Ladakh Then and Now


Book Description







Ancient Futures


Book Description

A moving portrait of tradition and change in Ladakh, or "Little Tibet," Ancient Futures is also a scathing critique of the global economy and a rallying call for economic localization. When Helena Norberg-Hodge first visited Ladakh in 1975, she found a pristine environment, a self-reliant economy and a people who exhibited a remarkable joie de vivre. But then came a tidal wave of economic growth and development. Over the last four decades, this remote Himalayan land has been transformed by outside markets and Western notions of "progress." As a direct result, a whole range of problems--from polluted air and water to unemployment, religious conflict, eating disorders and youth suicide--have appeared for the first time. Yet this is far from a story of despair. Social and environmental breakdown, Norberg-Hodge argues, are neither inevitable nor evolutionary, but the products of political and economic decisions--and those decisions can be changed. In a new Preface, she presents a kaleidoscope of projects around the world that are pointing the way for both human and ecological well-being. These initiatives are the manifestation of a rapidly growing localization movement, which works to rebuild place-based cultures--strengthening community and our connection with nature. Ancient Futures challenges us to redefine what a healthy economy means, and to find ways to carry centuries-old wisdom into our future. The book and a related film by the same title have, between them, been translated into more than 40 languages.




HISTORY AND CULTURE OF DARD PEOPLE OF LADAKH


Book Description

"As a son of renowned historian Mr. Sonam Phuntsog specialising on ethnic tribes, ancient art and culture of Ladakh , I was always interested in the rich and unique history of the region. I first got opportunity to closely interact with the distinct Dard(Brokpa) tribe during my first tenure as a teacher at the Govt. Primary School in Dah in 1997. The village is known as the last reserve of the ancient Aryan tribe which first inhabited the Indus Valley in about 2nd century B.C. In recent Years, the culture has been influenced by indigenous Ladakhi Buddhist and Islamic cultures. According to an another folklore, the tribe is descendants of the army of Alexander the Great who left some troops back following the conquest of India in 327 B.C. This and several other legends continue to surround this unique race that resembles Europeans rather than mountainous Ladakhis or people from mainland India. The people of the tribe dress is a unique fashion which is distinct from their colourful attire and adornment. Both men and women wear flowers and jewelery weaved in their headgear called 'Mun-tho-To'. I too developed an interest in the culture of the community and began researching on the history and legend, through verbal conversations. Unfortunately, the research remained incomplete as I was transferred out of Dah village. In 2013, Fate brought me back to the village as a Head master of the same School and I once again enthusiastically revived my research project. I began visiting annual festivals, historical sites of the Brokpa tribe from Batalik to Dah-Hanu villages, documenting conversations and verbal history from the elders and women-part of which is published in the local fortnightly Reach Ladakh in April 2015. Sadly, as modernisation, advancement in technology and communications reached the once isolated part of Ladakh, the tribe's once well preserved culture and history has slowly began to deteriorate. The younger generation is giving up the traditional appearance and habits in favour of modern dressing and prefers to make way to cities of Leh, Jammu, Delhi and even Nepal. Lack of written documentation on the culture of the tribe is now threatening to swallow the last remnants of its tradition. It is in this background I aim to congregate the rich and vast history of the tribe into a written format of a book, to preserve it for many more generations to come. I could not complete my work even in my second tenure in the region. And in 2019 March I was again transferred to Govt. Higher secondary School Biama and which helped me to add few more chapters in my book."







Modern Ladakh


Book Description

Arguing for the need to situate Ladakh in a South Asian context, albeit not neglecting its ties with Tibet, this volume brings together empirical studies from the region to analyse the change and continuity resulting from colonialism, independence and modernisation.




Ladakh


Book Description

This is the first book to combine essays on the history and ongoing production of art in Ladakh and to recognize both Buddhist and Islamic contributions to the cultural environment. Drawing on recent research in the region, Ladakh: Cultu re at the Crossroads covers subjects ranging from the analysis of key sites and prominent




Cultural History of Ladakh


Book Description

Ladakh was an independent western Tibetan kingdom until 1834. Having been closed to outsiders for many years, the authors were the first to enter the country. This work aims to be a testament to the richness and vigour of the Ladakh religion, culture and history. Ladakh existed as an independent western Tibetan kingdom until 1834, when it was taken by the rulers of Jammu and Kashmir. To this date it continues to be one the the few places where Tibetan Buddhism, culture and way of life have continued to flourish unimpeded and uncorrupted. Having been closed to outsiders




Art and Architecture in Ladakh


Book Description

Art and Architecture in Ladakh shows how the region’s cultural development has been influenced by its location across the great communications routes linking India with Tibet and Central Asia. Edited by Erberto Lo Bue and John Bray, the collection contains 17 research papers by experienced international art historians and architectural conservationists, as well as emerging scholars from Ladakh itself. Their topics range widely over time, from prehistoric rock art to mediaeval Buddhist stupas and wall paintings, as well as early modern castle architecture, the inter-regional trade in silk brocades, and the challenges of 21st century conservation. Taken together, these studies complement each other to provide a detailed view of Ladakh’s varied cultural inheritance in the light of the latest research. Contributors include: Monisha Ahmed, Marjo Alafouzo, André Alexander, Chiara Bellini, Kristin Blancke, John Bray, Laurianne Bruneau, Andreas Catanese, Philip Denwood, Quentin Devers, Phuntsog Dorjay, Hubert Feiglstorfer, John Harrison, Neil and Kath Howard, Gerald Kozicz, Erberto Lo Bue, Filippo Lunardo, Kacho Mumtaz Ali Khan, Heinrich Poell, Tashi Ldawa Thsangspa and Martin Vernier.