Cultural and Political Imaginaries in Putin’s Russia


Book Description

In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.




The Ukrainian West


Book Description

This book examines the political, social, and cultural history of the western Ukrainian city of Lviv and how this anti-Soviet city became symbolic of the Soviet Union's postwar evolution.




Ukrainian, Russophone, (Other) Russian


Book Description

The author investigates the interplay between literature, politics, market and identity in contemporary Ukraine (1991-2018). The sections of this book explore the contested role of Russophone culture in Ukraine, highlighting the impact of Russian-Ukrainian political relations on social developments in post-independence and post-Maidan times.




Beau Monde on Empire’s Edge


Book Description

In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.




Ukraine and Europe


Book Description

Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine's relationship with Europe and its role the continent's historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.




Contested Tongues


Book Description

During the controversial 2004 elections that led to the "Orange Revolution" in Ukraine, cultural and linguistic differences threatened to break apart the country. Contested Tongues explains the complex linguistic and cultural politics in a bilingual country where the two main languages are closely related but their statuses are hotly contested. Laada Bilaniuk finds that the social divisions in Ukraine are historically rooted, ideologically constructed, and inseparable from linguistic practice. She does not take the labeled categories as givens but questions what "Ukrainian" and "Russian" mean to different people, and how the boundaries between these categories may be blurred in unstable times.Bilaniuk's analysis of the contemporary situation is based on ethnographic research in Ukraine and grounded in historical research essential to understanding developments since the fall of the Soviet Union. "Mixed language" practices (surzhyk) in Ukraine have generally been either ignored or reviled, but Bilaniuk traces their history, their social implications, and their accompanying ideologies. Through a focus on mixed language and purism, the author examines the power dynamics of linguistic and cultural correction, through which people seek either to confer or to deny others social legitimacy. The author's examination of the rapid transformation of symbolic values in Ukraine challenges theories of language and social power that have as a rule been based on the experience of relatively stable societies.







Making Ukraine Soviet


Book Description

Winner of the BASEES Alexander Nove Prize 2021 Winner of The American Association for Ukrainian Studies 2019-2020 Book Prize Honorable Mention for the ASEEES Omeljan Pritsak Book Prize in Ukrainian Studies 2022 While most studies of Soviet culture assume a model of diffusion, according to which Soviet republics imitated the artistic trends and innovations born in Moscow, Olena Palko adroitly challenges this centre-periphery perspective. Rather than being a mere imposition from above, Making Ukraine Soviet reveals how the process of cultural sovietisation in Ukraine during the interwar years developed from a synthesis of different – and often conflicting – cultural projects both local and Muscovite in orientation. Engaging with a wide range of primary and secondary sources, including literary and archival material, Palko grounds her argument in the cases of two celebrated and controversial Ukrainian artists: the poet Pavlo Tychyna and prosaist Mykola Khyl'ovyi. Through this unique biographical lens, Palko's skilled analysis of cultural construction sheds fresh light on the complex process of establishing and consolidating the Soviet regime in Ukraine. In doing so, Palko offers a timely re-assessment of the Russo-Ukrainian conflict and adds nuance to current debates on the relationship between national identity, the arts, and the Soviet state.