Dead Letter Men


Book Description

Nicola Tyson - best known for her slyly humorous, psychologically compelling figurative paintings - has written a series of letters to deceased artists. Titled 'Dead Letter Men', the volume includes missives to Pablo Picasso, Francis Bacon, Edouard Manet, Thomas Gainsborough, James Ensor, Max Beckmann and the anonymous man on the street. They appear alongside some of her own photographs and portraits of the artists




The Dead Letter


Book Description




DEAD LETTER


Book Description

Attending a university fancy dress ball should have been a matter of grinning and bearing it. Fancy dress isn't everyone's idea of a good time, after all. For one man, however, the act of hiring a costume is to have consequences far beyond what any reasonable person could expect. What he hires is far more than just a costume. It is a mystery. A forgotten secret begins to emerge that has lain hidden for more than seventy years. What begins as a curious discovery quickly becomes a quest, and then the quest becomes an obsession. But whose secret is it? With almost nothing to go on, uncovering the secret is a trial of will that has its own cost. What the man discovers brings to light the story of a battle against evil fought in the dust of Southern Rhodesia before the Second World War, but it also exposes something else, something nobody could have expected.




Dead Letters


Book Description

A missing woman leads her twin sister on a twisted scavenger hunt in this clever debut novel with eccentric, dysfunctional characters who will keep you guessing until the end—for readers of Luckiest Girl Alive and The Wife Between Us. Ava has her reasons for running away to Paris. But when she receives the shocking news that her twin sister, Zelda, is dead, she is forced to return home to her family’s failing vineyard in upstate New York. Knowing Zelda’s penchant for tricks and deception, Ava is not surprised when she receives her twin’s cryptic message from beyond the grave. Following her sister’s trail of clues, Ava immerses herself in Zelda’s drama and her outlandish circle of friends and lovers, and soon finds herself confronted with dark family legacies and twisted relationships. Is Zelda trying to punish Ava for leaving? Or is she simply trying to write her own ending? Caite Dolan-Leach’s debut thriller is a literary scavenger hunt for secrets hidden everywhere from wine country to social media, and buried at the dysfunctional heart of one utterly unforgettable family. Praise for Dead Letters “Dolan-Leach writes like Paula Hawkins by way of Curtis Sittenfeld.”—Amy Gentry, author of Good as Gone “A sharp, wrenching tale of the true love only twins know . . . Dolan-Leach nimbly entwines the clever mystery of Agatha Christie, the wit of Dorothy Parker, and the inebriated Gothic of Eugene O’Neill.”—Kirkus Reviews “A smart, dazzling mystery . . . Dolan-Leach revels in toying with both Ava and her audience . . . and the result is captivating.”—Publishers Weekly (starred review) “Draws you in like you are part of the story itself, living and breathing alongside the compelling characters as they uncover the dark secrets of their complicated family.”—Wendy Walker, author of All Is Not Forgotten “Push-pull tension . . . This book is wine-soaked yet lucid, comforting and frightening, asking the big questions about intimacy and loyalty.”—Caroline Kepnes, author of You




The Nakeds


Book Description

This book accompanies an exhibition, The Nakeds, which is devoted to drawings of the body exposed. The naked body is frequently the physical terrain artists traverse in search of psychological truth. How to represent love, shame, solitude and sexual yearning?Drawing from the self or life model, from reproduction or the imagination, has provided artists with the freedom to explore desires, fears and fantasies. The Nakeds takes as its starting point selected drawings of the single figure by Egon Schiele. From here, it considers work by artists from the post-war period to the present day.Essays by the co-curators, artist David Austen and art historian Dr. Gemma Blackshaw, will investigate Schiele's drawings of the single figure, the contested issue of art and pornography in Vienna around 1900, Schiele as seen through the lens of contemporary female artists, the role of photography and of memory in the realisation of drawings, and a consideration of the artists' choice of media.Artist Nicola Tyson contributes Dear Egon Schiele, a new letter in her published series of letters to dead artists.The Nakeds, exhibition takes place between, 25 September 2014 - 29 November 2014, at Drawing Room, Tannery Arts, London.Inside image caption: George Condo, Couple, 2007. Pencil on paper, 45.1 x 43.1 cm. Courtesy Simon Lee Gallery, London, Private collection UK.







The Man Who Died Twice


Book Description

An instant New York Times bestseller! The second gripping novel in the New York Times bestselling Thursday Murder Club series, soon to be a major motion picture from Steven Spielberg at Amblin Entertainment “It’s taken a mere two books for Richard Osman to vault into the upper leagues of crime writers. . . The Man Who Died Twice. . . dives right into joyous fun." —The New York Times Book Review Elizabeth, Joyce, Ron and Ibrahim—the Thursday Murder Club—are still riding high off their recent real-life murder case and are looking forward to a bit of peace and quiet at Cooper’s Chase, their posh retirement village. But they are out of luck. An unexpected visitor—an old pal of Elizabeth’s (or perhaps more than just a pal?)—arrives, desperate for her help. He has been accused of stealing diamonds worth millions from the wrong men and he’s seriously on the lam. Then, as night follows day, the first body is found. But not the last. Elizabeth, Joyce, Ron and Ibrahim are up against a ruthless murderer who wouldn’t bat an eyelid at knocking off four septuagenarians. Can our four friends catch the killer before the killer catches them? And if they find the diamonds, too? Well, wouldn’t that be a bonus? You should never put anything beyond the Thursday Murder Club. Richard Osman is back with everyone’s favorite mystery-solving quartet, and the second installment of the Thursday Murder Club series is just as clever and warm as the first—an unputdownable, laugh-out-loud pleasure of a read.




Male Sexuality Under Surveillance


Book Description

Male Sexuality under Surveillance is a lively, intelligent, and expertly argued analysis of the construction of male sexuality in the business office. Graham Thompson interweaves three main threads: a historicized cultural analysis of the development of the modern business office from its beginnings in the early nineteenth century to the present day, a Foucauldian discussion of the office as the site of various disciplinary practices, and a queer-theoretical discussion of the textualization of the gay male body as a device for producing a taxonomy of male-male relations. The combination of these themes produces a study that is fresh, insightful, and provocative.







The Letter Killers Club


Book Description

The Letter Killers Club is a secret society of self-described “conceivers” who, to preserve the purity of their conceptions, will commit nothing to paper. (What, after all, is your run-of-the-mill scribbler of stories if not an accomplished corruptor of conceptions?) The logic of the club is strict and uncompromising. Every Saturday, members meet in a firelit room filled with empty black bookshelves where they strive to top one another by developing ever unlikelier, ever more perfect conceptions: a rehearsal of Hamlet hijacked by an actor who vanishes with the role; the double life of a merry medieval cleric derailed by a costume change; a machine-run world that imprisons men’s minds while conscripting their bodies; a dead Roman scribe stranded this side of the River Acheron. But in this book set in an ominous Soviet Moscow of the 1920s, the members of the club are strangely mistrustful of one another, while all are under the spell of its despotic President, and there is no telling, in the end, just how lethal the purely conceptual—or, for that matter, letters—may be.