Democratic Eloquence


Book Description

"A penetrating account of the long debate about the kind of public language appropriate for a democratic society. . . . Cmiel manages to do justice to both sides."--Christopher Lasch, author of The Culture of Narcissism "Every scholar interested in the English language will put this book next to Mencken and Baugh. It will be indispensable to writing the social history of English into the 20th Century."--Joseph Williams, author of Origins of the English Language




Dirty Politics


Book Description

In recent years, Americans have become thoroughly disenchanted with political campaigns, especially with ads and speeches that bombard them with sensational images while avoiding significant issues. Now campaign analyst Kathleen Hall Jamieson provides an eye-opening look at the tactics used by political advertisers. Photos and line drawings.




Words on Fire


Book Description

Why is political rhetoric broken – and how can it be fixed? Words on Fire returns to the origins of rhetoric to recover the central place of eloquence in political thought. Eloquence, for the orators of classical antiquity, emerged from rhetorical relationships that exposed both speaker and audience to risk. Through close readings of Cicero – and his predecessors, rivals, and successors – political theorist and former speechwriter Rob Goodman tracks the development of this ideal, in which speech is both spontaneous and stylized, and in which the pursuit of eloquence mitigates political inequalities. He goes on to trace the fierce disputes over Ciceronian speech in the modern world through the work of such figures as Burke, Macaulay, Tocqueville, and Schmitt, explaining how rhetorical risk-sharing has broken down. Words on Fire offers a powerful critique of today's political language – and shows how the struggle over the meaning of eloquence has shaped our world.




Culture of Eloquence


Book Description




Imagining Deliberative Democracy in the Early American Republic


Book Description

Deliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the U.S. Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville’s ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic—including James Fenimore Cooper, David Crockett, and Daniel Webster—whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.




A Pure Theory of Democracy


Book Description

The author builds a realistic theory of democracy to end the false idea that corruption, state crime, and public immorality are democracy's (undesirable) products, not the natural and inevitable fruits of oligarchic regimes. Important theories of the state and constitution exist, but none can be called a theory of democracy.




The Eloquent President


Book Description

The fact that Abraham Lincoln is now universally recognized as America’s greatest political orator would have surprised many of the citizens who voted him into office. Ungainly in stature and awkward in manner, the newly elected Lincoln was considered a Western stump speaker and debater devoid of rhetorical polish. Then, after the outbreak of the Civil War, he stood before the nation to deliver his Message to Congress in Special Session on July 4, 1861, and, as a contemporary editor put it, “some of us who doubted were wrong.” In The Eloquent President, historian Ronald White examines Lincoln’s astonishing oratory and explores his growth as a leader, a communicator, and a man of deepening spiritual conviction. Examining a different speech, address, or public letter in each chapter, White tracks the evolution of Lincoln’s rhetoric from the measured, lawyerly tones of the First Inaugural, to the imaginative daring of the 1862 Annual Message to Congress, to the haunting, immortal poetry of the Gettysburg Address. As a speaker who appealed not to intellect alone, but also to the hearts and souls of citizens, Lincoln persuaded the nation to follow him during the darkest years of the Civil War. Through the speeches and what surrounded them–the great battles and political crises, the president’s private anguish and despair, the impact of his words on the public, the press, and the nation at war–we see the full sweep and meaning of the Lincoln presidency. As he weighs the biblical cadences and vigorous parallel structures that make Lincoln’s rhetoric soar, White identifies a passionate religious strain that most historians have overlooked. It is White’s contention that as president Lincoln not only grew into an inspiring leader and determined commander in chief, but also embarked on a spiritual odyssey that led to a profound understanding of the relationship between human action and divine will. Brilliantly written, boldly original in conception, The Eloquent President blends history, biography, and a deep intuitive appreciation for the quality of Lincoln’s extraordinary mind. With grace and insight, White captures the essence of the four most critical years of Lincoln’s life and makes the great words live for our time in all their power and beauty.




Rude Democracy


Book Description

How American politics can become more civil and amenable to public policy solutions, while still allowing for effective argument.




Democracy, Theatre and Performance


Book Description

David Wiles makes the startling claim that, to be truly effective, democratic politicians are obliged to be hypocrites, or actors.




The Genius of Democracy


Book Description

In the late nineteenth- and early twentieth-century United States, ideas of genius did more than define artistic and intellectual originality. They also provided a means for conceptualizing women's participation in a democracy that marginalized them. Widely distributed across print media but reaching their fullest development in literary fiction, tropes of female genius figured types of subjectivity and forms of collective experience that were capable of overcoming the existing constraints on political life. The connections between genius, gender, and citizenship were important not only to contests over such practical goals as women's suffrage but also to those over national membership, cultural identity, and means of political transformation more generally. In The Genius of Democracy Victoria Olwell uncovers the political uses of genius, challenging our dominant narratives of gendered citizenship. She shows how American fiction catalyzed political models of female genius, especially in the work of Louisa May Alcott, Henry James, Mary Hunter Austin, Jessie Fauset, and Gertrude Stein. From an American Romanticism that saw genius as the ability to mediate individual desire and collective purpose to later scientific paradigms that understood it as a pathological individual deviation that nevertheless produced cultural progress, ideas of genius provided a rich language for contests over women's citizenship. Feminist narratives of female genius projected desires for a modern public life open to new participants and new kinds of collaboration, even as philosophical and scientific ideas of intelligence and creativity could often disclose troubling and more regressive dimensions. Elucidating how ideas of genius facilitated debates about political agency, gendered identity, the nature of consciousness, intellectual property, race, and national culture, Olwell reveals oppositional ways of imagining women's citizenship, ways that were critical of the conceptual limits of American democracy as usual.