Pieces of a Nation


Book Description

South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.




Class and Power in Sudan


Book Description

With the attention of the industrialized world focused on the political, economic, and social strife of Africa, Tim Niblock travels to Sudan for a first-hand investigation of the socio-economic structure of that continent’s largest country. His findings hold significant implications for the wider context of Africa, the Arab countries, and the Third World. His is a systematic and comprehensive study of Sudanese politics. A country with immense economic potential, possessing extensive tracts of cultivable but currently uncultivated land, Sudan could emerge as a major source of food for the Arab world. Yet it is threatened by famine while attempts at development are frustrated by civil war and political disarray. Niblock examines the political, economic, and social factors that have shaped the country’s development. The fate of Sudan will be critical to the political stability of North-East Africa and the Red Sea area, and the Sudanese experience is instructive for underdeveloped countries as a whole.




Culture and Context in Sudan


Book Description

This book illustrates that external factors, especially international political processes interacting with large-scale ecological and demographic changes, are the primary cause of problems experienced by the Masalit and other people in the Third World. The Masalit are Muslim farmers formerly independent as part of the sultanate of Dar Fur. Tully examines the local processes by which the Masalit became economically, politically, and culturally incorporated into the Sudan, and thus into a nexus of global forces. Culture and Context in Sudan clarifies the complicated macro-micro linkages responsible for the continuing environmental degradation, increasing inequality, and cultural assimilation that is so detrimental to the people of Dar Masalit. The author analyzes new data as well as previously-existing information to demonstrate the multi-level process of change and how it determines individual choices.




Five Women of Sennar


Book Description

"In this second edition of the highly regarded original, five Muslim women and their families from the town of Sennar, Central Sudan, update their life stories. Halima, the hairdresser; Fatima, the market woman; Zachara, the midwife; Bitt al-Jamil, the faith healer; and Naiema, leader of tombura zar spirit possession, each look back on their lives, their families, and their work in accounts that now span more than twenty years. The women's own voices provide insight into how ordinary individuals deal with the challenges of making a living, raising a family, and leading a good life in twentieth-century Sudan while Kenyon situates the narratives in the larger historical and ethnographic context."--ORIGINAL BOOK JACKET.




Urban Now


Book Description

The subject of the study is the spontaneous city spreading process of Juba after the end of the civil war in South Sudan (2005). The book presents the complex dynamics of transformations within the new urban settings of post-war Juba. The viewpoint taken while describing these phenomena is the adaptation of an average migrant to a new urban environment. This was not an easy task. At that time the city was characterised by extremely harsh living conditions, harsh even for post-war South Sudan. Despite the difficulties, the city's development was visible. The phenomenon of borderlineness - the closeness of the state's borders - appeared to be helpful in this process. It influenced the effectiveness of human activities, it is an answer to the spontaneous city spreading processes - it brought danger, but most of all, infinite possibilities. The presented material comes from the author's ethnographic research conducted in Juba in 2007 and 2008.




Transforming Displaced Women in Sudan


Book Description

Over twenty years of civil war in predominantly Christian Southern Sudan has forced countless people from their homes. Transforming Displaced Women in Sudan examines the lives of women who have forged a new community in a shantytown on the outskirts of Khartoum, the largely Muslim, heavily Arabized capital in the north of the country. Sudanese-born anthropologist Rogaia Mustafa Abusharaf delivers a rich ethnography of this squatter settlement based on personal interviews with displaced women and careful observation of the various strategies they adopt to reconstruct their lives and livelihoods. Her findings debunk the myth that these settlements are utterly abject, and instead she discovers a dynamic culture where many women play an active role in fighting for peace and social change. Abusharaf also examines the way women’s bodies are politicized by their displacement, analyzing issues such as religious conversion, marriage, and female circumcision. An urgent dispatch from the ongoing humanitarian crisis in northeastern Africa, Transforming Displaced Women in Sudan will be essential for anyone concerned with the interrelated consequences of war, forced migration, and gender inequality.




The Root Causes of Sudan's Civil Wars


Book Description

Sudan's post-independence history has been dominated by long, recurring, and bloody civil wars. Most commentators have attributed the country's political and civil strife either to an age-old racial and ethnic divide between Arabs and Africans or to colonially constructed inequalities. In The Root Causes of Sudan's Civil Wars, Douglas H. Johnson examines historical, political, economic, and social factors to come to a more subtle understanding of the trajectory of Sudan's civil wars. Johnson focuses on the essential differences between the modern Sudan's first civil war in the 1960s, the current war, and the minor conflicts generated by and contained within the larger wars. Regional and international factors, such as humanitarian aid, oil revenue, and terrorist organizations, are cited and examined as underlying issues that have exacerbated the violence. Readers will find an immensely readable yet nuanced and well-informed handling of the history and politics of Sudan's civil wars.




Modern Sudanese Poetry


Book Description

Spanning more than six decades of Sudan’s post-independence history, this collection features work by some of Sudan’s most renowned modern poets, largely unknown in the United States. Adil Babikir’s extensive introduction provides a conceptual framework to help the English reader understand the cultural context. Translated from Arabic, the collection addresses a wide range of themes—identity, love, politics, Sufism, patriotism, war, and philosophy—capturing the evolution of Sudan’s modern history and cultural intersections. Modern Sudanese Poetry features voices as diverse as the country’s ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan’s poetry scene as well as the country’s modern history and post-independence trajectory.




Encyclopedia of Women and Islamic Cultures


Book Description

Family, Law and Politics, Volume II of the Encyclopedia of Women & Islamic Cultures, brings together over 360 entries on women, family, law, politics, and Islamic cultures around the world.




Art, Politics, and Cultural Identification in Sudan


Book Description

"It is now widely acknowledged that the issue of Sudan's cultural and political identity is one of the root causes of the Sudanese crisis that has crippled the country since its independence in 1956 and plunged it into a civil war regarded as the longest in Africa. Nevertheless, this issue continues to be a grossly neglected topic in scholarship concerning Sudan. On the other hand, the politics of intellectual and artistic production have been inseparable from the pivotal issue of identity ever since the advent of Sudanese nationalism in the 1920s. But there has yet been no publication dedicated to the topic of identity as one of the major concerns in modern Sudanese artistic production. This study thus undertakes a critical examination of key discourses concerning the cultural basis of modern Sudanese literature, visual art, music, and dance, and it attempts to highlight their underlying political and ideological orientations. The terms Arabism, Afro-Arabism, Africanism, Islamism, and Sudanism have developed within these discourses as defining concepts describing the country's ethnic and cultural origins, thereby serving as identity constructs. The study also examines the relation between the political and the artistic institutions as well as the policy of the ""Islamization of the Arts"" launched by the present Islamist regime and its outcome. The study may also be viewed as an endeavor to ""discover"" within the aesthetic field the missing ""Sudanese"" collective memory. Stated otherwise, this is an effort to redeem the lost ""Sudanese"" pedigree that has long been deliberately mystified, misconceived, and misconstrued for the for the sake of certain political and cultural strategies. Another aim of the study is to introduce Sudanese arts and the specific Sudanese aesthetic/political debate concerning the topics of culture and identity to both the general reader and specialists as well as to Africanists in general and scholars of African arts and literature in particular."