Dance in Saratoga Springs


Book Description

Known to aspiring dancers and ballet enthusiasts worldwide, Saratoga Springs is much more than the home of the National Museum of Dance. The arts have always been nurtured in the Spa City, and in 1964, the world-famous founder of the New York City Ballet, George Balanchine, decided to make the new Saratoga Performing Arts Center his company's summer home. The company has brought some of the world's most famous dancers and choreographers to Saratoga ever since. Skidmore College offered one of the best dance programs in the nation, and several prestigious academies and summer programs have made Saratoga their home, helping young people from Lake Avenue and around the world achieve that illustrious dream of dancing professionally. Skidmore dance professor Denise Warner Limoli narrates this beautiful history, from turn-of-the-century "floral fetes" to today's vibrant dance community.




Cuban Ballet


Book Description

Just as Russian dancers defected from the former Soviet Union in the 1970s, Cuban dancers are now fleeing Castro's regime in droves. Their unique style of ballet is galvanizing the world of dance. This beautifully illustrated book explores the history of Cuban ballet by focusing on the life and career of the indomitable Alicia Alonso. The author also spotlights many of the young dancers who are now part of the growing Cuban Diaspora and who are changing the face of ballet: Lorena Feijoo, Lorna Feijoo, Joan Boada, Taras Domitro, Jose Manuel Carreno, and Carlos Acosta to name but a few.




Dancing Female


Book Description

How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and researched by the educators and dancers Sharon E. Friedler and Susan B. Glazer in Dancing Female . In dealing with some of the tensions, joys, frustrations, and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. This book presents answers to basic questions about women, power, and action. Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently and organizationally?




The Routledge Dance Studies Reader


Book Description

Represents the range and diversity of writings on dance from the mid to late 20th century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.




The Routledge Dance Studies Reader


Book Description

The second edition of The Routledge Dance Studies Reader offers fresh critical perspectives on classic and modern dance forms, including ballroom, tango, Hip-hop, site-specific performance, and disability in dance. Alexandra Carter and Janet O’Shea deliver a substantially revised and updated collection of key texts, featuring an enlightening new introduction, which tracks differing approaches to dance studies. Important articles from the first edition are accompanied by twenty new works by leading critical voices. The articles are presented in five thematic sections, each with a new editorial introduction and further reading. Sections cover: Making dance Performing dance Ways of looking Locating dance in history and society Debating the discipline The Routledge Dance Studies Reader gives readers access to over thirty essential texts on dance and provides expert guidance on their critical context. It is a vital resource for anyone interested in understanding dance from a global and contemporary perspective.




Dance for Fun!


Book Description

A survey of dance, including tap, modern, jazz, and ballet, and a timeline of the history of dance and the place it holds in cultures around the world.




My Ballet Journal


Book Description

This unique journal and activity book offers little dancers the ideal way to record their progress and reinforce their lessons. Thirty charmingly illustrated pages are packed with practical checklists, inspiring tips, fill-in-the-blanks, and a dictionary of terms every ballet dancer should know. A special place to note dance class highlights and goals, this book offers families a keepsake treasure.




DK Eyewitness Books: Dance


Book Description

DK Eyewitness Books: Dance is an original and exciting new guide to the magic and beauty of dance around the world. Step-by-step sequences and glorious full-color photographs offer a unique "eyewitness" view of dance traditions including the magical performances, stunning costumes, and extraordinary talent of dancers. See a ballet costume designed by Picasso, dancers who balance on stilts, and headdresses studded with gemstones. Discover why Javanese dancers "flow like water", the stories of the great classical ballets, see dance crazes from the last 100 years, and much, much more. The most trusted nonfiction series on the market, Eyewitness Books provide an in-depth, comprehensive look at their subjects with a unique integration of words and pictures.




National Museum of Dance and Hall of Fame


Book Description

Explores the rich history, collections, and significance of the only museum in the United States dedicated solely to the art form of dance. The only museum in the United States dedicated entirely to the art form of dance, the National Museum of Dance and Hall of Fame opened in June 1987, after a short preview season the summer before. This unique and special place celebrates its thirtieth anniversary in 2017. To commemorate this milestone, Lisa Schlansker Kolosek has created a rich pictorial history tracing not only the museum’s remarkable evolution but the relevance of the museum to the city of Saratoga Springs, New York. Kolosek tells the story of the museum’s origins, from its notable founders’ grand idea to the selection and complete renovation of a historic 1920s bath house as its home. Combining a complete survey of exhibitions presented by the museum and the incredible history of the Hall of Fame, which recognizes dance luminaries across multiple genres, this book offers an in-depth look at the museum’s expansive collection of costumes, visual art, and archival materials. The book also covers the history of the museum’s Lewis A. Swyer Studios and School of the Arts, a leader in dance education. Beautifully illustrated with more than four hundred photographs, this book pays tribute to the immense impact of the National Museum of Dance and Hall of Fame. “The book illuminates the history of the museum and its founders’ vision for a national repository dedicated to the ethereal art of dance in all its many genres. Readers will grasp the importance of the museum on the Saratoga Springs region along with its impact on the greater dance world both past and present. A lovely journey for all to read, especially the dance aficionado!” — Andrew DeVries, sculptor “Saratoga Springs is a mythical place for dance: Mr. Balanchine parading down the streets with the New York City Ballet performing street theater, tantalizing Saratoga with glimpses of ballets in a freewheeling, improvisational summer parade. And from there it blossomed: the National Museum of Dance was born, giving us the past through exhibitions, providing space for the creative process today, and training the next generation. Dance, the architecture of time, is celebrated by a colorful cast of characters making time flow in tantalizing stories of a one-of-a-kind place.” — Karole Armitage, choreographer “It has been a privilege and a pleasure to walk through and explore the National Museum of Dance. This museum is always ‘in process,’ reinventing itself in an ever-changing world. Museums are the guardians of our culture, keeping the ideas and creations of the human spirit—body and soul—alive. The National Museum of Dance delights in bringing art and history into the present—into the dance of now!” — Paul Kolnik, photographer




The New York Times Dance Reviews 2000


Book Description

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.