Deep East Texas Folk


Book Description




Juneteenth Texas


Book Description

Juneteenth Texas reflects the many dimensions of African-American folklore. The personal essays are reminiscences about the past and are written from both black and white perspectives. They are followed by essays which classify and describe different aspects of African-American folk culture in Texas; studies of specific genres of folklore, such as songs and stories; studies of specific performers, such as Lightnin' Hopkins and Manse Lipscomb and of particular folklorists who were important in the collecting of African-American folklore, such as J. Mason Brewer; and a section giving resources for the further study of African Americans in Texas.




The Golden Log


Book Description

The nameless settlement deep in the East Texas forest was truly paradise-until a young bride took a forbidden sliver from the gold log that spanned a nearby creek; whereupon the log disappeared into the water, bride and groom were banished, and hard times fell upon all. And thus, the story goes, was paradise lost in East Texas. Like the more than a dozen other contributions in this volume, "The Golden Log" typifies the combined universality and fresh and authentic regional flavor of southwestern lore and legend. Here are tales of early Texas days, told as they were told of old: "Thirteen Tales from Houston County" by Theodore B. Brunner; "Homemade Tales" by Richard M. Rivers; "Cuentos de Susto," by Baldemar A. Jimenex; and many others. On the contemporary scene are "The Petroleum Geologist: A Folk Image" by Mody Boatright and "The Changing Concept of the Negro Hero" by Roger Abrahams. Paul Patterson gives us "Cowboy Comedians and Horseback Humorists," and A. L. Bennett "Joe Say, Wit and Storyteller" for samples of native southwestern humor.




East Texas Troubles


Book Description

When the gun smoke cleared, four men were found dead at the hardware store in a rural East Texas town. But this December 1934 shootout was no anomaly. San Augustine County had seen at least three others in the previous three years, and these murders in broad daylight were only the latest development in the decade-long rule of the criminal McClanahan-Burleson gang. Armed with handguns, Jim Crow regulations, and corrupt special Ranger commissions from infamous governors “Ma” and “Pa” Ferguson, the gang racketeered and bootlegged its way into power in San Augustine County, where it took up robbing and extorting local black sharecroppers as its main activity. After the hardware store shootings, white community leaders, formerly silenced by fear of the gang’s retribution, finally sought state intervention. In 1935, fresh-faced, newly elected governor James V. Allred made good on his promise to reform state law enforcement agencies by sending a team of qualified Texas Rangers to San Augustine County to investigate reports of organized crime. In East Texas Troubles, historian Jody Edward Ginn tells of their year-and-a-half-long cleanup of the county, the inaugural effort in Governor Allred’s transformation of the Texas Rangers into a professional law enforcement agency. Besides foreshadowing the wholesale reform of state law enforcement, the Allred Rangers’ investigative work in San Augustine marked a rare close collaboration between white law enforcement officers and black residents. Drawing on firsthand accounts and the sworn testimony of black and white residents in the resulting trials, Ginn examines the consequences of such cooperation in a region historically entrenched in racial segregation. In this story of a rural Texas community’s resurrection, Ginn reveals a multifaceted history of the reform of the Texas Rangers and of an unexpected alliance between the legendary frontier lawmen and black residents of the Jim Crow South.




The African Diaspora


Book Description

* How black people established their identities in the African diaspora.




Recentering Anglo/American Folksong


Book Description

A wealth of texts of British and Anglo/North American folksong has long been accessible in both published and archival sources. For two centuries these texts have energized scholarship. Yet in the past three decades this material has languished, as literary theory has held sway over textual study. In this crusading book Roger deV. Renwick argues that the business of folksong scholars is to explain folksong: folklorists must liberate the material's own voice rather than impose theories that are personally compelling or appealing. To that end, Renwick presents a case study in each of five essays to demonstrate the scholarly value of approaching this material through close readings and comparative analysis. In the first, on British traditional ballads in the West Indies, he shows how even the best of folklorists can produce an unconvincing study when theory is overvalued and texts are slighted. In the second he navigates the many manifestations of a single Anglo/American ballad, "The Rambling Boy," to reveal striking differences between a British diasporic strain on the one hand and a southern American, post-Civil War strain on the other. The third essay treats the poetics of a very old, extremely widespread, but never before formalized trans-Atlantic genre, the catalogue. Next is Renwick's claim that recentering folksong studies in our rich textual databanks requires that canonical items be identified accurately. He argues that "Oh, Willie," a song thought to be a simple variety of "Butcher's Boy," is in fact a distinct composition. In the final essay Renwick looks at the widespread popularity of "The Crabfish," sung today throughout the English-speaking world but with roots in a naughty tale found in both continental Europe and Asia. With such specific case studies as these, Renwick justifies his argument that the basic tenets of folklore textual scholarship continue to yield new insights.




Eats


Book Description

A collection of pictures, historical information folklore and recipes of Texas foods.




American Folk Songs [2 volumes]


Book Description

This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as Casey Jones, Marching Through Georgia, or Sweet Betsy from Pike. Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small. Includes: Away Down East, The Old Granite State, Connecticut, The Virginian Maid's Lament, Carry Me Back to Old Virginny, I'm Going Back to North Carolina, Shut up in Cold Creek Mine, Ain't God Good to Iowa?, Dakota Land, Dear Prairie Home, Cheyenne Boys, I'm off for California, and others.




Ramblin' on My Mind


Book Description

This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.




Handbook of Texas Music


Book Description

The musical voice of Texas presents itself as vast and diverse as the Lone Star State’s landscape. According to Casey Monahan, “To travel Texas with music as your guide is a year-round opportunity to experience first-hand this amazing cultural force….Texas music offers a vibrant and enjoyable experience through which to understand and enjoy Texas culture.” Building on the work of The Handbook of Texas Music that was published in 2003 and in partnership with the Texas Music Office and the Center for Texas Music History (Texas State University-San Marcos), The Handbook of Texas Music, Second Edition, offers completely updated entries and features new and expanded coverage of the musicians, ensembles, dance halls, festivals, businesses, orchestras, organizations, and genres that have helped define the state’s musical legacy. · More than 850 articles, including almost 400 new entries· 255 images, including more than 170 new photos, sheet music art, and posters that lavishly illustrate the text· Appendix with a stage name listing for musicians Supported by an outstanding team of music advisors from across the state, The Handbook of Texas Music, Second Edition, furnishes new articles on the music festivals, museums, and halls of fame in Texas, as well as the many honky-tonks, concert halls, and clubs big and small, that invite readers to explore their own musical journeys. Scholarship on many of the state’s pioneering groups and the recording industry and professionals who helped produce and promote their music provides fresh insight into the history of Texas music and its influence far beyond the state’s borders. Celebrate the musical tapestry of Texas from A to Z!