Dead Men’s Propaganda


Book Description

In Dead Men’s Propaganda: Ideology and Utopia in Comparative Communications Studies, Terhi Rantanen investigates the shaping of early comparative communications research between the 1920s and 1950s, notably the work of academics and men of practice in the United States. Often neglected, this intellectual thread is highly relevant to understanding the 21st-century’s challenges of war and rival streams of propaganda. Borrowing her conceptual lenses from Karl Mannheim and Robert Merton, Rantanen draws on detailed archival research and case studies to analyse the extent and importance of work outside and inside the academy, illuminating the work of pioneers in the field. Some of these were well-known academics such as Harold Lasswell and the authors of the seminal book Four Theories of the Press. Others operated in the world of news agencies, such as Associated Press's Kent Cooper, or were marginalised as émigré scholars, notably Paul Kecskemeti and Nathan Leites. Her study shows how comparative communications, from its very beginning, can be understood as governed by the Mannheimian concepts of ideology and utopia and the power play between them. The close relationship between these two concepts resulted in a bias in knowledge production, contributed to dominant narratives of generational conflicts, and to the demarcation of Insiders and Outsiders. By focusing on a generation at the forefront of comparative communications at this pivotal time in the 20th century, this book challenges orthodoxies in the intellectual histories of communication studies.




Dead Men Telling Tales


Book Description

Dead Men Telling Tales is an original account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focusing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808-1814), Matilda Greig charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, she challenges assumptions made by historians about the reliability of these soldiers' direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, Greig also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. Her findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern 'soldier's tale'.




Kingship and Propaganda


Book Description

In the thirteenth and fourteenth centuries the Crown of Aragon was a rapidly expanding and powerful political unit with an original form of representative government. Throughout this period a series of energetic and talented rulers sought to maintain royal authority and govern their realms effectively. Their persuasive rhetoric, and that of their advisers, is preserved in the archives of the Crown of Aragon in Barcelona, which provide a rich and under-exploited vein of source material for historians. There are long letters to their subjects, historical works, and the proceedings of the cortes, where the kings and queens perusaded their reluctant subjects to grant taxes and to support their decisions. Suzanne F. Cawsey examines the tradition of royal eloquence, thereby illuminating the nature of political discourse and persuasion in medieval Aragon and exploring the key ideas shared by the king and the political classes of the kingdom.




Propaganda


Book Description

This seminal study and critique of propaganda from one of the greatest French philosophers of the 20th century is as relevant today as when it was first published in 1962. Taking not only a psychological approach, but a sociological approach as well, Ellul’s book outlines the taxonomy for propaganda, and ultimately, it’s destructive nature towards democracy. Drawing from his own experiences fighting for the French resistance against the Vichy regime, Ellul offers a unique insight into the propaganda machine.




The German Corpse Factory


Book Description

The German Corpse Factory' is one of the most famous and scandalous propaganda stories of the First World War. It has been repeated many times down to the present day as the prime example of the falsehood of British wartime propaganda. But despite all the attention paid to it, the full story has never been properly told. In Spring 1917, parts of the British press claimed that Germany was so short of essential fats and glycerine that the German Army was being forced to boil down the bodies of its own dead soldiers, causing a brief scandal of accusation and counter-accusation, including the claim that the story was the invention of the British official propaganda organisations. Behind the scenes, British propaganda experts opposed exploiting the story as it was obviously false, and contrary to their basic principles of never telling an obvious lie in an official statement. But at the time, the British government refused to deny that the 'German Corpse Factory' might really exist. In 1925 the scandal re-erupted in New York, when the former head of British military intelligence on the Western Front, in the United States on a speaking tour, was quoted in newspapers as having confessed to making the whole German Corpse Factory story up, a claim that he immediately denied. As a gesture of friendship on the occasion of the Locarno treaties, the British government now accepted the German government position that the story was a lie, but in fact neither government knew what had really happened in 1917. This book provides the answers to these questions according to the best historical evidence available. It uses the scandal of the 'German Corpse Factory' as a case-study to explore the true nature of British official propaganda and its organisations in the First World War, including the events of 1917 and who might really have been responsible for the story. It also shows how this brief episode was taken up by the German government after 1918, and by interest groups in Britain and the United States after 1925, to paint a false picture of British propaganda, with far-reaching consequences for the peace of Europe, and for our subsequent understanding of the First World War.




Heretics


Book Description

"Padura’s Heretics spans and defies literary categories . . . ingenious." —Maureen Corrigan, Fresh Air A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author, Heretics is Leonardo Padura's greatest detective work yet. In 1939, the Saint Louis sails from Hamburg into Havana’s port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear. Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel’s son to travel to Cuba to track down the story of his family’s lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana. In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt’s gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura’s novel is as compelling, mysterious, and enduring as the painting at its center.




The Illegal War on Libya


Book Description

In 2011, former Congresswoman and 2008 Green Party candidate for President, Cynthia McKinney, took a delegation of observers to Libya to monitor NATO�s purported humanitarian intervention. Prefaced by Ramsey Clark, this collection of essays includes scholarly and legal analysis, as well as personal accounts by witnesses to the NATO assault on a helpless civilian population it had a UN mandate to protect, and the massive media propaganda campaign that made it possible. It responds to the many questions left unanswered by a complicit mainstream media, such as: � Why Libya, not Bahrain, Yemen or Egypt? � What was life in Libya like under Qadhafi? � What is the truth about the so-called �Black Mercenaries”? � What was the role of Western NGOs and the International Criminal Court? � What about Africom�s Plans for Africa? � What did it have to do with Liby�a independent central bank, its oil, its plans for an African currency, its efforts to free African states from the coils of the Bretton Woods Institutions? Cynthia McKinney and other contributors to this volume were in Libya during the period of the NATO bombardment of Libyan cities, and were among the few independent voices to report on the tragedy.




Who Killed Apollo and Julian Augustus?


Book Description

Who killed him? That is the question. Julian Augustus, Roman Emperor from 361-363 A. D., initiated reform of the Roman bureaucracy and state religion immediately on assuming office. After dismissing many civil servants, he eliminated Christianity as the state religion, reversing the policy of his two immediate predecessors. Instead, Julian proposed that all religions flourish freely. In parallel to his reforms, Julian attempted to destroy the Persian Empire after centuries of unsuccessful Roman efforts. This novel recounts Julian's reign through the eyes of Oribasius, Julian's trusted physician. At the climax of Julian's successful campaign in Persia, he was assassinated. Who killed Julian? Was it the same conspirators who silenced Apollo's Oracle at Delphi? Was it the Christian hierarchy, angry Roman military officers, laid-off eunuchs, humbled Persians, disaffected Jews, or unemployed Christian educators? They were all affected by Julian and had motive, means and opportunity.




Military Review


Book Description