De wilde zwanen – The Wild Swans (Nederlands – Engels)


Book Description

Liefdevol geïllustreerde bewerking van Andersen's klassieke sprookje. Tweetalige editie (Nederlands en Engels) met online audioboeken en video's in het Nederlands en het Engels en printbare kleurplaten. "De wilde zwanen" van Hans Christian Andersen, is niet voor niets een van de beroemdste sprookjes van de wereld. In een tijdeloze vorm, behandelt het de thema's van de menselijk drama's: angst, dapperheid, liefde, bedrog, afscheid en hereniging. Deze editie is een prachtig geïllustreerd prentenboek waarin het sprookje van Andersen in een gevoelige en kindvriendelijke vorm wordt verteld. ♫ Luister naar het verhaal, voorgelezen door moedertaalsprekers! In het boek vindt u een link die u gratis toegang geeft tot audioboeken en video's in beide talen. ► NIEUW: Met kleurplaten! Een download link in het boek geeft je gratis toegang tot de plaatjes in het boek om in te kleuren. Bilingual children's picture book (Dutch – English), with online audio and video "The Wild Swans" by Hans Christian Andersen is, with good reason, one of the world's most popular fairy tales. In its timeless form it addresses the issues out of which human dramas are made: fear, bravery, love, betrayal, separation and reunion. The edition at hand is a lovingly illustrated picture book recounting Andersen's fairy tale in a sensitive and child-friendly form. It has been translated into a multitude of languages and is available as a bilingual edition in all conceivable combinations of these languages. ♫ Listen to the story read by native speakers! Within the book you'll find a link that gives you free access to audiobooks and videos in both languages. ► With printable coloring pages! A download link in the book gives you free access to the pictures from the story to color in.




Mystery at Lynden Sands


Book Description

Paul Fordingbridge, with a faintly reproachful glance at his sister, interrupted his study of the financial page ofThe Times and put the paper down on his knee. Deliberately he removed his reading-glasses; replaced them by his ordinary spectacles; and then turned to the restless figure at the window of the private sitting-room. “Well, Jay, you seem to have something on your mind. Would it be too much to ask you to say it—whatever it is—and then let me read my paper comfortably? One can't give one's mind to a thing when there's a person at one's elbow obviously ready to break out into conversation at any moment.” Miss Fordingbridge had spent the best part of half a century in regretting her father's admiration for Herrick. “I can't see myself as Julia of the Night-piece,” she complained with a faint parade of modesty; and it was at her own wish that the hated name had been abbreviated to an initial in family talk. At the sound of her brother's voice she turned away from the sea-view. “I can't imagine why you insisted on coming to this hotel,” she said, rather fretfully. “I can't stand the place. Of course, as it's just been opened, it's useless to expect everything to go like clockwork; but there seems a lot of mismanagement about it. I almost burned my hand with the hot water in my bedroom this morning—ridiculous, having tap-water as hot as that! And my letters got into the wrong pigeon-hole or something; I had to wait ever so long for them. Of course the clerk said he was sorry—but what good does that do? I don't want his sorrow. I want my letters when I ask for them.”




Jo van Gogh-Bonger


Book Description

It is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922 'It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF 'THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924 Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work. Despite being widowed with a young son, Jo successfully navigated the male-dominated world of the art market-publishing Van Gogh's letters, organizing exhibitions in the Netherlands and throughout the world, and making strategic sales to private individuals and influential dealers-ultimately establishing Van Gogh's reputation as one of the finest artists of his generation. In doing so, she fundamentally changed how we view the relationship between the artist and his work. She also lived a rich and fascinating life-not only was she friends with eminent writers and artists, but she also was active within the Social Democratic Labour Party and closely involved in emerging women's movements. Using rich source material, including unseen diaries, documents and letters, Hans Luijten charts the multi-faceted life of this visionary woman with the drive to shake the art world to its core.







Authenticity


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Dutch birding


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The Wild Swans – De wilde zwanen (English – Dutch)


Book Description

Lovingly illustrated adaptation of Andersen's classic fairy tale. Bilingual edition (English and Dutch), accompanied by online audiobooks and videos in English (British as well as American) and Dutch and printable coloring pages. "The Wild Swans" by Hans Christian Andersen is, with good reason, one of the world's most popular fairy tales. In its timeless form it addresses the issues out of which human dramas are made: fear, bravery, love, betrayal, separation and reunion. The present edition is a lovingly illustrated picture book recounting Andersen's fairy tale in a sensitive and child-friendly form. ♫ Listen to the story read by native speakers! Within the book you'll find a link that gives you free access to audiobooks and videos in both languages. ► With printable coloring pages! A download link in the book gives you free access to the pictures from the story to color in. Tweetalig kinderboek (Engels – Nederlands), met online audioboek en video "De wilde zwanen" van Hans Christian Andersen is niet voor niets een van de beroemdste sprookjes van de wereld. In een tijdloze vorm behandelt het de thema's van de menselijk drama's: angst, dapperheid, liefde, bedrog, afscheid en hereniging. Deze editie is een prachtig geïllustreerd prentenboek waarin het sprookje van Andersen in een gevoelige en kindvriendelijke vorm wordt verteld. Het is vertaald in een veelheid aan talen en is verkrijgbaar in tweetalige versie in alle denkbare combinaties van deze talen. ♫ Luister naar het verhaal, voorgelezen door moedertaalsprekers! In het boek vindt u een link die u gratis toegang geeft tot audioboeken en video's in beide talen. ► NIEUW: Met kleurplaten! Een download link in het boek geeft je gratis toegang tot de plaatjes in het boek om in te kleuren.




Ardea


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Publicaties


Book Description




Brazil Today and Tomorrow


Book Description

The greatest of all American countries is comparatively the least developed. Brazil, with her 3,300,000 square miles of territory, four thousand miles of coast, and her incomparable system of great waterways, has the largest extent of wild and almost unknown country of any political division of the New World; she, and she alone, owns thousands of square miles of forests where no one has set foot but the native, still really living in the Stone Age, mountain ranges never properly prospected, with their deposits of minerals scarcely scratched, and millions of acres of grassy uplands waiting for the farmer and the stock-raiser. Brazil is not scantily developed because little has been done; on the contrary, a wonderful amount of development has been accomplished, but the period of expansion has been short and the country so great and varied that whole regions remain out of the track of progress. Until a century ago, when Dom João opened Brazilian ports to international commerce, Brazil lay in a trance, bound hand and foot to Portugal, isolated from the world. Her erection into a separate monarchy found her without capital, without education, for she had neither adequate primary nor technical schools, without a press, and without any knowledge of her own resources except that gathered by the interior raids, wanderings and settlements of her own hardy people. Everything that has been done to bring Brazil into the race of nations is the work of the last hundred years; the most intense period of rapid building since the establishment of the republic has lasted less than thirty years, for in that time has taken place the great acquisition of private fortunes in the industrial regions of Brazil. Much of the civic building, creation of public utilities, establishment of transportation lines, has been due to foreign capital and technical skill, but Brazil herself has contributed no small share of enterprise during the last fifty years; descendants of Portuguese fidalgos have taken up engineering, agriculture, commerce and city-making with energy and intelligence which is not always given a due share of recognition by those onlookers who think that all development of Latin America must come from without. In Brazil much progress, much creation, has come from within, and will come to an even larger degree in the future with improvement in technical education; but the country is enormous, the centres of population have always lain on or near the sea-border, and interior Brazil, the virgin heart of South America, remains practically untouched. The two great interior states of Matto Grosso and Goyaz cover an area of more than two million square kilometres; they make up one-fourth of the whole Brazilian territory, and Brazil covers half of South America: but this huge heart-shaped wedge in the centre of the continent has no more than half a million population. This is not because the country is tropical or worthless, but because it is unopened and unknown. Within her wide area Brazil encloses a great variety of soils and climates: she has no snow line, because she has no great mountain heights; a peak less than three thousand metres high, Itatiaya, in the Mantiqueiras, is the point of greatest altitude. But she has almost every other climatic gift that can be included within the fifth degree of North and thirty-third of South Latitude; between the eighth degree East and thirtieth West Longitude of the meridian of Rio de Janeiro. Brazil is a vast plateau with a steep descent to the sea along half her coast, and a flat hot sea margin of varying widths; this plateau, scored by great rivers, sweeps away in undulating prairies, sloping in two principal directions—inland, in the centre and south, to the great Paraná valley; and in the upper regions, northward to the immense Amazon basin. This is not a basin so much as a wide plate, for not only is the course of the huge rio-maralmost flat for the last thousand miles of its journey to the sea (Manáos is only 85 feet above sea-level) but this practically level ground extends northward all the way to the confines of Venezuela and the three Guianas, and southward until the Cordilheiras of Matto Grosso are encountered. Great expanses of this plate are filled with the sweltering forests of tropical tradition, forests containing a thousand kinds of strange orchids, immense and curious trees, insects, reptiles and animals; from Orellana and Lopez de Aguirre to Humboldt, Bates, Wallace and Agassiz, from the Lord de la Ravardière to Nicolas Hortsman the practical Dutchman who announced that El Dorado did not exist, to Charles Marie de la Condamine, Martius, Spix, Admiral Smith, Lister Maw, Schomburgk and Wickham, every traveller upon the Amazon has tried to describe the indescribable Amazonian forest. Deep, monotonous, silent, dark and changeless, the forest unconquerable walls in the uncountable rivers traversing it from the snows of Peru and the interior plateau of Brazil, closing in upon the little cities where man has settled himself in a puny attempt to steal treasures out of its mighty heart.