Decorative Plasterwork in Great Britain


Book Description

Decorative plasterwork was created by skilled craftsmen, and for over four hundred years it has been an essential part of the interior decoration of the British country house. In this detailed and comprehensive study, Geoffrey Beard has created a book that will delight the eye and inform the interested reader. For those who have sometimes been puzzled by the complexities of plaster decoration it will be a most useful work of reference on a fascinating art form, about which no book has been published for nearly fifty years. After discussing the part that patrons played in commissioning and financing these beautiful decorations, a useful chapter is devoted to materials and methods of work and here the author describes the ingredients of good plaster; he has studied the work of present-day English plasterers and Swiss stucco-restorers in order to establish precisely how the materials of plaster and stucco were composed and used.







The London Mercury


Book Description




Between Design and Making


Book Description

The seventeenth and eighteenth centuries represent a high point in the intersection between design and workmanship. Skilled artisans, creative and technically competent agents within their own field, worked across a wide spectrum of practice that encompassed design, supervision and execution, and architects relied heavily on the experience they brought to the building site. Despite this, the bridge between design and tacit artisanal knowledge has been an underarticulated factor in the architectural achievement of the early modern era. Building on the shift towards a collaborative and qualitative analysis of architectural production, Between Design and Making re-evaluates the social and professional fabric that binds design to making, and reflects on the asymmetry that has emerged between architecture and craft. Combining analysis of buildings, archival material and eighteenth-century writings, the authors draw out the professional, pedagogical and social links between architectural practice and workmanship. They argue for a process-oriented understanding of architectural production, exploring the obscure centre ground of the creative process: the scribbled, sketched, hatched and annotated beginnings of design on the page; the discussions, arguments and revisions in the forging of details; and the grappling with stone, wood and plaster on the building site that pushed projects from conception to completion.




Plastering Plain and Decorative: 4th Revised Edition


Book Description

William Millar's classic book "Plastering Plain and Decorative" is universally referred to as the 'Plasterer's Bible'. It was first published in 1897 and was clearly a great success, with a second edition following a couple of years later in 1899 and a third edition in 1905 (a reprint of the first edition is available from Donhead). In 1927 the publishers, B. T. Batsford Ltd, decided that it was time to republish Millar's 'magnus opus', but that the fourth edition should be revised and updated. They asked George P. Bankart, an architect/craftsman and author, who had already written another book for them, to take on this task. George Percy Bankart was an architect highly influenced by the 'Arts and Crafts' movement, who had chosen to work as a decorative craftsman. The 'Arts and Crafts' was an English movement dedicated to the idea that architecture could be inspired by a revival of traditional building crafts and materials. It started in the second half of the 19th century, based on the writings of Ruskin and was driven by the ideas Morris, amongst many others; and carried on into the first quarter of the 20th century. Bankart was born in Leicester on the 20th January 1866, and was a great friend of Ernest W. Gimson, another Leicester born architect, just over a year his elder. Both men studied and became architects, and shared a creative passion for the handicrafts. Whilst Gimson's career included embroidery design, traditional chair-making and furniture design, as well as decorative modeled plasterwork, Bankart concentrated primarily on plasterwork. Their different activities were true to the ideas of the Arts and Crafts movement, and their designs reflect the movement's interest in a return to nature. Bankart's career as an author started with "The Art of The Plasterer", which was published by B. T. Batsford Ltd in 1909. He seems to have taken a break from writing until, together with his son G. Edward Bankart, he produced two books "Modern Plasterwork Construction" in 1926, followed in 1927 by "Modern Plasterwork Design", both published by the Architectural Press. Also in 1927 he was back with B. T. Batsford Ltd for the publication of this fourth and revised edition of 'Millar'.




Encyclopedia of Interior Design


Book Description

From ancient Greece to Frank Lloyd Wright, studiola to smoking rooms, chimney boards to cocktail cabinets, and papier-mâché to tubular steel, the Encyclopedia of Interior Design provides a history of interior decoration and design from ancient times to the present day. It includes more than 500 illustrated entries covering a variety of subjects ranging from the work of the foremost designers, to the origins and function of principal rooms and furnishing types, as well as surveys of interior design by period and nationality all prepared by an international team of experts in the field. Entries on individuals include a biography, a chronological list of principal works or career summary, a primary and secondary bibliography, and a signed critical essay of 800 to 1500 words on the individual's work in interior design. The style and topic entries contain an identifying headnote, a guide to main collections, a list of secondary sources, and a signed critical essay.




Utility and Beauty


Book Description

Utility and Beauty examines the art and craft of composition ornament through the life and work of Robert Wellford (1775-1844) of Philadelphia, the foremost maker of compo in America."




Rule Britannia? Britain and Britishness 1707–1901


Book Description

The concept of Britishness – and its constituent facets – has, over the past decade, come increasingly to the fore. In particular, this can be seen in the politically and socially engaging debates surrounding the Scottish Referendum in 2014. It is an idea – manifested both physically and cognitively – that every Briton is aware of and engages with to a greater or lesser extent. Thus, the concept of Britishness is extremely current and crosses cultural, political and socio-economic boundaries. Nevertheless, Britishness is a challenging term to define and explore, given its tremendously wide-ranging nature and dynamic, personally shaped characteristics. Considering historical ideas of Britishness, however, can enhance the understanding of national identity in the modern world. This volume does just that by gathering together original academic essays that explore the expression and understanding of Britishness in literature, philosophy, music, historical documents, art and design. Each contribution offers a detailed investigation of primary material, including architecture, furniture, historical literature, plays and sermons, and marketing. As a collection, ideas are marshalled to reveal a rich tapestry of Britishness and its forging.




The Philadelphia Country House


Book Description

Cedar Grove, The Cliffs, Grumblethorpe, Mount Airy, Bartram's House and Garden: Accommodation of the Vernacular




Nineteenth-Century Interiors


Book Description

This volume of primary source materials documents the essential practical aspects of making a home, decorating it and then furnishing it. The crucial constitutive parts that make up an interior from floor to ceiling are considered here in detail. The role of advice books and articles that attempted to direct homemakers in particular directions are examined, as are the more practical how-to publications that demonstrated the processes of interior decoration. Accompanied by extensive editorial commentary, this collection will be of great interest to students and scholars of art history.