entertainment; TV Marti followed in 1990. Unfortunately, listeners and viewers never received the kind of high quality programming that was originally intended. Problems with adherence to traditional journalistic standards, miniscule audience size, Cuban Government jamming, and allegations of cronyism have dogged the program since its creation. As a result, Congress has reduced TV Marti's funding and has strongly encouraged Radio Marti to ensure that its broadcasts adhere to journalistic standards practiced by the Voice of America. Indeed, this report goes further, and recommends that the Office of Cuba Broadcasting be incorporated into the Voice of America.










Cuba


Book Description







Broadcasting to Cuba: Observations Regarding TV Marti¿s Strategy and Operations


Book Description

The U.S. has been broadcasting to Cuba for more than two decades via Radio Marti and, subsequently, TV Marti to "break the info. blockade" and promote freedom and democracy in Cuba. TV broadcasting to Cuba is performed by the Office of Cuba Broadcasting (OCB), a U.S. gov¿t. entity. OCB operates TV Marti, which broadcasts news, commentary, and entertainment programming to Cuba. From the inception of these broadcasting efforts, questions have been raised re: their purpose, quality, and effectiveness. In light of the more than $500 million that has been spent over the years on broadcasting to Cuba and OCB's almost $35 million annual budget, the author has reviewed a variety of issues related to the effectiveness of OCB's TV broadcasts. Illus.




Cuba


Book Description







Diversión


Book Description

In an era of warming relations between the US and Cuba, this book updates the conversation about Cuban America by revealing how this community has changed over the past 25 years. Albert Sergio Laguna investigates the generational shifts and tensions in a Cuban America where the majority is now made up of those who have arrived since the 1990s and those born in the US. To probe these changes, Laguna examines the aesthetic and social logics of a wide range of popular culture forms originating in Miami and Cuba from the 1970s through the 2010s. They include the stand-up comedy of performers like Alvarez Guedes, festivals, a media distribution network in Cuba called el paquete, morning radio shows, and the viral content of Los Pichy Boys, among others. This study illustrates the centrality of play in a community that has been described historically as angry and melancholic. Diversión contends that our understanding of the Cuban diaspora is lacking not in seriousness, but in play. By unpacking this archive, Laguna explores our complex, often-fraught attachments to popular culture and the way it can challenge and reproduce normative cultural ideologies-especially in relation to politics and race. In the wake of the largest Cuban migration wave to the US in history, Diversión is crucial reading for those who seek to understand not only the Cuban. American diaspora, but cultural and economic life on the island. Book jacket.