Design for Eternity


Book Description

From the first millennium B.C. until the arrival of Europeans in the sixteenth century, artists from across the ancient Americas created small-scale architectural effigies to be placed in the tombs of important individuals. These works range from highly abstracted, minimalist representations of temples and houses to elaborate complexes populated with figures, conveying a rich sense of ancient ritual and daily life. Although often called models, these effigies were not created as prototypes for structures, but rather to serve as components of funerary practices that conveyed beliefs about an afterlife. Design for Eternity is the first publication in English to explore the full variety of these exquisite architectural works. The vivid illustrations and insightful essays focus on the concepts embodied in architectural representations and the role these intriguing sculptures played in mediating relationships among the living, the dead, and the divine.




Designing English


Book Description

Early manuscripts in the English language include religious works, plays, romances, poetry and songs, as well as charms, notebooks, science and medieval medicine. How did scribes choose to arrange the words and images on the page in each manuscript? How did they preserve, clarify and illustrate writing in English? What visual guides were given to early readers of English in how to understand or use their books?'Designing English' is an overview of eight centuries of graphic design in manuscripts and inscriptions from the Anglo-Saxon to the early Tudor periods. Working beyond the traditions established for Latin, scribes of English needed to be more inventive, so that each book was an opportunity for redesigning. 'Designing English' focuses on the craft, agency and intentions of scribes, painters and engravers in the practical processes of making pages and artefacts. It weighs up the balance of ingenuity and copying, practicality and imagination in their work. It surveys bilingual books, format, ordinatio, decoration and reading aloud, as well as inscriptions on objects, monuments and buildings.With over ninety illustrations, drawn especially from the holdings of the Bodleian Library in Old English and Middle English, 'Designing English' gives a comprehensive overview of English books and other material texts across the Middle Ages.




Patterns of Eternity


Book Description

Describes the starcut diagram which underlies many significant geometrical patterns and proportions across the world.




Shepherds


Book Description

How does God manage his entire creation? Has he had a plan, a theme, a metanarrative or something else which he follows that gives a unity to all of his efforts? Shepherds describes the relationship between the Creator and his creation, a relationship that is structurally integrated by the very core of who God is. There is a design within creation that radiates from his personal, unique being. What God created and how he manages it is a marvelous extension of who he is and how he acts. This relationship between God and his creation is not patterned only on his essence or being, but on his powerful and loving will and acts. Rather than a literary grid to which "theme" and "metanarrative" attempt to subject God's relationship with humanity, Shepherds recognizes that all of creation bears the eternal design emanating from God's very nature. Scripture is not a "story" about Israel or the church; it is not simply a story of redemption; it is a window into the eternal design by which God created reality and will eternally sustain that creation.




His by Design


Book Description

He's her boss. He'll do what he wants with her Ziara Divan came from nothing and worked hard to earn her position at Atlanta's most prestigious bridal fashion house. So when her new boss Sloan Creighton tries to seduce her in a power play, she's not having it. She won't climb the corporate ladder right into the boss's bed…even if he's irresistible. Sloan will have his way—in business and in pleasure. He'll regain control of his father's company, and he'll have this woman—not necessarily in that order. But just as his plans fall into place, Ziara's past threatens to tear them apart at the seams….




Revealing Heaven


Book Description

"Caught up by the Spirit of God, taken on tours of Heaven and now commissioned to reveal the truth and give hope for eternity."--page 4 of cover.




Experience


Book Description




Eternal Architect


Book Description




Internationalization, Design and Global Development


Book Description

This volume constitutes the refereed proceedings of the Third International Conference on Internationalization, Design and Global Development, IDGD 2009, held in San Diego, CA, USA, in July 2009 in the framework of the 13th International Conference on Human-Computer Interaction, HCII 2009 with 10 other thematically similar conferences. The 57 revised papers presented were carefully reviewed and selected from numerous submissions. The papers accepted for presentation thoroughly cover the entire field of internationalization, design and global development and address the following major topics: cross-cultural user interface design; culture, community, collaboration and learning; internationalization and usability; ICT for global development; and designing for eCommerce, eBusiness and eBanking.




Building for Eternity


Book Description

One marker of the majesty of ancient Rome is its surviving architectural legacy, the stunning remains of which are scattered throughout the circum-Mediterranean landscape. Surprisingly, one truly remarkable aspect of this heritage remains relatively unknown. There exists beneath the waters of the Mediterranean the physical remnants of a vast maritime infrastructure that sustained and connected the western world’s first global empire and economy. The key to this incredible accomplishment and to the survival of structures in the hostile environment of the sea for two thousand years was maritime concrete, a building material invented and then employed by Roman builders on a grand scale to construct harbor installations anywhere they were needed, rather than only in locations with advantageous geography or topography. This book explains how the Romans built so successfully in the sea with their new invention. The story is a stimulating mix of archaeological, geological, historical and chemical research, with relevance to both ancient and modern technology. It also breaks new ground in bridging the gap between science and the humanities by integrating analytical materials science, history, and archaeology, along with underwater exploration. The book will be of interest to anyone interested in Roman architecture and engineering, and it will hold special interest for geologists and mineralogists studying the material characteristics of pyroclastic volcanic rocks and their alteration in seawater brines. The demonstrable durability and longevity of Roman maritime concrete structures may be of special interest to engineers working on cementing materials appropriate for the long-term storage of hazardous substances such as radioactive waste. A pioneering methodology was used to bore into maritime structures both on land and in the sea to collect concrete cores for testing in the research laboratories of the CTG Italcementi Group, a leading cement producer in Italy, the University of Berkeley, and elsewhere. The resulting mechanical, chemical and physical analysis of 36 concrete samples taken from 11 sites in Italy and the eastern Mediterranean have helped fill many gaps in our knowledge of how the Romans built in the sea. To gain even more knowledge of the ancient maritime technology, the directors of the Roman Maritime Concrete Study (ROMACONS) engaged in an ambitious and unique experimental archaeological project – the construction underwater of a reproduction of a Roman concrete pier or pila. The same raw materials and tools available to the ancient builders were employed to produce a reproduction concrete structure that appears to be remarkably similar to the ancient one studied during ROMACON’s fieldwork between 2002-2009. This volume reveals a remarkable and unique archaeological project that highlights the synergy that now exists between the humanities and science in our continuing efforts to understand the past. It will quickly become a standard research tool for all interested in Roman building both in the sea and on land, and in the history and chemistry of marine concrete. The authors also hope that the data and observations it presents will stimulate further research by scholars and students into related topics, since we have so much more to learn in the years ahead.