Darkening Mirrors


Book Description

In an important contribution to African American film and performance history, Stephanie Batiste looks back at African American stage and screen productions of the 1930s.




Dark Mirrors


Book Description

Dark Mirrors is a wide-ranging study of two central figures in early Jewish demonology—the fallen angels Azazel and Satanael. Andrei A. Orlov explores the mediating role of these paradigmatic celestial rebels in the development of Jewish demonological traditions from Second Temple apocalypticism to later Jewish mysticism, such as that of the Hekhalot and Shi'ur Qomah materials. Throughout, Orlov makes use of Jewish pseudepigraphical materials in Slavonic that are not widely known. Orlov traces the origins of Azazel and Satanael to different and competing mythologies of evil, one to the Fall in the Garden of Eden, the other to the revolt of angels in the antediluvian period. Although Azazel and Satanael are initially representatives of rival etiologies of corruption, in later Jewish and Christian demonological lore each is able to enter the other's stories in new conceptual capacities. Dark Mirrors also examines the symmetrical patterns of early Jewish demonology that are often manifested in these fallen angels' imitation of the attributes of various heavenly beings, including principal angels and even God himself.




Dark Mirror


Book Description

An original novel based on Marvel Comics' popular superhero team. Jean Grey discovers she's been stripped of her telekinetic powers and is trapped in someone else's body. So are Cyclops, Wolverine, Rogue, and Nightcrawler--their minds held hostage within the bodies of strangers. Who is behind this, and for what purpose? Original.




Perceval and Gawain in Dark Mirrors


Book Description

An innovative author of verse romance, Chretien de Troyes wrote in northern France between 1170 and 1190. Credited with the first Arthurian romance, he composed five works set in King Arthur's court, culminating with an unfinished masterpiece, the Conte del Graal (Story of the Grail). This text is the first to mention the banquet serving dish that became the Holy Grail in early efforts to rewrite or complete the text. This book focuses on the Conte's narrative depiction of mirrors real and metaphorical: shining armor, a polished golden eagle, the Grail itself, St. Paul's enigmatic looking glass, the blood drops in snow in which Perceval sees the face of his beloved. The last chapter joins the controversy over Chretien's intended conclusion, and proposes a climactic ending in which Perceval, heir to the Grail kingdom, confronts his double, Gawain, heir to Arthur's Logres.




Dark Mirror


Book Description

In Dark Mirror, Sara Lipton offers a fascinating examination of the emergence of anti-Semitic iconography in the Middle Ages The straggly beard, the hooked nose, the bag of coins, and gaudy apparel—the religious artists of medieval Christendom had no shortage of virulent symbols for identifying Jews. Yet, hateful as these depictions were, the story they tell is not as simple as it first appears. Drawing on a wide range of primary sources, Lipton argues that these visual stereotypes were neither an inevitable outgrowth of Christian theology nor a simple reflection of medieval prejudices. Instead, she maps out the complex relationship between medieval Christians' religious ideas, social experience, and developing artistic practices that drove their depiction of Jews from benign, if exoticized, figures connoting ancient wisdom to increasingly vicious portrayals inspired by (and designed to provoke) fear and hostility. At the heart of this lushly illustrated and meticulously researched work are questions that have occupied scholars for ages—why did Jews becomes such powerful and poisonous symbols in medieval art? Why were Jews associated with certain objects, symbols, actions, and deficiencies? And what were the effects of such portrayals—not only in medieval society, but throughout Western history? What we find is that the image of the Jew in medieval art was not a portrait of actual neighbors or even imagined others, but a cloudy glass into which Christendom gazed to find a distorted, phantasmagoric rendering of itself.




The Art of Mirror's Edge Catalyst


Book Description

Each glossy page is jam-packed with never before seen art, commentary and insight from the creators of the game. See the concepts behind Faith and her world take shape!




The Book of Mirrors


Book Description

Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.




Mirror's Edge: Exordium


Book Description

Leading up to the events of the highly anticipated new Mirror’s Edge™ game comes an exhilarating comic prequel that delves into the story of Faith, one of the most celebrated heroines in video games! Collects issues #1–#6 of the miniseries—the complete story in one volume! * Leads directly into the events of the new Mirror’s Edge™ game!




The Dark Mirror


Book Description




The Black Pacific Narrative


Book Description

The Black Pacific Narrative: Geographic Imaginings of Race and Empire between the World Wars chronicles the profound shift in geographic imaginings that occurred in African American culture as the United States evolved into a bioceanic global power. The author examines the narrative of the Òblack PacificÓ_the literary and cultural production of African American narratives in the face of AmericaÕs efforts to internationalize the Pacific and to institute a ÒPacific Community,Ó reflecting a vision of a hemispheric regional order initiated and led by the United States. The black Pacific was imagined in counterpoint to this regional order in the making, which would ultimately be challenged by the Pacific War. The principal subjects of study include such literary and cultural figures as James Weldon Johnson, George S. Schuyler, artists of the black Federal Theatre Project, Langston Hughes, W. E. B. Du Bois, and Walter White, all of whom afford significant points of entry to a critical understanding of the stakes of the black Pacific narrative. Adopting an approach that mixes the archival and the interpretive, the author seeks to recover the black Pacific produced by African American narratives, narratives that were significant enough in their time to warrant surveillance and suspicion, and hence are significant enough in our time to warrant scholarly attention and reappraisal. A compelling study that will appeal to a broad, international audience of students and scholars of American studies, African American studies, American literature, and imperialism and colonialism.