Cultural identity in the East African novel


Book Description

Inhaltsangabe:Introduction: As the Black African writers have taught us, we must dance our word, for in human speech as in dance, lies an offering; to speak and to write is also to offer oneself to the other; it is to be reborn together . This quotation by M. Rombaut locates African literature close to the performing arts. According to his statement African literature seems to transcend the conventional European conception of writing, which is conceiving literature as something planned and permanent. The idea of a literary performance in African writing places the author much closer to the story-teller, who is dependent on his audience and trying to keep in touch with them. By processing their feelings in his performance he gives expression to a common consciousness. In contrast to the Western author who often wants to stand apart from his society, African authors tend to aim their participation in the formation of a shared identity. This paper tries to find out how authors from the framework of East Africa conceive of cultural identity. Basically, I will proceed in two steps: part A is dedicated to the development of a pattern within which the complex issue of identity can be adequately discussed in an East African context. In Part B I will then apply this discussion scheme to three novels which as I will explain are representative for East African writing, in far as this term is justified. Part A starts off from some basic observations about identity, on the foundation of which I want to deduce the structure of my analysis. I will argue that identity is based on ones observation of the environment and on the influence of outsiders. All this is to some extent true for two concepts: individual and cultural identity. The latter develops when a group of individuals feels or is ascribed a common bond apt to correspond to several individual self-concepts. These individuals may then share a feeling of home, which can act as a physical but also mental commitment. Departing form these ideas I will show that four issues might be interesting in dealing with cultural identity, which can be expressed by some central questions: 1.Identity imposed and adopted: In how far can others influence our identity? 2.Identity rediscovered and reinvented:To what extent does our history work on identity? 3.Identity displaced: How does our feeling of physical or mental bond to a physical or mental space I will call home work on identity? 4.Identity integrated: How [...]




Transgressing Boundaries.


Book Description

Fictions written between 1939 and 2005 by indigenous and white (post)colonial women writers emerging from an African–European cultural experience form the focus of this study. Their voyages into the European diasporic space in Africa are important for conveying how African women’s literature is situated in relation to colonialism. Notwithstanding the centrality of African literature in the new postcolonial literatures in English, the accomplishments of the indigenous writer Grace Ogot have been eclipsed by the critical attention given to her male counterparts, while Elspeth Huxley, Barbara Kimenye, and Marjorie Oludhe Macgoye, who are of Western cultural provenance but adopt an African perspective, are not accommodated by the genre of ‘expatriate literature’. The present study of both indigenous and white (post)colonial women’s narratives that are common to both categories fills this gap. Focused on the representation of gender, identity, culture, and the ‘Other’, the texts selected are set in Kenya and Uganda, and a main concern is with the extent to which they are influenced by setting and intercultural influences. The ‘African’ woman’s creation of textuality is at once the expression of female individualities and a transgression of boundaries. The particular category of fiction for children as written by Kimenye and Macgoye reveals the configuration of a voice and identity for the female ‘Other’ and writer which enables a subversive renegotiation of identity in the face of patriarchal traditions.




East African Hip Hop


Book Description

Hip hop music that empowers and engages youth in East Africa




Swahili Beyond the Boundaries


Book Description

Africa is a marriage of cultures: African and Asian, Islamic and Euro-Christian. Nowhere is this fusion more evident than in the formation of Swahili, Eastern Africa's lingua franca, and its cultures. Swahili Beyond the Boundaries: Literature, Language, and Identity addresses the moving frontiers of Swahili literature under the impetus of new waves of globalization in the twentieth and twenty-first centuries. These momentous changes have generated much theoretical debate on several literary fronts, as Swahili literature continues to undergo transformation in the mill of human creativity. Swahili literature is a hybrid that is being reconfigured by a conjuncture of global and local forces. As the interweaving of elements of the colonizer and the colonized, this hybrid formation provides a representation of cultural difference that is said to constitute a "third space," blurring existing boundaries and calling into question established identitarian categorizations. This cultural dialectic is clearly evident in the Swahili literary experience as it has evolved in the crucible of the politics of African cultural production. However, Swahili Beyond the Boundaries demonstrates that, from the point of view of Swahili literature, while hybridity evokes endless openness on questions of home and identity, it can simultaneously put closure on specific forms of subjectivity. In the process of this contestation, a new synthesis may be emerging that is poised to subject Swahili literature to new kinds of challenges in the politics of identity, compounded by the dynamics and counterdynamics of post-Cold War globalization.




Africa Writes Back to Self


Book Description

The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.




The Bukusu of Kenya


Book Description

The Bukusu of Kenya: Folktales, Culture and Social Identities explores the social history in Bukusu folktales compiled in From Our Mothers'' Hearths: Bukusu Folktales and Proverbs. Folktales mirror life by reflecting what people do, what they think, and how they live, as well as what aspirations they hold; thus, they are both descriptive and prescriptive. The heroes of Bukusu tales are farmers, shepherds, stepmothers, husbands, orphans, ironsmiths, hunters, neglected wives, scheming stepmothers, shepherds, and barren women--ordinary people from all walks of life. For many Africans, structures and values in folktales affirm their cultural identity, drawing on familiar words and expressions. The Bukusu of Kenya shows how folktales bring value and pressures to behavior. For instance, except in a few tales, females rather than males fall prey to ogres, commit social breaches and require male direction and protection. Most stories depict the triumph of the despised and weak, such as orphans and neglected wives over those who abuse power or good fortune. Folktales offer a poignant critique of the pervasive consumerism and individualism in society, celebrating, collaboration, honesty, diligence, and familial ties. Tales integrate the ordinary and extraordinary, depict human interactions with and among animals and portray human control over both the animate and inanimate worlds. On the other hand, the conspicuous omission of other ethnic groups and the depiction of the inanimate as lesser beings create an ontological hierarchy. The vast range in tales, depicted social roles, and narrators testifies to the creative power of individuals and communities in defining and transforming the social structures in which they live. Growing interest in cross-cultural experiences and culturally-relevant pedagogy highlights the importance of books like The Bukusu of Kenya: Folktales, Culture and Social Identities. Folktales appeal to audiences across age, time, and location, providing a link to a heritage of tellers, listeners, writers, and readers. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "As a School Board Administrator, I seek unique books and materials on people of African descent to recommend to teachers. Having read From Our Mothers'' Hearths: Bukusu Folktales and Proverbs (Florence, 2005), most of my teachers and students have been eagerly awaiting the follow-up. The Bukusu of Kenya: Folktales, Culture and Social Identities could not have come at a better time. Folktales have played a very important role in the Bukusu culture. This book is an important educational tool." -- Leonard Wandili, Program Officer International Languages and African Heritage, Ontario, Canada "I write to applaud the publication of this new book by Dr. Namulundah Florence. This book is another outstanding collection of Bukusu folktales coming soon after the remarkable From Our Mothers'' Hearths. The book serves as a permanent record of our culture, a long-awaited documentation of the values and aspiration of our forefathers captured and immortalized for future generations. The stories provide our people a rich resource from which they will not only learn and be entertained but will be guided for centuries to come.-- Everett Wakoli, Past President of Abeingo Association Canada "The Bukusu of Kenya: Folktales, Culture and Social Identities comes at a right time to enable Bukusus, especially the younger generation who may be eager to know their history, culture, tradition, music, marriage ceremonies, customs, etc. These folktales serve an educative role among the Bukusus of Kenya and connect the same people with the cultures and traditions of other tribes the world over. The growing cultural diversity in America calls for an acknowledgement of the origins but also contributions of individual groups to national traditions. Success in promoting cultural inclusiveness begins with training teachers from different locations but also knowledge of different traditions, many of which have shaped students'' lives. The market is ready for this book." -- Fr. Christopher Wanyonyi "Florence''s book offers an overview of Bukusu peoples'' beliefs and practices through time. The book celebrates our Bukusu cultural identity as much as it portrays the community''s aspirations. Other cultural groups acquire a glimpse of Bukusu core values. Such discussions create awareness about the need for a comprehensive cultural analysis. As an author, I have waited long for this research. -- F.E. Makila, Author of An Outline History of the Babukusu and Bukusu Folktales "In this book, Dr. Florence combines her literary training and her personal knowledge and experience of Bukusu life to produce an anthology rich in folklore, cultural traditions and social ethos. Though the focus is on the Bukusu community, the author also draws examples from other communities in the East African region. The product is certainly a document that will be of interest to students and professionals in cultural anthropology, sociology, literature, history, and comparative ethnography. The book should also be of interest to any reader out for leisure reading." -- Professor Simiyu Wandibba, Editor of History and Culture in Western Kenya: The People of Bungoma District Through Time




Swahili Modernities


Book Description

This book considers the themes of modernity, identity and politics on the East African coast and islands. This area is undergoing rapid change as globalisation makes its impact. Tourism, increased monetisation, emigration and immigration and various multinational agencies are all significant factors. The volume also focuses on how the Swahili language, literature and culture have been affected by modernity and the way in which Swahili women continue to live under the strong social constraints that this community place them under. - Verlagsangaben




Wizard of the Crow


Book Description




African Politics


Book Description

Africa is a continent of 54 countries and over a billion people. However, despite the rich diversity of the African experience, it is striking that continuations and themes seem to be reflected across the continent, particularly south of the Sahara. Questions of underdevelopment, outside exploitation, and misrule are characteristic of many - if not most-states in Sub-Saharan Africa. In this Very Short Introduction Ian Taylor explores how politics is practiced on the African continent, considering the nature of the state in Sub-Saharan Africa and why its state structures are generally weaker than elsewhere in the world. Exploring the historical and contemporary factors which account for Africa's underdevelopment, he also analyses why some African countries suffer from high levels of political violence while others are spared. Unveilling the ways in which African state and society actually function beyond the formal institutional façade, Taylor discusses how external factors - both inherited and contemporary - act upon the continent. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.




African Diaspora Identities


Book Description

African Diaspora Identities provides insights into the complex transnational processes involved in shaping the migratory identities of African immigrants. It seeks to understand the durability of these African transnational migrant identities and their impact on inter-minority group relationships. John A. Arthur demonstrates that the identities African immigrants construct often transcends country-specific cultures and normative belief systems. He illuminates the fact that these transnational migrant identities are an amalgamation of multiple identities formed in varied social transnational settings. The United States has become a site for the cultural formations, manifestations, and contestations of the newer identities that these immigrants seek to depict in cross-cultural and global settings. Relying mostly on their strong human capital resources (education and family), Africans are devising creative, encompassing, and robust ways to position and reposition their new identities. In combining their African cultural forms and identities with new roles, norms, and beliefs that they imbibe in the United States and everywhere else they have settled, Africans are redefining what it means to be black in a race-, ethnicity-, and color-conscious American society.