Dernières nouvelles de la peste


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Janus


Book Description

"Revue internationale de l'histoire des sciences, de la médecine, de la pharmacie et de la technique." (varies).




The Transparency of the Text


Book Description

Josette Féral & Donia Mounsef Editors' Preface: The Transparency of the Text Part I: Avant and Après Garde Tom Bishop Whatever Happened to the Avant-Garde? Jean-Pierre Ryngaert Paroles en lambeaux et écritures d'entreparleurs Bernadette Bost Beyond Drama: Total Theater Ariane Eissen Myth in Contemporary French Theater: A Negotiable Legacy Josette Féral Language Crossings: The Unspoken Must Be Said Part II: (Under)writing the Stage David Bradby Michel Vinaver: From Writing to Staging Donia Mounsef The Language of Desire and the Desire for Language in the Theatre of Koltès and Cixous Clare Finburgh Voix/Voie/Vie: The Voice in Contemporary French Theatre Mary Noonan L'Art de l'écrit s'incarnant: The Theatre of Noëlle Renaude Part III: Disputed Textualities Judith Miller Is There A Specifically Francophone African Stage Textuality? Sylvie Chalaye Contemporary Francophone Writings for the Theater from Africa and the West Indies Yves Jubinville Death and Birth of the Author: Toward a New History of Québécois Playwriting Philippa Wehle "Waiting for the Next Big Thing": Why Do American Audiences Have Such Difficulty with Contemporary French Playwrights?




Georges Didi-Huberman and Film


Book Description

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman's work has been informed by cinema, especially in his major (and ongoing) recent work L'Oeil de l'Histoire (The Eye of History). The book traces the development of Didi-Huberman's visual thought towards a cinematic sensibility already inherent in his early work on images in relationship to each other. After exploring his increasingly political understanding of the vital role of cinematic montage, it traces his growing understanding of cinema as a medium for expressing a dynamic representation of peoples' memory and experience, and documents his engagement with contemporary filmmakers such as Laura Waddington and Vincent Dieutre.










Vigilance and the Plague


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This book focuses on the connection between vigilance and the plague in France throughout the 17th and 18th centuries. For more than three centuries, between the middle of the 14th century up until circa 1670, the prevalence of the plague in France was said to be endemic, before it then vanished from French territory. The Great Plague of Marseille (1720-1722, which also impacted the rest of Provence, the County of Venaissin and Languedoc) proved to be an exception. During that period, the fight against the plague was deemed a top-priority along the French coast, and health institutions, called bureaux de la santé, were developed. Contributions to this book primarily focus on health vigilance from the standpoint of how to prevent an epidemic and how to respond to a declared epidemic. Among the salient themes addressed are: communications between health and different state actors, prevailing religious and political norms, and the popular participation in the fight against the plague. The use of the concept of vigilance enables the mobilisation of often rather distant branches of history, namely institutional. social, religious history, the history of communication and the history of public health.




The Journal of Hygiene


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Issues for 1906-17 include reports on plague investigation in India, 6th-10th reports; and Plague supplements, no. 1-5; and Parasitology v.1-5.