Derek Jarman's Angelic Conversations


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Modern Nature


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Originally published: Woodstock, N.Y.: Overlook Press, 1994.




Derek Jarman


Book Description

Rowland Wymer gives detailed, original critical readings of Derek Jarman's eleven feature-length films, and argues that he occupies a major and influential place in European and world cinema.




Derek Jarman - Moving Pictures of a Painter


Book Description

The English painter, film-maker and writer Derek Jarman (1942-1994) is mainly known for his work in the medium of film, but he always saw himself primarily as a painter. In this study of his lesser known home movies, Super 8 films and the 'cinema of small gestures' that Jarman developed out of them, Martin Frey discusses numerous Super 8 films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of working and also analyses influences from the fields of painting and literature, such as Allen Ginsberg, Robert Rauschenberg, David Hockney and Yves Klein. For Jarman, life and work represented an indivisible unity. Numerous autobiographical elements from his works are thus considered in this volume: his repressed childhood and adolescence in post-war England, his coming out and the liberated life of the seventies, his struggle against the unequal treatment of homosexuals during the Thatcher era, his dealing with his own HIV infection and finally his personal commitment to fighting discrimination against people who are HIV-positive or who have already developed Aids. www.jarman-film-book.com/




I Am (Not) a Number


Book Description

The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." In I Am (Not) a Number, Cox takes an opposing view. While the series has surreal elements, he believes it provides the answers to all the questions which have confounded viewers: who is Number 6? Who runs The Village? Who—or what—is Number 1? According to Cox, the key is to view the series in the order in which the episodes were made, not in the order of the UK or US television screenings. In this book he does exactly that, and provides an entirely original and controversial "explanation" for what is perhaps the best, and certainly the most perplexing, TV series of all time.




Derek Jarman's Garden


Book Description

Derek Jarmans Garden is the last book Jarman ever wrote. It is a fitting memorial to a brilliant and greatly loved artist and film maker who, against all odds, made a breathtaking garden in the most inhospitable of places the flat, bleak, often desolate expanse of shingle overlooked by the Dungeness nuclear power station. Here is Jarmans own record of how the garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs by his friend Howard Sooley capture the garden at all its different stages and at every season of the year, revealing its complex geometrical plan, magical stone circles and the beautiful and bizarre scupltures. We also catch glimpses of Jarman at work on the garden. This beautiful book will appeal to all those who love gardens and gardening, as well as the legions of admirers of this extraordinary man.




Dancing Ledge


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Derek Jarman's Sketchbooks


Book Description

Part autobiography and part social history: the acclaimed director’s filmmaking process revealed through his private sketchbooks Legendary filmmaker Derek Jarman recorded his life and work in highly detailed sketchbooks. Encompassing both the private and the professional, these offer a personal view into the life and career of a highly influential filmmaker and artist. Drawn from the collection of handmade books that Jarman gave to the British Film Institute shortly before his death in 1994, Derek Jarman’s Sketchbooks showcases the most insightful and beautiful pages. Each of the original volumes is composed of drawings, photographs, and cuttings; pressed flowers are set beside scrawled ideas, and carefully penned poems accompany typed and edited working scripts. These once-private books are an intimate pictorial record of the detailed planning and research and the creative and emotional engagement behind every scene in Jarman’s films.




Derek Jarman


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Derek Jarman and Lyric Film


Book Description

Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.