Sale Catalogues
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 39,33 MB
Release : 1922
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ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 39,33 MB
Release : 1922
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Author : Bernard Quaritch (Firm)
Publisher :
Page : 1028 pages
File Size : 34,24 MB
Release : 1907
Category : Antiquarian booksellers
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1662 pages
File Size : 44,85 MB
Release : 1922
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Author : Anderson Galleries, Inc
Publisher :
Page : 852 pages
File Size : 49,74 MB
Release : 1909
Category : Art
ISBN :
Author : Bernard Quaritch
Publisher :
Page : 68 pages
File Size : 37,3 MB
Release : 1909
Category : Art
ISBN :
Author : Bernard Quaritch (Firm)
Publisher :
Page : 388 pages
File Size : 29,31 MB
Release : 1909
Category : Art
ISBN :
Author : Grand Rapids Public Library (Grand Rapids, Mich.)
Publisher :
Page : 564 pages
File Size : 14,68 MB
Release : 1926
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Author : Grand Rapids (Mich.) Public Library
Publisher :
Page : 492 pages
File Size : 21,85 MB
Release : 1927
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Author :
Publisher : BRILL
Page : 501 pages
File Size : 10,3 MB
Release : 2023-08-14
Category : Art
ISBN : 9004680446
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
Author : Gillian Wilson
Publisher : Getty Publications
Page : 721 pages
File Size : 47,2 MB
Release : 2021-03-30
Category : Design
ISBN : 1606066323
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.