Dancing With Natasha


Book Description

In this engaging, witty, and poignant memoir, Greg and his wife Joan make the frightening trek to the Arthur Murray Dance Studio in Dayton, Ohio, for a few lessons to better enjoy the professional formal functions they attend. What they find is nothing short of miraculous.




Natasha's Dance


Book Description

History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.




Dance with Me


Book Description

Rumba music starts and a floor full of dancers alternate clinging to one another and turning away. Here, Julia Ericksen, a competitive ballroom dancer herself, takes the reader onto the competition floor exploring the allure of this hyper-competitive, difficult, and often expensive activity.




Our First Dance


Book Description

Natasha Carter is committed to becoming a prima ballerina. So can she resist bad-boy Damien Johnson who's been burned by love before and who doesn't want a new relationship?




Dance with Me


Book Description

The second book in Alexis Daria's Dance Off series finds one playboy charmer falling for his new roommate. Natasha Díaz is having a day. She’s trying to prove she can make it as a professional dancer, but she’s overworked, out of cash, and her roommate has just moved out. When she comes home to find a hole in her ceiling and her bedroom flooded, she’s desperate enough to crash with the one guy she can’t quit. She accepts his offer with one condition: no sleeping together while she’s living with him. Dimitri Kovalenko has never lived with a woman before. But when Tasha’s in need of a place to stay, he suggests she move in without a second thought. He accepts her condition, hoping she won’t stick to it. They’re good together, both in the ballroom and the bedroom. Since their first dance, she’s never been far from his thoughts. Sure, she’s a pro and he’s one of her show’s judges, but they’re not currently filming, so no one needs to know. Living in close quarters shows Dimitri a side of Natasha he’s never seen before, and he likes it. A lot. Too bad she’s doing everything in her power to keep him at arm’s length. When an injury forces Natasha to take it easy or risk her ability to dance, it’s his chance to show her that the rules have changed, and she can trust him with her heart.




Nijinsky's Feeling Mind


Book Description

Nijinsky's Feeling Mind: The Dancer Writes, The Writer Dances is the first in-depth literary study of Vaslav Nijinsky's life-writing. Through close textual analysis combined with intellectual biography and literary theory, Nicole Svobodny puts the spotlight on Nijinsky as reader. She elucidates Nijinsky's riffs on Tolstoy, Dostoevsky, and Nietzsche, equating these intertextual connections to "marking" a dance, whereby the dancer uses a reduction strategy situated between thinking and doing. By exploring the intersections of bodily movement with verbal language, this book addresses broader questions of how we sense and make sense of our worlds. Drawing on archival research, along with studies in psychology and philosophy, Svobodny emphasizes the modernist contexts from which the dancer-writer emerged at the end of World War I. Nijinsky began his life-writing—a book he titled Feeling—the day after the Paris Peace Conference opened, and the same day he performed his "last dance." Nijinsky's Feeling Mind begins with the dancer on stage and concludes as he invites readers into his private room. Illuminating the structure, plot, medium, and mode of Feeling, this study calls on readers to grapple with a paradox: the more the dancer insists on his writing as a live performance, the more he points to the material object that entombs it.




The Gypsy Dance


Book Description

Natasha is a very attractive woman who knows how to seduce men with sex and dance. Natasha grew up getting her way and will not let anyone get between her and money, not even family. After a brutal rape and beating, Natasha changed and became a woman on a mission. Her filter became so damaged that she had no remorse for those she sought to destroy by leaving them penniless or dead.




Longing


Book Description

The first play by bestselling author William Boyd, Longing adapts two of Chekhov's short stories to weave a comic tale, at once exotic and familiar.




Ophelia's Mom


Book Description

MOTHERS TALK BACK! In 1999 Ophelia Speaks, Sara Shandler’s collection of writings by and about adolescent girls, became a bestseller. Two years later, Nina Shandler, Ed.D., psychologist by profession and Sara’s mother, invited mothers of adolescent girls from all over the country to talk back, giving them the chance, perhaps for the first time, to speak out about feelings too often considered taboo. Culled from written submissions and interviews with hundreds of women from all walks of life and from every part of the country, the concerns voiced in Ophelia’s Mom reflect the universal experience of mothers facing one set of changes while their daughters are facing another. With humor, insight, rage, sadness, jealousy, pride, joy, and, ultimately, optimism, these mothers talk candidly about rejection and separation, feminism versus Girl Power, love and sex, friends, school, drugs and alcohol, divorce, menstruation and menopause, the mother-daughter bond, and much more. As these mothers reveal how this life passage has reshaped them as well as their children, you’ll realize that you’re not crazy, and you’re certainly not alone in your frustration, confusion, and exhilaration over raising an adolescent daughter.




Working with Children to Heal Interpersonal Trauma


Book Description

Featuring in-depth case presentations from master clinicians, this volume highlights the remarkable capacity of traumatized children to guide their own healing process. The book describes what posttraumatic play looks like and how it can foster resilience and coping. Demonstrated are applications of play, art, and other expressive therapies with children who have faced such overwhelming experiences as sexual abuse or chronic neglect. The contributors discuss ways to facilitate forms of expression that promote mastery and growth, as well as how to intervene when play becomes stuck in destructive patterns. They share effective strategies for engaging hard-to-reach children and building trusting therapeutic relationships. This book will be invaluable to mental health professionals working with children, including child psychologists, social workers, play and art therapists, counselors, family therapists, and psychiatrists. It will also˜serve as a supplemental text in clinically oriented graduate-level courses.