Cultural Conformity in Books for Children


Book Description

This collection of essays explores racial issues in children's literature.




International Companion Encyclopedia of Children's Literature


Book Description

The Encyclopedia offers comprehensive and international coverage of children's literature from a number of perspectives - theory and critical approaches, types and genres, context, applications and individual country essays.




The Boy & the Bindi


Book Description

In this beautiful children’s picture book by Vivek Shraya, author of the acclaimed God Loves Hair, a five-year-old South Asian boy becomes fascinated with his mother’s bindi, the red dot commonly worn by Hindu women to indicate the point at which creation begins, and wishes to have one of his own. Rather than chastise her son, she agrees to it, and teaches him about its cultural significance, allowing the boy to discover the magic of the bindi, which in turn gives him permission to be more fully himself. Beautifully illustrated by Rajni Perera, The Boy & the Bindi is a joyful celebration of gender and cultural difference. Ages 3 to 6. Vivek Shraya is a performer, musician, and filmmaker, and the authors of God Loves Hair and She of the Mountains. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.




Textual Transformations in Children's Literature


Book Description

This book offers new critical approaches for the study of adaptations, abridgments, translations, parodies, and mash-ups that occur internationally in contemporary children’s culture. It follows recent shifts in adaptation studies that call for a move beyond fidelity criticism, a paradigm that measures the success of an adaptation by the level of fidelity to the "original" text, toward a methodology that considers the adaptation to be always already in conversation with the adapted text. This book visits children’s literature and culture in order to consider the generic, pedagogical, and ideological underpinnings that drive both the process and the product. Focusing on novels as well as folktales, films, graphic novels, and anime, the authors consider the challenges inherent in transforming the work of authors such as William Shakespeare, Charles Perrault, L.M. Montgomery, Laura Ingalls Wilder, and A.A. Milne into new forms that are palatable for later audiences particularly when—for perceived ideological or political reasons—the textual transformation is not only unavoidable but entirely necessary. Contributors consider the challenges inherent in transforming stories and characters from one type of text to another, across genres, languages, and time, offering a range of new models that will inform future scholarship.




Slavery in American Children's Literature, 1790-2010


Book Description

The first comprehensive study of slavery in children's literature, Slavery in American Children's Literature, 1790-2010 historicizes the ways generations of authors have drawn upon antebellum literature in their own recreations of slavery. Beginning with abolitionist and proslavery views in antebellum children's literature, Connolly examines how successive generations reshaped the genres of the slave narrative, abolitionist texts, and plantation novels to reflect the changing contexts of racial politics in America. As a literary history of how antebellum racial images have been re-created or revised for new generations, Slavery in American Children's Literature ultimately offers a record of the racial mythmaking of the United States from the nation's beginning to the present day. Book jacket.







Jacob's New Dress


Book Description

One of 10 Best Indie Picture Books of 2014, ForeWord Reviews Runner-Up, 2014 New England Book Festival: Children's Books 2014 Distinguished List of the Association of Children's Librarians of Northern California CCBC Choices 2015 An affirming story about gender nonconformity. Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional gender roles.




Through the Eyes of a Child


Book Description

Handboek over de (Engelstalige) jeugdliteratuur, bestemd voor onderwijsgevenden en bibliothecarissen, met theoretische informatie en veel praktische voorbeelden.




What are Kings?


Book Description

We have all read fairy tales about kings and queens, princes and princesses, dragons and castles. It's all true! They really existed! Well, except for the dragons. Dragons didn't really exist. Somebody just made that part up (Also the talking fish.) But the kings and princesses and castles definitely existed. For much of history, most people lived under monarchies. That meant they took one person and everyone had to do anything he said, until that person died, and then they'd just do the same thing with his son or sometimes daughter. Sort of like a game of Simon Says, except the same person always gets to be Simon, and the game goes on forever. This was referred to as "government." There are two common mistakes people make about kings. One is to think that they were always there: that there's just something odd about humans that makes them want to give one person all the power. No. That's wrong. The other mistake is to think maybe people long ago behaved that way, but that's because people long ago were slightly stupid, and hadn't figured out how to hold elections or online surveys, but we certainly don't have anything like kings now. That turns out not to be true either. It might seem to be, because we no longer have anyone dressed in elaborate costumes who can order somebody's head chopped off - at least, in most places, we don't - but as we'll see, things haven't changed nearly as much as we like to think. One thing no one can deny: kings are fun to think about. That's why people like to dress up as them, or play games where they get to be kings or queens, or why there are so many books and stories about them. So why write another one? Well, mainly to ask: why do we find kings and queens so interesting? What is it we really like about them, and what is it we'd find annoying or even terrifying if one was actually around? Where did they come from and why do they never seem to go away? Is it possible to keep all the things we like about kings and queens and get rid of all the other ones? This book, then, is an illustrated collection of questions and answers to help us get to the bottom of all this. But it's also meant to be entertaining because, let's face it, kings and queens are pretty entertaining. We'll see what happens when some people get to do absolutely anything they want, and other people try to come up with all sorts of clever strategies to keep them out of trouble. We'll see what happens when servant girls conquer the world, mummies pretend they're still alive, and parents build make-believe towns for their children. But we don't want to give too much away.




Provocateur


Book Description

This updated second edition offers a refined theoretical framework, new pedagogical features, and expansion of advertising images and their analysis. Controversially, the second edition highlights preliminary evidence, contrary to popular opinion, that media sex and violence do not always sell. The new edition reviews these and other recent research findings. Other updates for this edition include: an evaluation of advertisements following the 9-11 terrorist attacks more on media violence and its nexus to youth violence new discussion of the use of advertising in law enforcement introduces the concept hybridizing (combinations of two types of advertising) many new ads representing cultural changes since the first edition