Dave the Potter


Book Description

Chronicles the life of Dave, a nineteenth-century slave who went on to become an influential poet, artist, and potter.




Carolina Clay


Book Description

"He is known today, as he was then, only as Dave. His jugs and storage jars were everyday items, but because of their beauty and sometimes massive size they are now highly sought after by collectors. Born about 1801, Dave was taught to turn pots in Edgefield, South Carolina, the center of alkaline-glazed pottery production. He also learned to read and write, in spite of South Carolina's long-standing fear of slave literacy. Even when the state made it a crime to teach a slave to write, Dave signed his pots and inscribed many of them with poems. Though his verses spoke simply of his daily experience, they were nevertheless powerful statements. He countered the slavery system not by writing words of protest but by daring to write at all. We know of no other slave artist who put his name on his work." "When Leonard Todd discovered that his family had owned Dave, he moved from Manhattan to Edgefield, where his ancestors had established the first potteries in the area. Todd studied each of Dave's poems for biographical clues, which he pieced together with local records and family letters to create this moving and dramatic chronicle of Dave's life - a story of creative triumph in the midst of oppression. Many of Dave's astounding jars are found now in America's finest museums, including the Smithsonian Institution, the Charleston Museum, the Philadelphia Museum of Art, and the Museum of Fine Arts in Boston."--BOOK JACKET.




Etched in Clay


Book Description

A biography of Dave the Potter, an enslaved man and talented potter who carved poetry on his pottery.




The Words and Wares of David Drake


Book Description

A celebration of the remarkable poem vessels of Dave the Potter David Drake, also known as Dave the Potter, was born enslaved in Edgefield in the backcountry of South Carolina near the Savannah River. Despite laws prohibiting enslaved people from learning to read or write, David was literate and signed some of his pots. His practice was not only to add his name and a date but also to embellish his work with verse—a powerful statement of resistance. The Words and Wares of David Drake collects multifaceted scholarship about David and his craft. Building on the 1998 national traveling exhibit catalog, I Made This Jar: The Life and Works of Enslaved African-American Potter, Dave, and featuring more than one hundred beautiful images and six new essays, this authoritative volume presents the diverse perspectives of scholars, artists, and collectors. The Words and Wares of David Drake adds important depth and context to our understanding of both Edgefield pottery and the life of Dave. David's work is now so highly prized it is the cornerstone of the Metropolitan Museum of Art's traveling exhibit of nineteenth-century ceramic art from Edgefield. Metropolitan Museum of Art, New York (September 8, 2022–February 5, 2023) Museum of Fine Arts, Boston (March 6, 2023–July 9, 2023) University of Michigan Museum of Art, Ann Arbor (August 26, 2023–January 7, 2024) High Museum of Art, Atlanta (February 16, 2024–May 12, 2024)




I Made this Jar--


Book Description




When the Beat Was Born


Book Description

Before there was hip hop, there was DJ Kool Herc. On a hot day at the end of summer in 1973 Cindy Campbell threw a back-to-school party at a park in the South Bronx. Her brother, Clive Campbell, spun the records. He had a new way of playing the music to make the breaks—the musical interludes between verses—longer for dancing. He called himself DJ Kool Herc and this is When the Beat Was Born. From his childhood in Jamaica to his youth in the Bronx, Laban Carrick Hill's book tells how Kool Herc came to be a DJ, how kids in gangs stopped fighting in order to breakdance, and how the music he invented went on to define a culture and transform the world.




Great & Noble Jar


Book Description

First published in 1993, this was the first authoritative study of South Carolina stoneware and its history, including he methods used to throw, glaze, decorate, and fire the vessels. Illustrated with nearly two hundred photographs (including fifteen color plates), maps, and drawings, plus an index of potters.




Where is All My Relation?


Book Description

This book explores the poetry, pottery, and culture of David Drake, an antebellum slave who distinguished himself by composing verse on the ceramics he produced in the years leading up to the Civil War. From the 1830s to 1850s, he incised couplets and signatures (a singular "Dave") onto the incredibly large storage vessels that he made. In fact, his stoneware pots and jars are among the largest made in North America during the antebellum era. Rich with biblical allusions, historical facts, and personal opinions, his art provides insights into the lives of slaves, craftsmen, and the culture of the American South in the first half of the nineteenth century. The essays here engage with the historical context and major issues that Drake's work provokes, among them: prohibitions against slave literacy; Drake's privileged status compared to other slaves at the time; the interpretive status of his material craft objects; the influence of contemporary African American poet George Moses Horton; and Drake's ability to sell his pottery despite the fact that slaves were not officially permitted to participate in a cash economy.




Beautiful Blackbird


Book Description

With vibrant cut-paper collages, a Coretta Scott King Award-winner presents an adaptation of a folktale from Zimbabwe that celebrates the importance of appreciating one's own inner beauty. Full color.




Fugitive Vision


Book Description

Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass's mother as Ramses to the incised snatches of proverb and prophesy on Dave the Potter's ceramics, the book identifies a "fugitive vision" that reforms our notions of antebellum black identity, literature, and cultural production.