Cultural Heritage of Mithila


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On the civilization of Mithila, ancient kingdom in north Bihar.




Bihar and Mithila


Book Description

The world has become obsessed with the Western notions of progress, development, and globalization, the latter a form of human and economic homogenization. These processes, through the aegis of the United Nations, are comparatively monitored. Those nations deemed to be ‘lagging behind’ are then provided with foreign aid and developmental assistance. For nearly seventy years, India has sought its place in this global endeavour; yet, even today, abject poverty and backwardness can be observed in districts in almost every state; with the highest concentration of such districts found in the state of Bihar and a cultural enclave, known as Mithila. Development in India has been elusive because it is difficult to define; and because the Western concepts of development and progress have no absolute equivalents within many non-Western settings. As a consequence, development programmes often fail because they are unable to ask the right questions, but equally important is the political economy derived from foreign aid. For politicians, there is no long-term benefit to be derived from successful development. In general, foreign aid only serves to corrupt governments and politicians and, in the end, does very little for those who need help. The struggling states of Bihar and Mithila serve as extreme examples of India‘s problems. Development here has been thwarted by a hereditary landed aristocracy supported by religion, casteism, custom, social stratification, tradition, and patterns of behaviour that can be traced back millennia. In turn, all these have been masterfully manipulated by co-opted politicians, who have turned politics into a veritable art form as this volume comprehensively demonstrates.







Folk Festivals of Mithila


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Madhubani Painting


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The present work contains a brief study of the various facets of Mithila folk-arts and paintings, which are unique in character having few parallels. Of late there has been great talk about this painting, the central inspiration of which revolves round popular religious themes and natural surroundings. They reflect the self-control and serenity of Maithila life and the definite theocratic and aristocratic organizations of Maithila society. The women painters of Mithila aimed at giving clear and edifying expression to certain intuitions, which formed part of their religion. The different forms of floor-drawings (Aripana) and walk-paintings (bhitti-citra) provide information on customs and costumes and rituals and religion which otherwise may remain unnoticed. The volume further explains in detail the religious and spiritual significance of the folk-arts and paintings of Mithila by means of copious references to Sanskrit texts, both sacred and secular. The paintings, as they are, constitute not merely a heap of drawings but a visible symbol of aspirations of pious ladies, and the throbbings of their hearts in religious fervour. A work of inestimable interest both for the specialist and for the connisseur interested in the study of Indian paintings, this comprehensive and authoritative volume on Madhubani painting and other folk-arts of Mithila will prove of immense help to students of Indian culture.




Cultural Heritage of Bengal


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The Culture and Civilisation of Ancient India in HIstorical Outline


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First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.




A Survey of Maithili Literature


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Practising Cultural Geographies


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This festschrift honours Prof. Rana P.B. Singh who has dedicated his life to teaching and conducting research on cultural geography with a ‘dweller Indian perspective’. The book focuses on the cultural geographies of India, and to an extent that of South Asia. It is a rich collection of 23 essays on the themes apprised by him, covering landscapes, religion, heritage, pilgrimage and tourism, and human settlements.