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Postwar


Book Description

Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.




Navigating Troubled Waters


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History of Modern Latin America


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Now available in a fully-revised and updated second edition, A History of Modern Latin America offers a comprehensive and accessible introduction to the rich cultural and political history of this vibrant region from the onset of independence to the present day. Includes coverage of the recent opening of diplomatic relations between the U.S. and Cuba as well as a new chapter exploring economic growth and environmental sustainability Balances accounts of the lives of prominent figures with those of ordinary people from a diverse array of social, racial, and ethnic backgrounds Features first-hand accounts, documents, and excerpts from fiction interspersed throughout the narrative to provide tangible examples of historical ideas Examines gender and its influence on political and economic change and the important role of popular culture, including music, art, sports, and movies, in the formation of Latin American cultural identity Includes all-new study questions and topics for discussion at the end of each chapter, plus comprehensive updates to the suggested readings




The Prince of Las Vegas


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A modern retelling of Hamlet, except with a few twists. It's seventies Vegas. Amid the glitz, neon lights, poker players, and flood of cash, Jack Romano, a well-respected self-made casino owner and patriarch, has died. His only son, Nick, arrives home for the funeral and discovers that the death may not have been so accidental. Now he must decide what to do about Claudio, an ambitious, seasoned mobster who is also his dad's so-called business partner. Complications arise as Nick finds himself falling in love with Rosalie, the daughter of one of Claudio's crew. Nick must not only save his family's casino business, but also his dad's hoard of silver, amassed over decades, and stashed in the casino's basement vaults. "The only thing missing are the cement shoes. Malanaphy's tumultuous and thrilling ride through the wise-guy back rooms of not-so-old Las Vegas is a sometimes funny, sometimes not, but always captivating whodunnit that'll keep you turning the pages. The Prince of Las Vegas has it all: Romance, mystery and a fresh take on a Cosa Nostra-esque underworld where behind every poker table there's a mobster looking to grab the great, late Jack Romano's loot. If you can't read this well-honed mobster thriller without cheering on the good guys and boo-hissing the bad ones, well ... fuhgeddaboudit!" - Andy Scontras, author of When You Are Strange "A well written, nostalgic and fun, Vegas crime thriller. Malanaphy's novel does not disappoint!" - Gary Braver, author of Tunnel Vision "Would make a great Scorsese or Tarantino movie." - Douglas Corleone, author of Good As Gone.




Broken Idols of the English Reformation


Book Description

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.