Defunct American Film Studios


Book Description

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 100. Chapters: A.W. Hackel, American Cinema Releasing, American Film Manufacturing Company, American International Pictures, Astor Pictures, Biograph Studios, Calvin Company, Caravan Pictures, Carolco Pictures, Centaur Film Company, Christie Film Company, Cinemation Industries, Cinema Center Films, Cinerama Releasing Corporation, Cinergi Pictures, Compass International Pictures, De Laurentiis Entertainment Group, Dramatic Feature Films, Eaco Films, Eagle-Lion Films, Edison's Black Maria, Edison Studios, Educational Pictures, Embassy Pictures, Essanay Studios, Famous Players-Lasky, Famous Players Film Company, Filmways, Film Booking Offices of America, Fine Line Features, First National, Four Star Television, Fox Atomic, Franchise Pictures, Goldwyn Pictures, Grand National Films Inc., Independent Moving Pictures, Interscope Communications, Kalem Company, Keystone Studios, L-KO Kompany, Laugh-O-Gram Studio, Liberty Films, Lubin Manufacturing Company, Marvel Productions, Mascot Pictures, Metro Pictures, Miles Brothers, Mutual Film, National General Pictures, Orion Pictures, Pathe Exchange, Picturehouse (company), Pioneer Pictures, Premium Picture Productions, Producers Distributing Corporation, Producers Releasing Corporation, Reliance-Majestic Studios, Republic Pictures, Rolfe Photoplays, Samuel Goldwyn Productions, Samuel Goldwyn Studio, Savoy Pictures, Section Eight Productions, Selig Polyscope Company, Selznick International Pictures, Sierra Pictures, Solax Studios, Sono Art-World Wide Pictures, Sun Haven Studios, Thanhouser Company, The Cannon Group, The Foster Photoplay Company, The Oz Film Manufacturing Company, The Samuel Goldwyn Company, The Whartons Studio, Tiffany Pictures, Triangle Film Corporation, Trimark Pictures, Victor Studios, Vim Comedy Company, Vitagraph Studios, Warner Independent Pictures, Weintraub...




Defunct American Movie Studios


Book Description

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 77. Chapters: First National, Film Booking Offices of America, Orion Pictures, The Cannon Group, American International Pictures, The Foster Photoplay Company, Carolco Pictures, Four Star Television, Famous Players-Lasky, Selig Polyscope Company, Centaur Film Company, Embassy Pictures, Triangle Film Corporation, Selznick International Pictures, Marvel Productions, Essanay Studios, Liberty Films, The Oz Film Manufacturing Company, Mascot Pictures Corporation, Educational Pictures, Kalem Company, Laugh-O-Gram Studio, The Samuel Goldwyn Company, Franchise Pictures, Edison Studios, Edison's Black Maria, Cinergi Pictures, American Film Manufacturing Company, Vitagraph Studios, L-KO Kompany, Trimark Pictures, Mutual Film, Filmways, Lubin Manufacturing Company, Biograph Studios, Nestor Studios, Producers Releasing Corporation, Pioneer Pictures, Revolution Studios, Warner Independent Pictures, Christie Film Company, Astor Pictures, De Laurentiis Entertainment Group, Tiffany Pictures, Samuel Goldwyn Studio, Savoy Pictures, Keystone Studios, Independent Moving Pictures, Caravan Pictures, Section Eight Productions, Goldwyn Pictures, Picturehouse, National General Pictures, Fox Atomic, The Whartons Studio, Grand National Films Inc., Fine Line Features, Solax Studios, Cinema Center Films, Harry S. Webb, Metro Pictures, Sono Art-World Wide Pictures, Vim Comedy Company, Miles Brothers, Cinerama Releasing Corporation, A.W. Hackel, Compass International Pictures, Interscope Communications, Famous Players Film Company, Eagle-Lion Films, Cinemation Industries, Dramatic Feature Films, Reliance-Majestic Studios, Victor Studios, Premium Picture Productions, Rolfe Photoplays, Thanhouser Company, Sierra Pictures, Sun Haven Studios. Excerpt: Film Booking Offices of America (FBO) (also known as FBO Pictures Corporation) was an American film studio of...




Alcohollywood - Our Year in Movies 2013


Book Description

Your source for cinebriation - this compilation combines more than 60 reviews from Alcohollywood's written film review columns Fresh Pour and Rare & Vintage from 2013 into a single volume. - Since 2011, Jared and Clint of the Alcohollywood podcast made new drinking games for movies each week - new or old, good or bad, they toasted to it all. In 2013, they added two new columns to supplement their award-nominated podcast, adding even more acerbic wit and in-depth analysis to the world of online film criticism. Every witticism and criticism is included in this single-volume compendium of more than 60 reviews form 2013's output of Alcohollywood's two written columns - Fresh Pour, Clint's weekly review of two new releases, and Rare & Vintage, Jared's archaeological foray into lost forgotten filmic gems. If you're searching for your perfect source for cinebriation, look no further.




Movie Studios of Culver City


Book Description

After watching pioneer filmmaker Thomas Ince film one of his famous Westerns on Ballona Creek, city founder Harry Culver saw the economic base for his city. Culver announced plans for the city in 1913 and attracted three major movie studios to Culver City, along with smaller production companies. The Heart of Screenland is fittingly etched across the Culver City seal. These vintage images are a tour through the storied past of this company town on the legendary movie lots bearing the names of Thomas Ince, Hal Roach, Goldwyn, Metro-Goldwyn-Mayer, Lorimar, MGM-UA, Columbia, Sony Pictures, DeMille, RKO-Pathe, Selznick, Desilu, Culver City Studios, Laird International, the Culver Studios, and such nearly forgotten mini-factories as the Willat Studios. On these premises, Gone With the Wind, The Wizard of Oz, Citizen Kane, E.T: The Extra-Terrestrial, and other classics were filmed, along with tens of thousands of television shows and commercials featuring Elvis Presley, the Beatles, Michael Jackson, and many others.




The New Historical Dictionary of the American Film Industry


Book Description

The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association




Memphis Boys


Book Description

Memphis Boys chronicles the story of the rhythm section at Chips Moman's American Studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Utilizing extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings. She reveals how the personalities of the core group meshed, how they regarded newcomers, and how their personal and musical philosophies blended with Moman's vision to create timeless music based on themes of suffering and sorrow. Recording sessions with Elvis Presley, the Gentrys, Aretha Franklin, Wilson Pickett, the Box Tops, Joe Tex, Neil Diamond, B. J. Thomas, Dionne Warwick, and many others come alive in this book. Jones provides the stories behind memorable songs composed by group writers, such as "The Letter," "Dark End of the Street," "Do Right Woman," "Breakfast in Bed," and "You Were Always on My Mind." Featuring photographs, personal profiles, and a suggested listening section, Memphis Boys details a significant phase of American music and the impact of one studio.




The Men Who Would Be King


Book Description

“The definitive history of the studio” created by the larger-than-life team of Spielberg, Geffen, and Katzenberg (Los Angeles Times). For sixty years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte, who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened. Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often-otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions of dollars, its rich owners get richer, and everybody else suffers. LaPorte displays Geffen, seducing investors like Microsoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is a blockbuster behind-the-scenes Hollywood story—up close, glamorous, and gritty.




Contemporary American Independent Film


Book Description

This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.




Upton Sinclair Presents William Fox


Book Description

UPTON SINCLAIR PRESENTS WILLIAM FOX by UPTON SINCLAIR originally published in 1933. In Tu entytiine Reels with Prologue and Epilogue A Melodrama of Fortune Conflict and Triumph, Packed with ThriOb and Heart Throbs East Side Boy Conquers Fame and Power. The Masters of Millions Envy His Triumph and Hot His Downfall. The Octopus Battles the Fox The Ehid of a Century The Sensation of a Lifetime Never in Screen History has there been a Feature so Stupendous as this. An Inside Story a Firsthand Revelation of Politics and Finance, with a Ten Billion Dollar Cast of Statesmen and Financiers. At the same time a Story for the Family, tense and moving, with Love, loyalty and a womans soul. A Romance so fine, so true, so loaded with laughter and tears that none can resist it- FLOYD DELL REPORTS TO A NEW YORK PUBLISHER. I think this is a very important book. First, because it tells what a man important to his times thinks about himself. Second, because of the importance of the war between the financiers and the organizers in this motion picture field. Third, because of the immense human interest and enthralling excitement of the story. There has never been a book on this subject so completely readable by ordinary people. I myself am bored with statistics, I dont like business stories, and I started this book with no hope of ever being able to read it through. It kept me awake all night I could not stop reading it. The story has terrific interest and suspense. Also it hits the public interest of the times right in the center. It will be in every middle class home this winter, and millions of people will be talking about it. It is going to be one of the great literary sensations in the history of American publishing. Upton Sinclairs reputation has survived every exposes he has handled, and no one has ever sued him for libel, He has the goods on people and they know it. There can be no question but that the facts are substantially as the book states them, for these are all matters of court record. The interpretations alone can be questioned. I should say that the only reason for not taking advantage of the greatest opportunity of our times in publishing would be a belief in the actuality of this alleged criminal conspiracy, and the fear that the conspiracy would extend to the point of a criminal attempt to punish and wreck the publisher who put Foxs case before the public. Or have the bankers burned their fingers enough in this Fox business without attempting illegitimate inter ference In the end it would be useless, for the book will be published and they cant stop it This is the most exciting book I have read for years It adds a new and significant figure to American industrial biography. It is destined to an immense popularity, and it will make Uptom Sinclair the most widely read author in America, It will be in front page headlines, and a Congressional inquiry may keep It there for weeks or months. The films are dear to the heart of America. Contents include: PROLOGUE ........... REEL ONE REEL TWO Shoe Bidding ant Lozengers, ..., ., ., 14 REEL THREE Pretzels and Buffalo Pans ....... . . . 23 REEL FOUR TsJjtJ eJodteans and Common Shows ...., .. 32 REEL FIVE The Ro i4 to Fortune . ......., . . . 46 REEL SIX Over the Hill ..., .., .., ..., . 56 REEL SEVEN The Micbs Touch .., ., ., ... 67 REEL EIGHT Red T pe ..., ..., ....... 80 REEL NINE The Vwltum, ...., ...., ... 94 REEL TEN The Octopus ...., .., .., ... 102 REEL ELEVEN Reaping the Whirlwind ...., ... 114 REEL TWELVE The Fox Trap ......., ... 127 REEL THIRTEEN The Fox Hesildtes ......... ..... 140 REEL FOURTEEN TJw Pox Bntws ..




Final Cut


Book Description

Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the only person to witness the film’s evolution from beginning to end. Combining wit, extraordinary anecdotes, and historical perspective, he has produced a landmark book on Hollywood and its people, and in so doing, tells a story of human absurdity that would have made Chaplin proud.