Derrida, an Egyptian


Book Description

Shortly before his death in 2004, Jacques Derrida expressed two paradoxical convictions: he was certain that he would be forgotten the very day he died, yet at the same time certain that something of his work would survive in the cultural memory. This text by Peter Sloterdijk - one of the major figures of contemporary philosophy - makes a contribution of its own to the preservation and continuation of Derrida's unique and powerful work. In this brief but illuminating text, Sloterdijk offers a series of recontextualizations of Derrida's work by exploring the connections between Derrida and seven major thinkers, including Hegel, Freud and Thomas Mann. The leitmotif of this exploration is the role that Egypt and the Egyptian pyramid plays in the philosophical imagination of the West, from the exodus of Moses and the Jews to the conceptualization of the pyramid as the archetype of the cumbersome objects that cannot be taken along by the spirit on its return to itself. 'Egyptian' is the term for all constructs that can be subjected to deconstruction - except for the pyramind, that most Egyptian of edifices, which stands in its place, unshakeable for all time, because its form is the undeconstructible remainder of a construction that is built to look as it would after its own collapse.




Writing and Difference


Book Description

First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence—the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis. Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.




A Companion to Derrida


Book Description

A Companion to Derrida is the most comprehensive single volume reference work on the thought of Jacques Derrida. Leading scholars present a summary of his most important accomplishments across a broad range of subjects, and offer new assessments of these achievements. The most comprehensive single volume reference work on the thought of Jacques Derrida, with contributions from highly prominent Derrida scholars Unique focus on three major philosophical themes of metaphysics and epistemology; ethics, religion, and politics; and art and literature Introduces the reader to the positions Derrida took in various areas of philosophy, as well as clarifying how derrideans interpret them in the present Contributions present not only a summary of Derrida’s most important accomplishments in relation to a wide range of disciplines, but also a new assessment of these accomplishments Offers a greater understanding of how Derrida’s work has fared since his death




Derrida/Searle


Book Description

Raoul Moati intervenes in the critical debate that divided two prominent philosophers in the mid-twentieth century. In the 1950s, the British philosopher J. L. Austin advanced a theory of speech acts, or the "performative," that Jacques Derrida and John R. Searle interpreted in fundamentally different ways. Their disagreement centered on the issue of intentionality, which Derrida understood phenomenologically and Searle read pragmatically. The controversy had profound implications for the development of contemporary philosophy, which, Moati argues, can profit greatly by returning to this classic debate. In this book, Moati systematically replays the historical encounter between Austin, Derrida, and Searle and the disruption that caused the lasting break between Anglo-American language philosophy and continental traditions of phenomenology and its deconstruction. The key issue, Moati argues, is not whether "intentionality," a concept derived from Husserl's phenomenology, can or cannot be linked to Austin's speech-acts as defined in his groundbreaking How to Do Things with Words, but rather the emphasis Searle placed on the performativity and determined pragmatic values of Austin's speech-acts, whereas Derrida insisted on the trace of writing behind every act of speech and the iterability of signs in different contexts.




Inventions of Difference


Book Description

Nine essays written over a dozen years explore problems of engaging the ideas of the contemporary French philosopher and their reception in the US. Deconstruction as criticism, the eclipse of difference, structural infinity, and responding responsibly are among the perspectives. Several of the essays have been previously published. Annotation copyright by Book News, Inc., Portland, OR




Derrida, Africa, and the Middle East


Book Description

The north African roots of Jacques Derrida - he was born in Algeria, and lived there until he was nearly twenty - have yet to receive due consideration. Derrida, Africa, and the Middle East investigates the iconic theorist s claim to "Black, Arab, and Jewish" identity, demonstrating for the first time his significance for Africa and the Middle East while remaining mindful of the conflict between these Jewish and Arab heritages. Even as it criticizes Derrida s analyses of the Palestinian-Israeli conflict, it shows why Derrida s idiosyncratic politics should not deter his critics. Further, this study reveals similarities between deconstruction and ancient Egypto-African ways of thinking about language, and posits a new critical lineage - one with origins outside the bounds of Greco-Roman thought.




Portrait of Jacques Derrida as a Young Jewish Saint


Book Description

A kaleidoscopic portrait of Derrida's life and works through the prism of his Jewish heritage, by a leading feminist thinker and close personal friend. From the circumcision act to family relationships, through Derrida's works to those of Celan, Rousseau, and Beaumarchais, Cixous effortlessly merges biography and textual commentary in this playful portrait of the man, his works, and being (or not being) Jewish.




Derrida and Antiquity


Book Description

"The essays in this volume chart Derrida's dialogue with the ancient world in the context of the central concerns of his work."--Introduction, p. 12.




Geneses, Genealogies, Genres, and Genius


Book Description

Jacques Derrida argues that the feminist and intellectual Hélène Cixous is the most important writer working within the French idiom today. To prove this, he elucidates the epistemological and historical interconnectedness of four terms: genesis, genealogy, genre, and genius, and how they pertain to or are implicated in Cixous's work. Derrida explores Cixous's genius (a masculine term in French, he is quick to point out) and the inspiration that guides and informs her writing. He marvels at her skillful working within multiple genres. He focuses on a number of her works, including her extraordinary novel Manhattan and her lyrical and evocative Dream I Tell You, a book addressed to Derrida himself and one in which Cixous presents a series of her dreams. Derrida also delves into the nature of the literary archive, the production of literature, and the importance of the poetic and sexual difference to the entirety of his own work. For forty years, Derrida had a close personal and intellectual relationship with Hélène Cixous. Clever, playful, and eloquent, Geneses, Genealogies, Genres, and Genius charts the influence these two critical giants had on each other and is the most vital work to address Cixous's contribution to French thought.




Disarming Words


Book Description

In a book that radically challenges conventional understandings of the dynamics of cultural imperialism, Shaden M. Tageldin unravels the complex relationship between translation and seduction in the colonial context. She examines the afterlives of two occupations of Egypt—by the French in 1798 and by the British in 1882—in a rich comparative analysis of acts, fictions, and theories that translated the European into the Egyptian, the Arab, or the Muslim. Tageldin finds that the encounter with European Orientalism often invited colonized Egyptians to imagine themselves "equal" to or even "masters" of their colonizers, and thus, paradoxically, to translate themselves toward—virtually into—the European. Moving beyond the domination/resistance binary that continues to govern understandings of colonial history, Tageldin redefines cultural imperialism as a politics of translational seduction, a politics that lures the colonized to seek power through empire rather than against it, thereby repressing its inherent inequalities. She considers, among others, the interplays of Napoleon and Hasan al-'Attar; Rifa'a al-Tahtawi, Silvestre de Sacy, and Joseph Agoub; Cromer, 'Ali Mubarak, Muhammad al-Siba'i, and Thomas Carlyle; Ibrahim 'Abd al-Qadir al-Mazini, Muhammad Husayn Haykal, and Ahmad Hasan al-Zayyat; and Salama Musa, G. Elliot Smith, Naguib Mahfouz, and Lawrence Durrell. In conversation with new work on translation, comparative literature, imperialism, and nationalism, Tageldin engages postcolonial and poststructuralist theorists from Frantz Fanon, Edward Said, and Gayatri Spivak to Jean Baudrillard, Walter Benjamin, Emile Benveniste, and Jacques Derrida.