De Sade’s quantitative moral universe


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The Misfortunes of Virtue and Other Early Tales


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The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical extreme. His writings effectively release the individual from all social and moral constraint: for many, Sade is the Great Libertarian. The Victorians considered him `Divine' and Apollinaire called him `the freest spirit'; the Surrealists recognised him as a founding father, and he is a key figure in the history of modernism and post-modernism. With Freud and Marx, Sade has been one of the crucial shaping influences on this century, and reactions to him continue to be extreme. But he has always been more talked about than read. This selection of his early writings, some making their first appearance in this new translation, reveals the full range of Sade's sobering moods and considerable talents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.







Sade in His Own Name


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This book aims to situate the much-ignored public Marquis de Sade, author of eleven stories collected into four volumes under the title Les Crimes de l'amour (1800), vis-à-vis the better-known Marquis de Sade, author of various anonymous works privileged by contemporary critics. Who is this author who - after the success of all his clandestine works - cast aside the cloak of anonymity to offer the public a collection of short fiction? This book explores how Les Crimes de l'amour provides a key to better understanding Sade's prose in both its public and its clandestine guise. More than just a critical appraisal of each of the stories, this book sheds light on Sade in his role as a man of letters publishing in his own name. By considering the ramifications of Sade's goals as a writer, stated explicitly in the «Idée sur les romans», the prefatory essay to Les Crimes, and how these goals compare to those of his contemporaries, as well as how they play out in Les Crimes, Sade in His Own Name opens up new, historically situated readings of the better-known anonymous works.







French Forum


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Library of Congress Catalogs


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