Dangerous Acquaintances


Book Description

An epistolary novel chronicles the cruel seduction of a young girl by two ruthless, eighteenth-century aristocrats







The Philosophy of Sex


Book Description

With twenty-five essays, seven of which are new to the eighth edition, this best-selling volume examines the nature, morality, and social meanings of contemporary sexual phenomena. Topics include: sexual desire and activity, masturbation, Sexual orientation, asexuality, transgender issues, Zoophilia, rape, casual sex and promiscuity, love and sex, polyamory, sexual consent, sexual, perversion, sexual ethics, objectification, BDSM, sex and technology, sex and race, and sex work. Updated and new discussion questions offer students starting points for debate in both the classroom and the bedroom.




Dangerous Connections


Book Description

Dangerous Liaisons is a 1988 American period romantic drama film directed by Stephen Frears from a screenplay by Christopher Hampton, based on his play Les liaisons dangereuses, which was itself adapted from the 18th-century French novel of the same name by Pierre Choderlos de Laclos. It stars Glenn Close, John Malkovich, Michelle Pfeiffer, Swoosie Kurtz, Mildred Natwick, Peter Capaldi, Keanu Reeves and Uma Thurman. Dangerous Liaisons was released theatrically on December 16, 1988, by Warner Bros. It received generally positive reviews from critics with praise for Close and 's and Pfeiffer and 's performances and the screenplay, production values and costumes. Although it was a moderate commercial success grossing $34.7 million against its $14 million budget, it was cited as a box office disappointment. The film received seven nominations at the 61st Academy Awards, including for Best Picture and won three: Best Adapted Screenplay, Best Costume Design, and Best Production Design.




The Reform Advocate


Book Description




Breeding Bio Insecurity


Book Description

In the years since the 9/11 attacks—and the subsequent lethal anthrax letters—the United States has spent billions of dollars on measures to defend the population against the threat of biological weapons. But as Lynn C. Klotz and Edward J. Sylvester argue forcefully in Breeding Bio Insecurity, all that money and effort hasn’t made us any safer—in fact, it has made us more vulnerable. Breeding Bio Insecurity reveals the mistakes made to this point and lays out the necessary steps to set us on the path toward true biosecurity. The fundamental problem with the current approach, according to the authors, is the danger caused by the sheer size and secrecy of our biodefense effort. Thousands of scientists spread throughout hundreds of locations are now working with lethal bioweapons agents—but their inability to make their work public causes suspicion among our enemies and allies alike, even as the enormous number of laboratories greatly multiplies the inherent risk of deadly accidents or theft. Meanwhile, vital public health needs go unmet because of this new biodefense focus. True biosecurity, the authors argue, will require a multipronged effort based in an understanding of the complexity of the issue, guided by scientific ethics, and watched over by a vigilant citizenry attentive to the difference between fear mongering and true analysis of risk. An impassioned warning that never loses sight of political and scientific reality, Breeding Bio Insecurity is a crucial first step toward meeting the evolving threats of the twenty-first century.







The Pacific School Journal


Book Description

Reprint of the original, first published in 1877.







The Neither/nor of the Second Sex


Book Description

Although Kierkegaad provided many a puzzle for his biographers, one would be wrong to assume Kierkegaard invariably lied when he claimed to be telling the truth. Tying Kierkegaard's baffling misogyny, and ultimately his misogamy, to the existence of an inner mysterium, The Neither/Nor of the Second Sex navigates between the Charybdis of an allegedly insurmountable gulf between works and biography and the Scylla of the biographical fallacy, a peril whose threat raised greater alarms in Kierkegaard. Celine Leon draws her conclusions by paying close attention to the texts and by carefully distinguishing between author and pseudonyms. She only brings works and life together when Kierkegaard ambivalently plays with the former in order to impart something of the secret lying at the core of his being, to reverse Sartre's famous formulation, to communicate at the heart of hiddenness. Leon shows how Kierkegaard-a writer whose views on other subjects she holds in high regard-projected his lack onto a particular woman, Regina Olsen, his one time fiancee and lifelong obsession, then onto all women, and ultimately, regarding his own exceptional status as normative, elected to ban the heterosexual relation altogether. This is not, however, the same as saying that-notwithstanding the religious development and the enormous production whose twin onset he ascribed to the rupture with Regina-Kierkegaard did not do so at an egregious personal cost. Book jacket.