Der Innsbrucker Hof


Book Description

The anthology provides a very first overview of the history of the Innsbruck Court from the 15th century to the end of the Ancien Regime, thus meeting a substantial research desideratum. It is the result of a colloquium that took place on 6 and 7 June 2002 in Innsbruck, organised by the Historic Commission of the Austrian Academy of Sciences and the Institute for History at Innsbruck University. No fewer than 13 authors from England, the Czech Republic, Russia, Italy, Germany and Austria analysed the functions, change and appearance of what was largely a residential court that has also had a lasting influence on the visual appearance of the city. The first section analyses standards and representation, the second deals with the festivities at court and forms of symbioses of court and city, a third section examines the role and cultural transfer functions of women at court and a final chapter gives thought to questions of regional integration. The contributions give, for the first time, a greater preciseness to what was known of the Innsbruck court. In particular, it has made it possible to better determine the position of Tyrolean court society as a mediator and, the old topic of the city of Innsbruck as a conveyer of culture and as a transit station on the way to Italy, particularly during the Renaissance, was able to be identified more precisely. The Innsbruck court acted as a significant link in the intra- and inter-dynastic exchange of pre-modern Europe.




Architectures of Festival in Early Modern Europe


Book Description

This fourth volume in the European Festival Studies, 1450–1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns – from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.







Concord and Reform


Book Description

Nicholas of Cusa is known as one of the most original philosophers of the 15th century, but by training he was a canon lawyer who received his degree from the University of Padua in 1423. The essays in this book analyse his legal and political ideas against the background of medieval religious, legal and political thought and its development in the Renaissance. The first two pieces deal with the legal ideas and humanism that affected Cusanus and with some of the problems faced by 15th-century lawyers, including his friends. The central section of the book also discusses how he reacted to the religious, legal and political issues of his day; Cusanus as reformer of the Church is a theme that runs through many of the essays. The final studies look at some of Cusanus' contemporaries, with special emphasis on Gregor Heimburg, the sharpest critic of Cusanus.




A House Divided


Book Description

This book examines the intersection between religious belief, dynastic ambitions, and late Renaissance court culture within the main branches of Germany's most storied ruling house, the Wittelsbach dynasty. Their influence touched many shores from the "coast" of Bohemia to Boston.




Embodiments of Power


Book Description

The period of the baroque (late sixteenth to mid-eighteenth centuries) saw extensive reconfiguration of European cities and their public spaces. Yet, this transformation cannot be limited merely to signifying a style of art, architecture, and decor. Rather, the dynamism, emotionality, and potential for grandeur that were inherent in the baroque style developed in close interaction with the need and desire of post-Reformation Europeans to find visual expression for the new political, confessional, and societal realities. Highly illustrated, this volume examines these complex interrelationships among architecture and art, power, religion, and society from a wide range of viewpoints and localities. From Krakow to Madrid and from Naples to Dresden, cities were reconfigured visually as well as politically and socially. Power, in both its political and architectural guises, had to be negotiated among constituents ranging from monarchs and high churchmen to ordinary citizens. Within this process, both rulers and ruled were transformed: Europe left behind the last vestiges of the medieval and arrived on the threshold of the modern.




Foreign encounters


Book Description




Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter


Book Description

While the writings of early modern medical practitioners habitually touch on performance and ceremony, few illuminate them as clearly as the Protestant physicians Felix Platter and Thomas Platter the Younger, who studied in Montpellier and practiced in their birth town of Basle, or the Catholic physician Hippolytus Guarinonius, who was born in Trent, trained in Padua and practiced in Hall near Innsbruck. During his student years and brilliant career as early modern Basle's most distinguished municipal, court and academic physician, Felix Platter built up a wide network of private, religious and aristocratic patients. His published medical treatises and private journal record his professional encounters with them as a healer. They also offer numerous vivid accounts of theatrical events experienced by Platter as a scholar, student and gifted semi-professional musician, and during his Grand Tour and long medical career. Here Felix Platter's accounts, many unavailable in translation, are examined together with relevant extracts from the journals of his younger brother Thomas Platter, and Guarinonius's medical and religious treatises. Thomas Platter is known to Shakespeare scholars as the Swiss Grand Tourist who recorded a 1599 London performance of Julius Caesar, and Guarinonius's descriptions of quack performances represent the earliest substantial written record of commedia dell'arte lazzi, or comic stage business. These three physicians' records of ceremony, festival, theatre, and marketplace diversions are examined in detail, with particular emphasis on the reactions of 'respectable' medical practitioners to healing performers and the performance of healing. Taken as a whole, their writings contribute to our understanding of many aspects of European theatrical culture and its complex interfaces with early modern healthcare: in carnival and other routine manifestations of the Christian festive year, in the extraordinary performance and ceremony of court festivals, and above all in the rarely welcomed intrusions of quacks and other itinerant performers.




Milan Undone


Book Description

A new history of how one of the Renaissance’s preeminent cities lost its independence in the Italian Wars. In 1499, the duchy of Milan had known independence for one hundred years. But the turn of the sixteenth century saw the city battered by the Italian Wars. As the major powers of Europe battled for supremacy, Milan, viewed by contemporaries as the “key to Italy,” found itself wracked by a tug-of-war between French claimants and its ruling Sforza family. In just thirty years, the city endured nine changes of government before falling under three centuries of Habsburg dominion. John Gagné offers a new history of Milan’s demise as a sovereign state. His focus is not on the successive wars themselves but on the social disruption that resulted. Amid the political whiplash, the structures of not only government but also daily life broke down. The very meanings of time, space, and dynasty—and their importance to political authority—were rewritten. While the feudal relationships that formed the basis of property rights and the rule of law were shattered, refugees spread across the region. Exiles plotted to claw back what they had lost. Milan Undone is a rich and detailed story of harrowing events, but it is more than that. Gagné asks us to rethink the political legacy of the Renaissance: the cradle of the modern nation-state was also the deathbed of one of its most sophisticated precursors. In its wake came a kind of reversion—not self-rule but chaos and empire.




Hofkritik im Licht humanistischer Lebens- und Bildungsideale


Book Description

Royal and princely courts in the late Middle Ages and Early Modern period did not only fill the roles of centers of government. The striving for a synthesis between power and the mind made courts into sites of art and literature, of instruction and education. Sons of nobles learned at court not only the use of weapons, but also reading, writing and arithmetic. Jousting gave young knights the opportunity to test their weapons skills and horsemanship. Moreover festivities were a part of court life, and feasts were celebrated extravagantly. Those nobles who lived as knights as well as the academically educated bourgeois used royal and princely courts as opportunities for assuring their professional careers and for social advancement. The reality of the social and ruling fabric of the court included in the late Middle Ages and Early Modern period some rough criticism from those eloquent contemporaries who branded the court as a morally corrupt place of vices. Church reformers brought the courtly lifestyle and the Christian ethic into irreconcilable contrast. How Enea Silvio Piccolimini, the humanist occupying the seat of St. Peter in Rome, and Ulrich von Hutten, the knightly poet, perceived, criticized and justified courtly life, is the subject of this book.