Animals into Art


Book Description

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.




Signifying Animals


Book Description

A fresh assessment of the workings of animal symbolism in diverse cultures. Reconsiders the concept of totemism and exposes common fallacies in symbolic interpretation.




What is an Animal?


Book Description

This book offers a unique interdisciplinary challenge to assumptions about animals and animality deeply embedded in our own ways of thought, and at the same time exposes highly sensitive and largely unexplored aspects of the understanding of our common humanity.




Animals and Humans


Book Description

Animals have always been an important part of the human life-world, and they stand out as significant forces in the Old Norse mythology -- here they became imaginary creatures with strong characters. In Animals and Humans archaeologist Kristina Jennbert explores the relationship between animals and humans in Scandinavia from the Roman Iron Age to the Viking Period. Real animals and fantastical creatures in Midgard became mouthpieces for human characteristics and reflections of peoples social position. Animals were of great importance in everyday life and in rituals, and as metaphors in social identity and power relations. In the course of time, however, the human view has changed, and nature has increasingly been subjected to humans. Through her detailed analysis, Jennbert raises questions about the boundary between human and animal, as well as about our ethical and moral precedence.




The Walking Larder


Book Description

This book is one of a series of more than 20 volumes resulting from the World Archaeological Congress, September 1986, attempting to bring together not only archaeologists and anthropologists from many parts of the world, as well as academics from contingent disciplines, but also non-academics from a wide range of cultural backgrounds. This text looks at human-animal interactions, especially some of the less well known aspects of the field. A number of studies in the book document some of the vast changes humankind has wrought upon the natural environment through the movement of various species of animals around the world. These chapters provide contributions to the understanding of contemporary ecological problems, especially the deforestation taking place to provide grazing for live-stock. The 31 contributions offer a shop-window of approaches, primarily from a biological perspective.




Weather, Religion and Climate Change


Book Description

Weather, Religion and Climate Change is the first in-depth exploration of the fascinating way in which the weather impacts on the fields of religion, art, culture, history, science, and architecture. In critical dialogue with meteorology and climate science, this book takes the reader beyond the limits of contemporary thinking about the Anthropocene and explores whether a deeper awareness of weather might impact on the relationship between nature and self. Drawing on a wide range of examples, including paintings by J.M.W. Turner, medieval sacred architecture, and Aristotle’s classical Meteorologica, Bergmann examines a geographically and historically wide range of cultural practices, religious practices, and worldviews in which weather appears as a central, sacred force of life. He also examines the history of scientific meteorology and its ambivalent commodification today, as well as medieval "weather witchery" and biblical perceptions of weather as a kind of "barometer" of God’s love. Overall, this volume explores the notion that a new awareness of weather and its atmospheres can serve as a deep cultural and spiritual driving force that can overcome the limits of the Anthropocene and open a new path to the "Ecocene", the age of nature. Drawing on methodologies from religious studies, cultural studies, art history and architecture, philosophy, environmental ethics and aesthetics, history, and theology, this book will be of great interest to all those concerned with studying the environment from a transdisciplinary perspective on weather and wisdom.