Delphic Days


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Delphi


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A comprehensive narrative history of the ancient world's center, from its founding to its modern rediscovery The oracle and sanctuary of the Greek god Apollo at Delphi were known as the "omphalos"—the "center" or "navel"—of the ancient world for more than 1,000 years. Individuals, city leaders, and kings came from all over the Mediterranean and beyond to consult Delphi's oracular priestess; to set up monuments to the gods; and to take part in competitions. In this richly illustrated account, Michael Scott covers the history and nature of Delphi, from the literary and archaeological evidence surrounding the site, to its rise as a center of worship, to the constant appeal of the oracle despite her cryptic prophecies. He describes how Delphi became a contested sacred site for Greeks and Romans and a storehouse for the treasures of rival city-states and foreign kings. He also examines the eventual decline of the site and how its meaning and importance have continued to be reshaped. A unique window into the center of the ancient world, Delphi will appeal to general readers, tourists, students, and specialists.




Monthly Bulletin


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A Tour in Europe


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An Epigrammatic Voyage


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The Western


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WALK IN HELLAS


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On the E at Delphi


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Plutarch (c. AD 46 - AD 120), later named, upon becoming a Roman citizen, Lucius Mestrius Plutarchus, (ΛΟύΚΙΟς ΜέΣΤΡΙΟς ΠΛΟύΤΑΡΧΟς) was a Greek biographer and essayist, known primarily for his Parallel Lives and Moralia. He is classified as a Middle Platonist. Plutarch's surviving works were written in Greek, but intended for both Greek and Roman readers.Plutarch spent the last thirty years of his life serving as a priest in Delphi. He thus connected part of his literary work with the sanctuary of Apollo, the processes of oracle-giving and the personalities who lived or traveled there. One of his most important works is the "Why Pythia does not give oracles in verse" (Moralia 11) ( "ΠΕΡὶ ΤΟῦ Μὴ ΧΡᾶΝ ἔΜΜΕΤΡΑ ΝῦΝ ΤὴΝ ΠΥ&thΗίΑΝ"). Even more important is the dialogue "On the E in Delphi" ("ΠΕΡὶ ΤΟῦ Εἶ ΤΟῦ ἐΝ ΔΕΛΦΟῖς"), which features Ammonius, a Platonic philosopher and teacher of Plutarch, and Lambrias, Plutarch's brother. According to Ammonius, the letter E written on the temple of Apollo in Delphi originated from the following fact: the wise men of antiquity, whose maxims were also written on the walls of the vestibule of the temple, were not seven but actually five: Chilon, Solon, Thales, Bias and Pittakos. However, the tyrants Cleobulos and Periandros used their political power in order to be incorporated in the list. Thus, the E, which corresponds to number 5, constituted an acknowledgment that the Delphic maxims actually originated from the five real wise men. The portrait of a philosopher exhibited at the exit of the Archaeological Museum of Delphi, dating to the 2nd century AD, had been in the past identified with Plutarch. The man, although bearded, is depicted at a relatively young age. His hair and beard are rendered in coarse volumes and thin incisions. The gaze is deep, due to the heavy eyelids and the incised pupils. The portrait is no longer thought to represent Plutarch. Next to this portrait stands a fragmentary hermaic stele, bearing a portrait probably of the author from Chaeronea and priest in Delphi. Its inscription, however, reads: ΔΕΛΦΟὶ ΧΑΙΡΩΝΕῦΣΙΝ ὁΜΟῦ ΠΛΟύΤΑΡΧΟΝ ἔ&thΗΗΚΑΝ | ΤΟῖς ἈΜΦΙΚΤΥόΝΩΝ ΔόΓΜΑΣΙ ΠΕΙ&thΗόΜΕΝΟΙ. (Syll.3 843=CID 4, no. 151) The citizens of Delphi and Chaeronea dedicated this to Plutarch together, following the precepts of the Amphictyony.




Classical Athens and the Delphic Oracle


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The Delphic Oracle was where, according to Greek tradition, Apollo would speak through his priestesses. This work explores the importance placed on consultations at Delphi by Athenians in the city's age of democracy. It demonstrates the extent to which concern to do the will of the gods affected Athenian politics, challenging the notion that Athenian democracy may be seen as a model for modern secular democratic constitutions. All the known consultations of the oracle by Athens in the period before 300 BC are examined, and descriptions of consultations found in Attic tragedy and comedy are discussed. This work provides a new account of how the Delphic oracle functioned and presents a thorough analysis of the relationship between the Athenians and the oracle, making it essential reading both for students of the oracle itself and of Athenian democracy.




Goethe's Faust


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