Book Description
Reprint of the original, first published in 1883.
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 106 pages
File Size : 45,27 MB
Release : 2024-01-05
Category : Fiction
ISBN : 3385304687
Reprint of the original, first published in 1883.
Author : Bernard Quaritch (Firm)
Publisher :
Page : 1028 pages
File Size : 14,51 MB
Release : 1907
Category : Antiquarian booksellers
ISBN :
Author : Carter E. Foster
Publisher : Hudson Hills
Page : 170 pages
File Size : 10,7 MB
Release : 2001
Category : Art
ISBN : 9780940717671
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Author : Smith College. Museum of Art
Publisher :
Page : 350 pages
File Size : 36,38 MB
Release : 1927
Category :
ISBN :
Author : Maggs Bros
Publisher :
Page : 304 pages
File Size : 31,4 MB
Release : 1910
Category : Booksellers' catalogs
ISBN :
Author : Henry Sotheran Ltd
Publisher :
Page : 468 pages
File Size : 41,56 MB
Release : 1881
Category :
ISBN :
Author : JamesH. Rubin
Publisher : Routledge
Page : 415 pages
File Size : 40,19 MB
Release : 2017-07-05
Category : Art
ISBN : 1351550721
Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange-from rivalry to inspiration to collaboration-between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. This collection puts forward a more complex history of the relationship between art and music than has been described in earlier works, including an intermixing of models and distinctions between approaches to them. Individual essays from art history, musicology, and literature examine the growing influence of art upon music, and vice versa, in the works of Berlioz, Courbet, Manet, Fantin-Latour, Rodin, Debussy, and the Pre-Raphaelites, among other artists.
Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 17,87 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author : Susanna Avery-Quash
Publisher : Bloomsbury Publishing USA
Page : 339 pages
File Size : 15,39 MB
Release : 2020-10-15
Category : Art
ISBN : 1501348159
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Author : Alison McQueen
Publisher : Amsterdam University Press
Page : 392 pages
File Size : 33,10 MB
Release : 2003
Category : Art
ISBN : 9789053566244
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.