Madame La Mort and Other Plays


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Rachilde was the pseudonym of Marguerite Eymery Vallette (1860-1953), a woman of powerful personality who made her place at the very center of the Symbolist movement in fin-de-siecle France. Though relatively unknown in America, Rachilde had a significant influence on the course of French and Western literature and theater. She was a pioneer of antirealistic drama and the first to use the term absurd to characterize the new kind of theater that would be "a pretext for a dream." Rachilde's sexual politics and sardonic humor make her plays more interesting - and more performable - today than many of those of her more famous contemporaries. Where male Symbolists were obsessed with death, Rachilde explores the fearful thrill of sexuality. Topical, challenging, and all but lost to contemporary audiences, her extraordinary work offers the shock of relevance and freshness of discovery.




Death


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The Malady of Death


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“[An] erotic, existential mystery . . . part philosophical meditation, part fantasy” from the Prix Goncourt-winning author of The Lover (The Guardian). A man hires a woman to spend several weeks with him by the sea. The woman is no one in particular, a “she,” a warm, moist body with a beating heart—the enigma of Other. Skilled in the mechanics of sex, he desires through her to penetrate a different mystery: he wants to learn to love. It isn’t a matter of will, she tells him. Still, he wants to try . . . This beautifully wrought erotic novel is an extended haiku on the meaning of love, “perhaps a sudden lapse in the logic of the universe,” and its absence, “the malady of death.” “The whole tragedy of the inability to love is in this work, thanks to Duras’ unparalleled art of reinventing the most familiar words, of weighing their meaning.”—Le Monde “Deceptively simple and Racinian in its purity, condensed to the essential.”—Translation Review Praise for Marguerite Duras’s international bestseller, The Lover “Powerful, authentic, completely successful . . . perfect.”—The New York Times Book Review “An exquisite jewel of a novel, as multifaceted as a diamond, as seamless and polished as a pearl.”—Boston Herald “A vivid, lingering novel . . . a brilliant work of art.”—Cleveland Plain Dealer










Story of the Eye


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Bataille’s first novel, published under the pseudonym ‘Lord Auch’, is still his most notorious work. In this explicit pornographic fantasy, the young male narrator and his lovers Simone and Marcelle embark on a sexual quest involving sadism, torture, orgies, madness and defilement, culminating in a final act of transgression. Shocking and sacreligious, Story of the Eye is the fullest expression of Bataille’s obsession with the closeness of sex, violence and death. Yet it is also hallucinogenic in its power, and is one of the erotic classics of the twentieth century.




La Philosophie de l'histoire et la pratique historienne d'aujourd'hui


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Annotation Le but de ce livre est de promouvoir un echange de vues entre philosophes et historiens sensible aux chevauchement de la philosophie contemporaine de l'histoire et de la theorie de la pratique historienne d'aujourd'hui. The purpose of this book is to encourage an exchange of views between philosophers and historians interested in the overlap between contemporary philosophy and theory of historical practice.




Une journée dans la mort de l'Amérique


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Chaque jour, ce sont près de sept enfants ou adolescents qui meurent par balle aux États-Unis. Cette statistique glaçante ne peut rendre compte à elle seule des vies détruites par les armes à feu, Gary Younge a donc décidé de raconter le destin des jeunes gens tués au cours d’une journée choisie au hasard. Ils sont dix à être abattus le 23 novembre 2013, dix enfants et adolescents âgés de 9 à 19 ans : sept noirs, deux hispaniques, un blanc. Gary Younge consacre un chapitre à chacune de ces victimes tuées par balle, parfois par accident, parfois lors d’un règlement de comptes : Jaiden, Kenneth, Stanley, Pedro, Tyler, Edwin, Samuel, Tyshon, Gary et Gustin. En recoupant les entretiens qu’il a menés avec leurs proches, les rapports de la police, du « 911 » et des journalistes locaux, il reconstitue la vie et les dernières minutes de ces jeunes, victimes de leur condition sociale, de la négligence des adultes, des lobbys. Vibrante immersion dans ces dix courtes vies, Une journée dans la mort de l’Amérique est un ouvrage aussi précis qu’intense. Gary Younge déploie tout son savoir-faire narratif pour nous immerger dans les États-Unis d’aujourd’hui et nous inviter à réfléchir, sans tabou, à cette tragédie américaine.





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Rhythms


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Drawing on thinkers such as Deleuze and Guattari, Kristeva, Lefebvre, Meschonnic, and Virilio, this book explores the concept of rhythms in relation to questions of temporality and the everyday, technology and the city, poetry and autobiography, space and the body in performance.