Art and Auctions
Author :
Publisher :
Page : 312 pages
File Size : 19,75 MB
Release : 1969
Category : Art
ISBN :
Author :
Publisher :
Page : 312 pages
File Size : 19,75 MB
Release : 1969
Category : Art
ISBN :
Author : Harvard University. Fine Arts Library
Publisher :
Page : 642 pages
File Size : 14,77 MB
Release : 1976
Category : Art
ISBN :
Author : George R. Goldner
Publisher : Getty Publications
Page : 374 pages
File Size : 22,94 MB
Release : 1992-10-08
Category : Drawing
ISBN : 0892362197
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author : Egbert Haverkamp Begemann (Kunsthistoriker)
Publisher : Metropolitan Museum of Art
Page : 490 pages
File Size : 11,41 MB
Release : 1999
Category : Art
ISBN : 0870999184
"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
Author : Victoria and Albert museum libr
Publisher :
Page : 114 pages
File Size : 12,40 MB
Release : 1882
Category :
ISBN :
Author : Marco Beretta
Publisher : Science History Publications
Page : 156 pages
File Size : 41,28 MB
Release : 2001
Category : Art
ISBN : 9780881352948
Author : Frick Art Reference Library
Publisher :
Page : 812 pages
File Size : 17,51 MB
Release : 1983
Category : Art
ISBN :
Author :
Publisher :
Page : 852 pages
File Size : 20,86 MB
Release : 1896
Category : Geology
ISBN :
Author : Musee des Beaux Arts (Lille, France)
Publisher : Metropolitan Museum of Art
Page : 340 pages
File Size : 19,68 MB
Release : 1992
Category : Art
ISBN : 0870996495
Author : Basile Baudez
Publisher : Princeton University Press
Page : 288 pages
File Size : 16,95 MB
Release : 2021-12-21
Category : Architecture
ISBN : 0691233152
The first comprehensive account of how and why architects learned to communicate through color Architectural drawings of the Italian Renaissance were largely devoid of color, but from the seventeenth century through the nineteenth, polychromy in architectural representation grew and flourished. Basile Baudez argues that colors appeared on paper when architects adapted the pictorial tools of imitation, cartographers' natural signs, military engineers' conventions, and, finally, painters' affective goals in an attempt to communicate with a broad public. Inessential Colors traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, Inessential Colors challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.