David Adjaye's GEO-graphics


Book Description

Confronting contemporary African art's awkward coexistence with earlier African art as "ethnographic artifact," Geo-Graphics celebrates the flourishing of African art on the international circuit, while simultaneously asserting its ancestry and critiquing the valorization of heritage. David Adjaye's photographs of African capitals and an examination of contemporary African art centers further contextualize the continent's recent cultural transformations.




The Art Market and the Global South


Book Description

This book examines the art markets of the Global South while questioning, based on the heterogeneity of the selected contributions, the very idea of its existence in the context of the global art market. Gathering new research by recognized scholars, you will discover different markets from the so-called Global South, their structure, the external determinants affecting their behavior, their role in the art system’s development, and how they articulate with other agents at the local, regional, and international level. In this publication, an important wealth of research on various African countries stands out, providing an unprecedented overview of the markets in that region. This volume originates from the TIAMSA conference The Art Market and the Global South: New Perspectives and Plural Approaches, held in Lisbon in 2019.




Adjaye: Africa: Architecture


Book Description

A complete overview of architecture in fifty-three African cities, seen through the eyes and images of one of the world’s leading young architects Educated in England, David Adjaye’s lifelong dream was to return to Africa as an architect to document the continent’s built environment. Over a decade, he tirelessly documented these dynamic, colorful cities, photographing thousands of buildings, sites, and public spaces, and letting each building speak for itself. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. The fifty-three cities featured in this remarkable study are grouped according to the terrain in which they are set: the Maghreb (north Africa); Desert; Sahel (the semi-arid transitional region between the Sahara and the south); Forest; Savannah and Grassland; and Mountain and Highveld. Each metropolis is illuminated by a concise urban history, maps, and satellite imagery, along with the dozens of photographs Adjaye has taken with an architect’s eye. This compact edition selects the highlights from over 4,000 buildings and places captured for the initial seven-volume work. The result is one of the most original, ambitious, and important architectural publications of our time.




A Companion to Modern African Art


Book Description

Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art




David Adjaye


Book Description

"David Adjaye, a major international figure in architecture and design, transforms complex ideas into approachable, innovative structures. The book contains an introduction by Okwui Enwezor and Zèoe Ryan; an essay by Adjaye himself; analyses of his master plans, transnational architecture, monuments and memorials, and the National Museum of African American History and Culture in Washington, D.C.; and portfolios of his work, grouped by theme"--




Across Anthropology


Book Description

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Preface by Arjun Appadurai. Afterword by Roger Sansi Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).




Performing the Curatorial


Book Description

The curatorial includes the post production artistic practices that bring together within a particular time and space related framework disparate images, objects, as well as other material and immaterial phenomena. In its performative aspects that seek to challenge the status quo, the curatorial also includes elements of choreography, orchestration and administrative logistics. Edited by director and writer Maria Lind, this book brings together a diverse group of curators, artists, art historians, educators and thinkers, all of whom reflect on the curatorial motives, tendencies and tactics, pitfalls and exegeses in translating and thus performing cultural heritage. Contributors include Doug Ashford, Beatrice von Bismarck and Eungie Joo.




African Metropolitan Architecture: THE MAGHREB: Algiers


Book Description

David Adjaye is one of the world's most exciting and accomplished architects, and has built many highly acclaimed houses and public buildings in the UK and USA. Over a ten-year period, the Tanzanian born, London-based architect has visited 53 major African cities and photographed thousands of buildings, sites and places that few of us will ever be able to visit. This 7-volume set documents Adjaye's tribute to African metropolitan architecture. The individual volumes present cities according to the terrain in which they are situated: the Maghreb, Desert, The Sahel, Savannah and Grassland, Mountain and Highveld, and Forest. Each city is shown in a concise urban history, fact file, maps and satellite imagery, along with Adjaye's personal travel notes and dozens of photographs of the city's civic, commercial and residential architecture. All six terrain volumes feature an introductory essay by Adjaye, and a separate volume is dedicated to essays by leading academics and commentators on Africa.




David Adjaye


Book Description

The most exciting and accomplished young architect to emerge on the international scene in many years, David Adjaye uses an artist's clarity of concept to create an engaging architecture that concentrates on materials and issues of place and identity. Born in Tanzania into a diplomatic family, Adjaye enjoyed a wide-ranging formal and cultural education, which has allowed him to respond deftly and instinctively to wildly differing projects, avoiding conventional solutions and seeking to open up new possibilities. The innovation in Adjaye's career is exemplified in his residential works, which show careful experimentation and exquisite nuances. Perhaps his best-known houses are those constructed in a range of settings for people such as artist Chris Ofili and actor Ewan McGregor. Four essential components make up this, Adjaye's first monograph: an introduction by Stuart Hall; a documentation of thirteen of Adjaye's most important projects, over half of which are published here in full for the first time, presented through descriptions, detailed plans and photographs; a series of visual essays that highlight the tactile, luminous and luxurious nature of Adjaye's work; and essays from cultural critics who have been touched by his buildings.




New Spaces for Negotiating Art (and) Histories in Africa


Book Description

In the 1990s, a new wave of globalization changed the field of cultural production in many African countries and paved the way for major new cultural events. In particular, during the last two decades, an ever growing series of art and cultural centers were and still are being established - often against the background of broader national (art) histories and the historic prominence of the state as the primary patron of the arts. In considering the historical genealogy of these 'new spaces, ' this book examines: the infrastructures and public spaces they create, the theoretical discourses they tap into and explore, the aesthetic and (cultural) political debates they stir, the role they play in the field of cultural institutions and cultural activism, and their relations with state and municipal institutions. (Series: African Art and Visual Cultures - Vol. 2) [Subject: African Studies, Cultural Studies, Art