Delft Ceramics
Author : Caroline Henriette de Jonge
Publisher :
Page : 198 pages
File Size : 36,70 MB
Release : 1970
Category : Delft ware
ISBN :
Author : Caroline Henriette de Jonge
Publisher :
Page : 198 pages
File Size : 36,70 MB
Release : 1970
Category : Delft ware
ISBN :
Author : Howard Coutts
Publisher : Yale University Press
Page : 272 pages
File Size : 40,13 MB
Release : 2001-01-01
Category : Art
ISBN : 0300083874
The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.
Author : Philadelphia Museum of Art
Publisher :
Page : 98 pages
File Size : 39,1 MB
Release : 2003
Category : Delftware
ISBN :
Dutch earthenware has a universal reputation and is represented in the ceramic collections of the great museums. The Philadelphia Museum of Art has a comprehensive collection of Delft blue and white and polychrome earthenware. The collection contains a number of highly important and unique pieces. A selection of the most interesting pieces is published here for the first time. This exquisite, fully illustrated volume reveals the importance of faience production in Delft in the seventeenth and eighteenth centuries, while highlighting the exceptional quality of the Museum's collection. Illustrated entries on thirty-five objects in the collection, written by Ella Schaap, Curatorial Associate for Dutch Ceramics at the Philadelphia Museum of Art, describe the significant features and set them in historical context. An illustrated introduction to the history of Delft ceramic production by noted scholar Hans van Lemmen is informative and lively. This publication will appeal to interested visitors as well
Author : W. Pitcairn Knowles
Publisher :
Page : 276 pages
File Size : 48,8 MB
Release : 1913
Category : Delftware
ISBN :
In arranging this volume I have endeavoured to keep always in view the difficulties I myself had to contend with as a collector, and I have attempted to supply such information as regards the history of Dutch porcelain and pottery, and the quality and character of the produce, as may be a guide to the collector and student in attributing specimens to the correct maker and factory and period. -- Preface.
Author : Rick Erickson
Publisher : Schiffer Publishing
Page : 0 pages
File Size : 33,89 MB
Release : 2003
Category : Delftware
ISBN : 9780764318047
This important book documents the world's most famous and oldest surviving Dutch Delftware factory, De Porceleyne Fles (Royal Delft), which dates back to 1653. Beautiful plates, vases, covered pots, candlesticks, clocks, tableware, tiles, and watering cans are all here, from inexpensive pieces to breathtaking artwork worth tens of thousands. This reference includes guides to original and current prices, rarity, factory marks, year codes, and painter's signatures.
Author : Gerald W. R. Ward
Publisher :
Page : 848 pages
File Size : 45,48 MB
Release : 2008
Category : Art
ISBN : 0195313917
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."
Author : Edwin Atlee Barber
Publisher :
Page : 118 pages
File Size : 17,11 MB
Release : 1907
Category : Delftware
ISBN :
Author : Edwin Atlee Barber
Publisher :
Page : 98 pages
File Size : 15,73 MB
Release : 1906
Category : Delftware
ISBN :
Author : N. Hudson Moore
Publisher :
Page : 128 pages
File Size : 15,4 MB
Release : 1908
Category : Delftware
ISBN :
Author : Moira Vincentelli
Publisher : Manchester University Press
Page : 316 pages
File Size : 32,5 MB
Release : 2000
Category : Antiques & Collectibles
ISBN : 9780719038402
This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.