Design and the Decorative Arts


Book Description

London was rivalled only by Paris as a focus for international interest in design and the decorative arts. By the nineteenth century, British design was widely admired and copied. Its products could be found right across the globe, from palaces and stately homes to the living rooms of ordinary people.".







Victorian Patterns and Designs in Full Color


Book Description

All 100 full-color plates — 253 individual designs — from one of the greatest printed volumes from the Victorian era. Panel decorations, bands, borders, ornaments, crestings, diaper patterns, and many more.




Grand Designs


Book Description

DIVCombines cultural and labor history of Victorian Britain to investigate the relationship of culture to design, the role of the marketplace in the making of cultural institutions such as museums, and England's eventual loss of industrial superiority. /div




Victorian Goods and Merchandise


Book Description

2,300 quaint images of vintage 19th-century items: fans, corsets, toiletry kits, sewing machine, meat grinder, typewriter, ice cream freezer, lantern — all arranged according to category.




Victorian Sourcebook of Medieval Decoration


Book Description

Meticulously reproduced motifs from rare 1882 edition. Diaper patterns, moldings, bands and borders, floral and foliate designs, illuminated initials, much more. Royalty-free. Introduction. Notes.




Design & the Decorative Arts


Book Description

Now available in trade paperback for the first time, the V&A's acclaimed Design and the Decorative Arts, Britain 1500-1900 has been published in three separate volumes. Victorian Britain 1837-1901 tells the story of design and the decorative arts in Britain during the reign of Queen Victoria. With an empire that embraced a fifth of the earth's land surface and a quarter of its people, Britain was the workshop of the world. London was rivalled only by Paris as a focus for international interest in design and the decorative arts and British products could be found across the globe. Victorian self-confidence seemed boundless, but optimism about the human capacity to transform the material world was matched by a spiritual disquiet that found powerful expression in design and the decorative arts. Victorians despaired at the endless tide of new things that surged forth from factory and workshop, they agonized about the way those things looked and they were disturbed by the degraded conditions endured by the workers who made them. Yet in their efforts to confront these problems, they produced some the masterpieces of Victorian design. Lavishly illustrated and unmatched in its coverage, this book explores design and the decorative arts from a number of points of view. It assesses their place in the wider history of Victorian Britain. It examines style, the question of how things looked. It asks who led taste; who decided what was to be considered beautiful, fashionable and desirable. It looks at how fashionable things - from houses to clothing - were used. It asks what was new, examining new products and innovations in the ways they were made. Together, the chapters provide an indispensable resource for the study of design and the decorative arts in Victorian Britain.







Victorian Radicals


Book Description

Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.