A Journal of the Plague Year


Book Description




A Companion to Literature from Milton to Blake


Book Description

This definitive Companion provides a critical overview of literary culture in the period from John Milton to William Blake. Its broad chronological range responds to recent reshapings of the canon and identifies new directions of study. The Companion is composed of over fifty contributions from leading scholars in the field, its essays offer students a comprehensive and accessible survey of the field from a wide range of perspectives. It also, however, gives researchers and faculty the opportunity to update their acquaintance with new critical and scholarly work. The volume meets the needs of an intellectual world increasingly given over to inter-disciplinary and multi-disciplinary study by covering philosophical, political, cultural and historical writing, as well as literary writing. Unlike other similar volumes, the main body of the Companion consists of readings of individual texts, both those commonly and less commonly studied.




A Plague Year


Book Description

It's 2001 and zombies have taken over Tom's town. Meth zombies. The drug rips through Blackwater, PA, with a ferocity and a velocity that overwhelms everyone. It starts small, with petty thefts of cleaning supplies and Sudafed from the supermarket where Tom works. But by year's end there will be ruined, hollow people on every street corner. Meth will unmake the lives of friends and teachers and parents. It will fill the prisons, and the morgues. Tom's always been focused on getting out of his depressing coal mining town, on planning his escape to a college somewhere sunny and far away. But as bits of his childhood erode around him, he finds it's not so easy to let go. With the selfless heroism of the passengers on United Flight 93 that crashed nearby fresh in his mind and in his heart, Tom begins to see some reasons to stay, to see that even lost causes can be worth fighting for. Edward Bloor has created a searing portrait of a place and a family and a boy who survive a harrowing plague year, and become stronger than before.




A Journal of the Plague Year


Book Description

This Norton Critical Edition of one of Defoe's most important works reprints the 1722 text, the only edition published in Defoe's lifetime.




Memoirs of a Cavalier


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A Journal of the Plague Year


Book Description

This Norton Critical Edition of one of Defoe's most important works reprints the 1722 text, the only edition published in Defoe's lifetime.




Illness as Metaphor and AIDS and Its Metaphors


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In l978 Sontag wrote Illness As Metaphor. A cancer patient herself at the time, she shows how the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of the patients and often inhibit them from seeking proper treatment. By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is - just a disease. Cancer is not a curse, not a punishment, certainly not an embarrassment, and highly curable, if good treatment is found early enough. Almost a decade later, with the outbreak of a new, stigmatised disease replete with mystifications and punitive metaphors, Sontag wrote Aids and its Metaphors, extending the argument of the earlier book to the AIDS pandemic.




The Three Musketeers


Book Description

"We read The Three Musketeers to experience a sense of romance and for the sheer excitement of the story," reflected Clifton Fadiman. "In these violent pages all is action, intrigue, suspense, surprise--an almost endless chain of duels, murders, love affairs, unmaskings, ambushes, hairbreadth escapes, wild rides. It is all impossible and it is all magnificent." First published in 1844, Alexandre Dumas's swashbuckling epic chronicles the adventures of D'Artagnan, a gallant young nobleman who journeys to Paris in 1625 hoping to join the ranks of musketeers guarding Louis XIII. He soon finds himself fighting alongside three heroic comrades--Athos, Porthos, and Aramis--who seek to uphold the honor of the king by foiling the wicked plots of Cardinal Richelieu and the beautiful spy "Milady." "Dumas will be read a hundred, nay, three hundred years on," wrote John Galsworthy. "His greatest creation is undoubtedly D'Artagnan, type at once of the fighting adventurer and of the trusty servant, whose wily blade is ever at the back of those whose hearts have neither his magnanimity nor his courage. Few, if any, characters in fiction inspire one with such belief in their individual existences. . . . To one who made D'Artagnan all shall be forgiven." Clifton Fadiman agreed: "Dumas enjoyed writing his stories. . . . The pleasure he must have felt in creating D'Artagnan's troubles and triumphs flashes out of these pages. . . . Dumas rampaged through the history of France, inventing, changing, distorting--doing whatever was needed to produce a tale to hold the reader breathless."