Dealings With The Dead Vol. I


Book Description

"Dealings With The Dead Vol. I" is a metaphysical and non-secular exploration penned by means of Lucius Manlius Sargent. This work delves into the area of the afterlife, inspecting the nature of the human soul, its ability trips, and the concept of transmigration. Sargent's writing reflects the intellectual and spiritual weather of the early 19th century, drawing on spiritual and philosophical views customary at some stage in that era. The book contemplates questions surrounding life after dying, the future of the human soul, and the opportunities of its transmigration from one country to some other. As a piece of metaphysics and religious inquiry, " Dealings With The Dead Vol. I " engages with topics that were of tremendous hobby for the duration of the Romantic period, presenting a blend of non-secular, philosophical, and speculative thoughts. Lucius M. Sargent's exploration of those issues contributes to a broader information of the cultural and intellectual currents of his time, making the book a substantial piece inside the context of nineteenth-century religious literature.




Dealings with the Dead, Volume I (of 2)


Book Description

Reproduction of the original: Dealings with the Dead, Volume I (of 2) by A Sexton of the Old School




Dealings with the Dead (Vol. 1&2)


Book Description

"Dealings with the Dead" in 2 volumes is a book written by the American author Lucius Manlius Sargent that features customs and traditions regarding death, particularly funeral rites and ceremonies in the United States from the point of view of a church sexton. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents.




Dealings With The Dead Vol. II


Book Description

"Dealings With The Dead Vol. II" is a metaphysical and non-secular exploration penned by means of Lucius Manlius Sargent. This work delves into the area of the afterlife, inspecting the nature of the human soul, its ability trips, and the concept of transmigration. Sargent's writing reflects the intellectual and spiritual weather of the early 19th century, drawing on spiritual and philosophical views customary at some stage in that era. The book contemplates questions surrounding life after dying, the future of the human soul, and the opportunities of its transmigration from one country to some other. As a piece of metaphysics and religious inquiry, " Dealings With The Dead Vol. II " engages with topics that were of tremendous hobby for the duration of the Romantic period, presenting a blend of non-secular, philosophical, and speculative thoughts. Lucius M. Sargent's exploration of those issues contributes to a broader information of the cultural and intellectual currents of his time, making the book a substantial piece inside the context of nineteenth-century religious literature.




Dealings With the Dead Volume II


Book Description

Reproduction of the original: Dealings With the Dead Volume II by A Sexton of the Old School School




Dealing With The Dead


Book Description

Death was a constant, visible presence in medieval and renaissance Europe. Yet, the acknowledgement of death did not necessarily amount to an acceptance of its finality. Whether they were commoners, clergy, aristocrats, or kings, the dead continued to function literally as integrated members of their communities long after they were laid to rest in their graves. From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members. Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch




Love Letters to the Dead


Book Description

“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.







Muriel Rukeyser's the Book of the Dead


Book Description

The Book of the Dead by Muriel Rukeyser was published as part of her 1938 volume U.S. 1. The poem, which is probably the most ambitious and least understood work of Depression-era American verse, commemorates the worst industrial accident in U.S. history, the Gauley Tunnel tragedy. In this terrible disaster, an undetermined number of men—likely somewhere between 700 and 800—died of acute silicosis, a lung disorder caused by prolonged inhalation of silica dust, after working on a tunnel project in Fayette County, West Virginia, in the early 1930s. After many years of relative neglect, The Book of the Dead has recently returned to print and has become the subject of critical attention. In Muriel Rukeyser’s “The Book of the Dead,” Tim Dayton continues that study by characterizing the literary and political world of Rukeyser at the time she wrote The Book of the Dead. Rukeyser’s poem clearly emerges from 1930s radicalism, as well as from Rukeyser’s deeply felt calling to poetry. After describing the world from which the poem emerged, Dayton sets up the fundamental factual matters with which the poem is concerned, detailing the circumstances of the Gauley Tunnel tragedy, and establishes a framework derived from the classical tripartite division of the genres—epic, lyric, and dramatic. Through this framework, he sees Rukeyser presenting a multifaceted reflection upon the significance, particularly the historical significance, of the Gauley Tunnel tragedy. For Rukeyser, that disaster was the emblem of a history in which those who do the work of the world are denied control of the vast powers they bring into being. Dayton also studies the critical reception of The Book of the Dead and determines that while the contemporary response was mixed, most reviewers felt that Rukeyser had certainly attempted something of value and significance. He pays particular attention to John Wheelwright’s critical review and to the defenses of Rukeyser launched in the 1980s and 1990s by Louise Kertesz and Walter Kalaidjian. The author also examines the relationship between Marxism as a theory of history governing The Book of the Dead and the poem itself, which presents a vision of history. Based upon primary scholarship in Rukeyser’s papers, a close reading of the poem, and Marxist theory, Muriel Rukeyser’s “The Book of the Dead” offers a comprehensive and compelling analysis of The Book of the Dead and will likely remain the definitive work on this poem.