Tennessee Post Office Murals


Book Description

The United States government got into the art business when it instituted a series of programs to keep artists working during the Depression years. Tennessee received its fair share, and most of the original thirty are still in existence. A few have been moved to different locations, but the author notes that most of the murals “are still on that same wall in the same small post office in that same small town where they were placed so long ago.” Unfortunately, many people are not aware of these murals—even in the areas where they are located. Written for the purpose of enhancing the knowledge of Tennesseans about the murals found in their post offices, this book will be of interest to artists and historians as well. Hull has included numerous photographs along with his descriptions of each mural and its composition, the mural’s relation to history, and a biographical sketch of each artist.




Depression Post Office Murals and Southern Culture


Book Description

In the years between 1936 and 1943, some three hundred artworks--primarily murals but also some sculptures, terra-cotta reliefs, and limestone reliefs--were installed in federal buildings throughout the South as part of a nationwide project by the Treasury Section of Fine Arts. The murals depicted aspects of southern history and life ranging from scenes of Indians and settlers to portraits of modern life and industry. In Depression Post Office Murals and Southern Culture, Sue Bridwell Beckham investigates the cultural implications of the Section murals. She makes use of the extensive correspondence preserved in the Section records to sound the values of working- and lower-middle-class white southerners, who voiced their objections to the murals as well as their approval; the attitudes of the artists who painted the murals; and the outlook of the Section itself, which had strong views about art and what was appropriate. --jacket.




Bridging Southern Cultures


Book Description

A panorama of past and contemporary southern society are captured in Bridging Southern Cultures by some of the South's leading historians, anthropologists, literary critics, musicologists, and folklorists. Crossing the chasms of demographics, academic disciplines, art forms, and culture, this exciting collection reaches aspects of southern heritage that previous approaches have long obscured. Virtually every dimension of southern identity receives attention here. William Andrews,Thadious Davis, Sue Bridwell Beckham, Richard Megraw, and Joyce Marie Jackson offer engaging reflections on art, age, race, and gender. Bertram Wyatt-Brown delivers a startling reading of Faulkner, revealing the tangled history of southern modernism. Daniel C. Littlefield, Henry Shapiro, and Charles Reagan Wilson provide important assessments of Africanisms in southern culture, Appalachian studies, and the blessing and burden of southern culture. John Shelton Reed probes the humorous and awkward aspects of the South's midlife crisis. John Lowe shows how the myth of the biracial southern family complicated plantation-school narratives for both white and black writers. Showcasing the thought of preeminent southern intellectuals, Bridging Southern Cultures is a timely assessment of the state of contemporary southern studies.




New Deal Art in Alabama


Book Description

As the United States struggled to recover from the Great Depression, 24 towns in Alabama would directly benefit from some of the $83 million allocated by the Federal Government for public art works under the New Deal. In the words of Harold Lloyd Hopkins, administrator of the Federal Emergency Relief Act, "artists had to eat, too," and these funds aided people who needed employment during this difficult period in American history. This book examines some of the New Deal art--murals, reliefs, sculptures, frescoes and paintings--of Alabama and offers biographical sketches of the artists who created them. An appendix describes federal art programs and projects of the period (1933-1943).




Artists on the Left


Book Description

Examination of the relation between visual artists and the American communist movement in the first half of the twentieth century, from the rise in prestige of the party during the Great Depression to its decline in the 1950s. Account of how left-wing artists responded to the party's various policy shifts: the communist party exerted a powerful force in American culture.




Rural Life and Culture in the Upper Cumberland


Book Description

Seventeen original essays by prominent scholars uncover fascinating stories and personalities from the Upper Cumberland region of Kentucky and Tennessee, often regarded as isolated and out of pace with the rest of the country, but seen here as having a far richer history and culture than previously thought.




Forbes Watson


Book Description

This is a biography of Forbes Watson, art commentator for the New York Evening Post and New York World but probably best known as the editor of The Arts, an influential art magazine of the 1920s.




The Grove Encyclopedia of American Art


Book Description

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.




The FDR Years


Book Description

Born in 1882 in New York, Franklin Delano Roosevelt entered public service through the encouragement of the Democratic Party and won the election to the New York Senate in 1910. This book details his administration at the height of the Great Depression as he valiantly led the nation with the phrase, The only thing we have to fear is fear itself.